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Button_6A6EEE2A_6D50_0470_41D0_D48FECEF608B_mobile.label = Look for.... 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Time Lapse of Salon Wall Installation
HTMLText_012F220F_1774_671C_41B4_0EBDE47EE71E_mobile.html =
Time Lapse of Salon Wall Installation
HTMLText_0192DC81_176C_2305_41B6_D4CC068A8F45.html =
Sample Google Slideshow that can have video added by FIGGE.
HTMLText_0192DC81_176C_2305_41B6_D4CC068A8F45_mobile.html =
Sample Google Slideshow that can have video added by FIGGE.
HTMLText_085FC40E_7F4D_B93B_418E_78D9215BAD18.html =
What do you think this figure represents?


The figure behind the wall, identical to the figure on the other side, could represent those who want to be heard. The wall is stifling his words.
HTMLText_085FC40E_7F4D_B93B_418E_78D9215BAD18_mobile.html =
What do you think this figure represents?


The figure behind the wall, identical to the figure on the other side, could represent those who want to be heard. The wall is stifling his words.
HTMLText_08856038_17F4_6303_41AA_41F2E39EED18.html =
Sample Pop Up Video with Caption. This would be preloaded by IKD.
HTMLText_08856038_17F4_6303_41AA_41F2E39EED18_mobile.html =
Sample Pop Up Video with Caption. This would be preloaded by IKD.
HTMLText_0890505A_17F4_6304_41A8_EB0A6DDCBDA9.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_0890505A_17F4_6304_41A8_EB0A6DDCBDA9_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_08924054_17F4_630C_4184_FF6686AEB53C.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_08924054_17F4_630C_4184_FF6686AEB53C_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Audio Test 1
HTMLText_0895B05A_17F4_6304_41A0_250C1FF1B482_mobile.html =
Audio Test 1
HTMLText_0895F053_17F4_6304_41B0_842CBFFEDE62.html =
Audio Test 1
HTMLText_0895F053_17F4_6304_41B0_842CBFFEDE62_mobile.html =
Audio Test 1
HTMLText_0C00B120_17D4_6504_41B0_BA9F4AE1127F.html =
Sample Google Slideshow that can have video added by FIGGE.
HTMLText_0C00B120_17D4_6504_41B0_BA9F4AE1127F_mobile.html =
Sample Google Slideshow that can have video added by FIGGE.
HTMLText_0D092904_7F44_AB2F_41DF_5311DB012FF8.html =
What do you think this figure is trying to do?


This figure may represent those who want to listen. Although he is straining to hear, the wall prevents the speaker’s message from reaching him.
HTMLText_0D092904_7F44_AB2F_41DF_5311DB012FF8_mobile.html =
What do you think this figure is trying to do?


This figure may represent those who want to listen. Although he is straining to hear, the wall prevents the speaker’s message from reaching him.
HTMLText_10ADCFA8_040A_4D90_4175_76AAF04F2179.html =
Video


Description. What are we looking at?
HTMLText_10ADCFA8_040A_4D90_4175_76AAF04F2179_mobile.html =
Video


Description. What are we looking at?
HTMLText_1204B500_7F4D_7B28_41DE_E28CB007A933.html =
Why do you think Tooker depicted two identical figures?


In depicting identical figures, Tooker may be suggesting that we find the same dissatisfaction in ourselves that we find in others. The barriers we build only worsen our anxiety and inability to communicate.
HTMLText_1204B500_7F4D_7B28_41DE_E28CB007A933_mobile.html =
Why do you think Tooker depicted two identical figures?


In depicting identical figures, Tooker may be suggesting that we find the same dissatisfaction in ourselves that we find in others. The barriers we build only worsen our anxiety and inability to communicate.
HTMLText_13967F00_7F4C_A727_41D5_A1D3C0DCB0D8.html =
What do you think the placement of this wall means?


Tooker painted a series of images that depicted subjects divided by walls over twelve years. He was interested in capturing communication breakdown and isolation present in modern life.
HTMLText_13967F00_7F4C_A727_41D5_A1D3C0DCB0D8_mobile.html =
What do you think the placement of this wall means?


Tooker painted a series of images that depicted subjects divided by walls over twelve years. He was interested in capturing communication breakdown and isolation present in modern life.
HTMLText_14050A24_8276_EEF0_41BD_A7751260EE25.html =


Shapes are flat, outlined elements that are geometric or organic, manmade or found in nature. The rectangular structure of the house creates eye-catching contrast between the organic shapes of the rocks and the trees.
HTMLText_14050A24_8276_EEF0_41BD_A7751260EE25_mobile.html =


Shapes are flat, outlined elements that are geometric or organic, manmade or found in nature. The rectangular structure of the house creates eye-catching contrast between the organic shapes of the rocks and the trees.
HTMLText_140865F2_826F_E553_41D3_E22AE160D2FC.html =


Artists combine and repeat colors, shapes, and other elements to create patterns in their work. WalkingStick’s combination of triangles and crosses repeats across the bottom of the panel, creating a simple yet effective pattern.
HTMLText_140865F2_826F_E553_41D3_E22AE160D2FC_mobile.html =


Artists combine and repeat colors, shapes, and other elements to create patterns in their work. WalkingStick’s combination of triangles and crosses repeats across the bottom of the panel, creating a simple yet effective pattern.
HTMLText_141CB908_8275_EABF_41C3_545E363BF564.html =
Proportion describes the relationship between the elements in the whole of an artwork. Chase’s use of proportion adds realism to the portrait, as the size and height of the sitter compared to the chair are true to life.
HTMLText_141CB908_8275_EABF_41C3_545E363BF564_mobile.html =
Proportion describes the relationship between the elements in the whole of an artwork. Chase’s use of proportion adds realism to the portrait, as the size and height of the sitter compared to the chair are true to life.
HTMLText_1423FDEC_8275_A570_41D6_B4C954EF7BFA.html =


Artists add white or black to a color to change its value to make light and shadow. Bierstadt changes value to suggest a sky illuminated by bright sunlight and a field eclipsed by dark, looming storm clouds.
HTMLText_1423FDEC_8275_A570_41D6_B4C954EF7BFA_mobile.html =


Artists add white or black to a color to change its value to make light and shadow. Bierstadt changes value to suggest a sky illuminated by bright sunlight and a field eclipsed by dark, looming storm clouds.
HTMLText_142DF0BB_826E_FBD0_41B7_02B6A0F5E448.html =


Shapes are flat, outlined elements that are geometric or organic, manmade or found in nature. WalkingStick combines the organic shapes of the trees and the geometric shapes of the pattern to create variety with shape.
HTMLText_142DF0BB_826E_FBD0_41B7_02B6A0F5E448_mobile.html =


Shapes are flat, outlined elements that are geometric or organic, manmade or found in nature. WalkingStick combines the organic shapes of the trees and the geometric shapes of the pattern to create variety with shape.
HTMLText_142F926D_8272_7F70_41D3_3B04BD2C3E46.html =


Visual texture gives art objects the illusion that they can be touched and felt. Bierstadt uses a combination of faint colors and bright white to realistically capture the water’s reflective surface and coolness to the touch.
HTMLText_142F926D_8272_7F70_41D3_3B04BD2C3E46_mobile.html =


Visual texture gives art objects the illusion that they can be touched and felt. Bierstadt uses a combination of faint colors and bright white to realistically capture the water’s reflective surface and coolness to the touch.
HTMLText_1456F7B5_B657_0A5D_41D0_8BF00F6B56F5.html =
Laurel Farrin on Lois Dodd’s View through the Chicken House
HTMLText_1456F7B5_B657_0A5D_41D0_8BF00F6B56F5_mobile.html =
Laurel Farrin on Lois Dodd’s View through the Chicken House
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Lois Dodd
View through Chicken House, 1971, oil on Masonite
National Academy of Design, New York, Gift of Lois Dodd, 2004, 2004.1


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Lois Dodd
View through Chicken House, 1971, oil on Masonite
National Academy of Design, New York, Gift of Lois Dodd, 2004, 2004.1


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Balance gives artwork a sense of stability.


WalkingStick uses blue and orange hues to show the natural symmetrical balance between day and night.
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Balance gives artwork a sense of stability.


WalkingStick uses blue and orange hues to show the natural symmetrical balance between day and night.
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The term ‘hue’ refers to a color. Chase uses red as a primary hue in the portrait for vibrancy and sharp contrast.
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The term ‘hue’ refers to a color. Chase uses red as a primary hue in the portrait for vibrancy and sharp contrast.
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Lines are two- or three-dimensional marks that create space between start and end points and suggest form. The minimal space between lines makes it appear as though the sitter truly occupies the chair, as the chair’s angular lines accentuate the sitter’s organic, slouching form.
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Lines are two- or three-dimensional marks that create space between start and end points and suggest form. The minimal space between lines makes it appear as though the sitter truly occupies the chair, as the chair’s angular lines accentuate the sitter’s organic, slouching form.
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Space gives art a sense of depth. Blumenschein’s addition of elements in the foreground, middle ground, and background, which vary in size and detail, create the illusion that the landscape is vast and recedes into space.
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Space gives art a sense of depth. Blumenschein’s addition of elements in the foreground, middle ground, and background, which vary in size and detail, create the illusion that the landscape is vast and recedes into space.
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Balance gives a work of art stability. The ball and wicket in the foreground of the painting create asymmetrical balance between the elements in the middle ground.
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Balance gives a work of art stability. The ball and wicket in the foreground of the painting create asymmetrical balance between the elements in the middle ground.
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Visual texture gives art objects the illusion that they can be touched and felt. Homer’s combination of art elements and principles makes the croquet player’s satin dress look flowing and soft.
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Visual texture gives art objects the illusion that they can be touched and felt. Homer’s combination of art elements and principles makes the croquet player’s satin dress look flowing and soft.
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Rhythm suggests motion in artwork, and it is created when other elements work in tandem to make a visual beat. Patterns and shapes give WalkingStick’s composition a steady rhythm throughout the piece.
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Rhythm suggests motion in artwork, and it is created when other elements work in tandem to make a visual beat. Patterns and shapes give WalkingStick’s composition a steady rhythm throughout the piece.
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Artists use contrast to draw in viewers’ eyes and emphasize the differences of individual elements. Chase combines black with reds and browns of varying intensity to create bold contrast in the portrait.
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Artists use contrast to draw in viewers’ eyes and emphasize the differences of individual elements. Chase combines black with reds and browns of varying intensity to create bold contrast in the portrait.
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Movement suggests action and guides viewers’ eyes across a composition. While subtle, Bierstadt uses movement to suggest dark storm clouds are moving in from the distance.
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Movement suggests action and guides viewers’ eyes across a composition. While subtle, Bierstadt uses movement to suggest dark storm clouds are moving in from the distance.
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Artists add white or black to a color to change its value to make light and dark. Homer changed the value of green to create the tree’s shadow.
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Artists add white or black to a color to change its value to make light and dark. Homer changed the value of green to create the tree’s shadow.
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Harmony is achieved when all elements work together to create a well-balanced composition. Bierstadt creates harmony in the landscape with balanced light and shadow, light and dark values, and the mood of the calmness in a field broken by the chaos of a coming storm.
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Harmony is achieved when all elements work together to create a well-balanced composition. Bierstadt creates harmony in the landscape with balanced light and shadow, light and dark values, and the mood of the calmness in a field broken by the chaos of a coming storm.
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Visual texture gives art objects the illusion that they can be touched and felt. Blumenschein used short, choppy brushstrokes to make the mountains appear rocky, even from a distance.
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Visual texture gives art objects the illusion that they can be touched and felt. Blumenschein used short, choppy brushstrokes to make the mountains appear rocky, even from a distance.
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Emanuel Leutze
George Washington, Study for "Washington Crossing the Delaware", ca. 1850, oil on canvas
National Academy of Design, New York, Courtesy American Federation of Arts


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Emanuel Leutze
George Washington, Study for "Washington Crossing the Delaware", ca. 1850, oil on canvas
National Academy of Design, New York, Courtesy American Federation of Arts


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Rob Lipnick on Emanuel Leutze’s George Washington
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Rob Lipnick on Emanuel Leutze’s George Washington
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Contrast draws viewers’ eyes to a work of art. The secondary colors green and orange create contrast between the croquet player and her environment.
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Contrast draws viewers’ eyes to a work of art. The secondary colors green and orange create contrast between the croquet player and her environment.
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Childe Hassam
The Jewel Box, Old Lyme, 1906, oil on canvas
National Academy of Design, New York, Courtesy American Federation of Arts


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Childe Hassam
The Jewel Box, Old Lyme, 1906, oil on canvas
National Academy of Design, New York, Courtesy American Federation of Arts
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Intensity describes a color’s brightness or purity of hue. The intensity of Blumenschein’s colors creates the illusion of a vibrant, sun-kissed landscape.
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Intensity describes a color’s brightness or purity of hue. The intensity of Blumenschein’s colors creates the illusion of a vibrant, sun-kissed landscape.
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Closer Looking


Looking closely at artwork can help us see details we may not have noticed at first. It can also fuel our curiosity, as we try to understand what the artist wanted to communicate.


Here are some questions to consider as you look closely at this artwork:


Have you ever felt like you were unable to communicate your thoughts? How did that make you feel?


Have you ever been frustrated when you are not understood by others?


Other than using one’s voice, think of ways in which you can communicate an idea.


How can you be a better listener?


Do you think the artist does a good job in expressing the difficulty in communications?


To learn more about the artwork, move your cursor over different parts of the painting.



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Closer Looking


Looking closely at artwork can help us see details we may not have noticed at first. It can also fuel our curiosity, as we try to understand what the artist wanted to communicate.


Here are some questions to consider as you look closely at this artwork:


Have you ever felt like you were unable to communicate your thoughts? How did that make you feel?


Have you ever been frustrated when you are not understood by others?


Other than using one’s voice, think of ways in which you can communicate an idea.


How can you be a better listener?


Do you think the artist does a good job in expressing the difficulty in communications?


To learn more about the artwork, move your cursor over different parts of the painting.



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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_2D646AA3_6187_E969_41D7_FE349CD2DCC7_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Daniel Huntington
New York City 1816-1906


The Fair Student [or] Girl Reading, 1858


Oil on canvas
Bequest of James A. Suydam, 1865





Presentation at the Figge supported by
Susan Perry and Stan Goodyear



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Daniel Huntington
New York City 1816-1906


The Fair Student [or] Girl Reading, 1858


Oil on canvas
Bequest of James A. Suydam, 1865



Presentation at the Figge supported by
Susan Perry and Stan Goodyear



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Congrats! You found all of the items on this wall.
HTMLText_30E81A88_6E0E_B3F1_41C3_50004B75C847_mobile.html =
Congrats! You found all of the items on this wall.
HTMLText_34F81131_173C_E504_41A2_849D5035C2F7.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_34F81131_173C_E504_41A2_849D5035C2F7_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Audio Test 1
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_34FB513C_173C_E57C_41B2_329DB58C8EBC_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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You are Invited to Contribute to our Community Art Gallery.
Please fill out this form to submit your own work ↓
HTMLText_370D8D44_17EC_5D03_4193_B8CFE15BFA08_mobile.html =
You are Invited to Contribute to our Community Art Gallery.
Please fill out this form to submit your own work ↓
HTMLText_3A7226EF_8FCE_9CAE_41D6_E32A5C93BC12.html =
Sample Google Slideshow that can have video added by FIGGE.
HTMLText_3A7226EF_8FCE_9CAE_41D6_E32A5C93BC12_mobile.html =
Sample Google Slideshow that can have video added by FIGGE.
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Audio Test 1
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40024CDE_6330_0852_41A7_2CE28400BC91_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40059CC9_6330_08BE_41CF_33473694B842.html =
John Singer Sargent
Florence, Italy 1856–1925 London, England


Claude Monet, about 1887


Oil on canvas
NA diploma presentation, October 25, 1897




HTMLText_40059CC9_6330_08BE_41CF_33473694B842_mobile.html =
John Singer Sargent
Florence, Italy 1856–1925 London, England


Claude Monet, about 1887


Oil on canvas
NA diploma presentation, October 25, 1897




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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_400BBD01_6330_09AE_41D0_4C2131D226E0_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Audio Test 1
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_400EFCED_6330_0876_41CD_F9ACFFAFA8F1_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Audio Test 1
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40106C99_6330_08DE_41C9_E9C975AB4F8D_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4018ECB9_6330_08DE_41A1_1E66CDF6238F_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_401C6CA5_6330_08F6_41AB_5840B70DC3F6.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_401C6CA5_6330_08F6_41AB_5840B70DC3F6_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40201C51_6330_0FAF_41C8_CB91F52CCF48.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40201C51_6330_0FAF_41C8_CB91F52CCF48_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40208C58_6330_085D_41D1_814E586BAF28.html =
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Audio Test 1
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40226C5E_6330_0855_41C3_4C3538F5A6E3_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40260C4B_6330_0FB3_4170_8C06138B6D2B.html =
Audio Test 1
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Audio Test 1
HTMLText_4028DC74_6330_0855_41D0_465982CE1DCC.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4028DC74_6330_0855_41D0_465982CE1DCC_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_402BDC84_6330_08B5_41D3_AE39E6CAB217.html =
Cecilia Beaux
Philadelphia 1855-1942 Gloucester, MA


Self-Portrait, 1894


Oil on canvas
ANA diploma presentation, May 13, 1895


As a single woman from an old family but with a distinct lack of fortune, Beaux made her way in her professional life as a portraitist, one of the best of her era. Society portraiture is today a vanished art. But Beaux had perceived a need: both newly minted millionaires and well-to-do scions of aristocratic families were seeking a contemporary read on the ancestral claims that commissioned portraits offered. She filled that niche with a panache both traditional and new—brighter chroma, brilliant brushwork, and psychological immediacy. Her self-portrait is an advertisement. She is declaring: others may be able to depict stout, successful businessmen, but come to me for sympathetic views of men, women, and children.


—Robert Kushner, NA








Presentation at the Figge supported by
Andrew and Elizabeth Wallace







HTMLText_402BDC84_6330_08B5_41D3_AE39E6CAB217_mobile.html =
Cecilia Beaux
Philadelphia 1855-1942 Gloucester, MA


Self-Portrait, 1894


Oil on canvas
ANA diploma presentation, May 13, 1895


As a single woman from an old family but with a distinct lack of fortune, Beaux made her way in her professional life as a portraitist, one of the best of her era. Society portraiture is today a vanished art. But Beaux had perceived a need: both newly minted millionaires and well-to-do scions of aristocratic families were seeking a contemporary read on the ancestral claims that commissioned portraits offered. She filled that niche with a panache both traditional and new—brighter chroma, brilliant brushwork, and psychological immediacy. Her self-portrait is an advertisement. She is declaring: others may be able to depict stout, successful businessmen, but come to me for sympathetic views of men, women, and children.


—Robert Kushner, NA








Presentation at the Figge supported by
Andrew and Elizabeth Wallace







HTMLText_402EFC6E_6330_0875_41CE_78BC78DC306E.html =
Audio Test 1
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Audio Test 1
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William J. Whittemore
New York City 1860-1955 East Hampton, NY


Charles Courtney Curran, 1888-1889


Oil on canvas
ANA diploma exchange presentation, May 7, 1934
Original ANA diploma presentation May 6, 1889


Painted representations of palettes make me very happy. Paint becomes a representation of itself as well as a reminder of the messy, undifferentiated origins of the crafted picture. This portrait makes a complete body out of dispersed, heterogeneous parts—a complicated body constrained and subdivided by guardrails, pedestals, canvas edges, bowler hats, and neckties. My intuition is that Whittemore and Curran were committed traditionalists, not in the business of questioning social or aesthetic conventions. But some works of art have the power to break free of their makers’ intentions. Was Whittemore perhaps portraying Curran making a portrait of his palette, a blank space of potential waiting for wet colors to be squeezed out and smeared across it?


—David Humphrey, NA



HTMLText_40302C18_6330_0FDD_41D3_50255724F607_mobile.html =
William J. Whittemore
New York City 1860-1955 East Hampton, NY


Charles Courtney Curran, 1888-1889


Oil on canvas
ANA diploma exchange presentation, May 7, 1934
Original ANA diploma presentation May 6, 1889


Painted representations of palettes make me very happy. Paint becomes a representation of itself as well as a reminder of the messy, undifferentiated origins of the crafted picture. This portrait makes a complete body out of dispersed, heterogeneous parts—a complicated body constrained and subdivided by guardrails, pedestals, canvas edges, bowler hats, and neckties. My intuition is that Whittemore and Curran were committed traditionalists, not in the business of questioning social or aesthetic conventions. But some works of art have the power to break free of their makers’ intentions. Was Whittemore perhaps portraying Curran making a portrait of his palette, a blank space of potential waiting for wet colors to be squeezed out and smeared across it?


—David Humphrey, NA



HTMLText_4032EC25_6330_0FF7_41B4_30F53CCC5A56.html =
Audio Test 1
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Audio Test 1
HTMLText_40390C37_6330_0FD3_41D8_2E3CDB19BF8D.html =
Thomas Eakins
Philadelphia 1844-1916


Self-Portrait, 1902
Oil on canvas
ANA diploma presentation, May 5, 1902


On May 5, 1902, Eakins was elected Associate National Academician, and then, nine days later, he advanced to National Academician—an unprecedented progression. This much-studied portrait has long fascinated scholars: some see in Eakins a vulnerable man laying himself bare before viewers; others see a careworn victim with brimming eyes who was misunderstood, persecuted, and neglected throughout his life; still others see a defiant individual, unkempt and rebellious, who chafed at the belated honors bestowed on him by the Academy, the institution where he had lectured since 1888. What these combined interpretations suggest, at their heart, is that the self-portrait overflows with humanity.








Presentation at the Figge supported by
Thomas F. to honor Michelle Hargrave
HTMLText_40390C37_6330_0FD3_41D8_2E3CDB19BF8D_mobile.html =
Thomas Eakins
Philadelphia 1844-1916


Self-Portrait, 1902
Oil on canvas
ANA diploma presentation, May 5, 1902


On May 5, 1902, Eakins was elected Associate National Academician, and then, nine days later, he advanced to National Academician—an unprecedented progression. This much-studied portrait has long fascinated scholars: some see in Eakins a vulnerable man laying himself bare before viewers; others see a careworn victim with brimming eyes who was misunderstood, persecuted, and neglected throughout his life; still others see a defiant individual, unkempt and rebellious, who chafed at the belated honors bestowed on him by the Academy, the institution where he had lectured since 1888. What these combined interpretations suggest, at their heart, is that the self-portrait overflows with humanity.








Presentation at the Figge supported by
Thomas F. to honor Michelle Hargrave
HTMLText_403D1C2B_6330_0FF3_4190_B756F5879CA5.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_403D1C2B_6330_0FF3_4190_B756F5879CA5_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40407DC4_6330_08B5_41B9_0E2D4B9DC710.html =
Audio Test 1
HTMLText_40407DC4_6330_08B5_41B9_0E2D4B9DC710_mobile.html =
Audio Test 1
HTMLText_40432DCA_6330_08BD_41B0_74A78D50711D.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40432DCA_6330_08BD_41B0_74A78D50711D_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40468DBC_6330_08D5_41A4_60E6598D19B1.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40468DBC_6330_08D5_41A4_60E6598D19B1_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40493DD8_6330_085D_41D5_9173EA6782CF.html =
Audio Test 1
HTMLText_40493DD8_6330_085D_41D5_9173EA6782CF_mobile.html =
Audio Test 1
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Audio Test 1
HTMLText_40517D8C_6330_08B5_41D5_9FB34B98364B_mobile.html =
Audio Test 1
HTMLText_40524D92_6330_08AD_41D1_8B86D505BE11.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40524D92_6330_08AD_41D1_8B86D505BE11_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40544D7E_6330_0855_41AE_7F3130970AA8.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40544D7E_6330_0855_41AE_7F3130970AA8_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_405B6DB5_6330_08D7_41C3_DE7003B9FA4C.html =
Audio Test 1
HTMLText_405B6DB5_6330_08D7_41C3_DE7003B9FA4C_mobile.html =
Audio Test 1
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William Merritt Chase
Williamsburg, IN 1849–1916 New York City


Robert Blum, 1888


Oil on canvas
ANA diploma presentation, March 18, 1889



HTMLText_405ECDA7_6330_08F3_41D0_786ADCA076A8_mobile.html =
William Merritt Chase
Williamsburg, IN 1849–1916 New York City


Robert Blum, 1888


Oil on canvas
ANA diploma presentation, March 18, 1889



HTMLText_40642D3D_6330_09D6_41BD_D6CF24D06FB3.html =
Audio Test 1
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Audio Test 1
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40662D44_6330_09B6_419C_16F3DD1357C4_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40695D70_6330_086D_41D3_A32BB00FB124.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40695D70_6330_086D_41D3_A32BB00FB124_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_406BCD78_6330_085D_41D6_43697AF55173.html =
Audio Test 1
HTMLText_406BCD78_6330_085D_41D6_43697AF55173_mobile.html =
Audio Test 1
HTMLText_406C5D58_6330_085D_41B0_B2CAAD836432.html =
Robert Frederick Blum
Cincinnati, OH 1857-1903 New York City


Two Idlers, 1888-1889


Oil on canvas
NA diploma presentation, March 26, 1894


Blum and Chase were close friends: the two traveled throughout Europe together in the first half of the 1880s, frequently depicted one another, and were elected ANAs (the rank preceding full National Academician) in the same year. The Young Orphan likely depicts a model Chase found at the Protestant Half-Orphan Asylum, near his studio in New York City, while Two Idlers pictures the prominent painter William Jacob Baer and his musician wife, Laura Schenk, lounging at their home in Brick Church, New Jersey. While some of Chase’s critics perceived an aloofness in his figures, the artist’s emotionally stirring portrait of Blum forges a deeper connection between these well-known works.



Presentation at the Figge supported by
John & Kay Hall honoring Jean Nobis
HTMLText_406C5D58_6330_085D_41B0_B2CAAD836432_mobile.html =
Robert Frederick Blum
Cincinnati, OH 1857-1903 New York City


Two Idlers, 1888-1889


Oil on canvas
NA diploma presentation, March 26, 1894


Blum and Chase were close friends: the two traveled throughout Europe together in the first half of the 1880s, frequently depicted one another, and were elected ANAs (the rank preceding full National Academician) in the same year. The Young Orphan likely depicts a model Chase found at the Protestant Half-Orphan Asylum, near his studio in New York City, while Two Idlers pictures the prominent painter William Jacob Baer and his musician wife, Laura Schenk, lounging at their home in Brick Church, New Jersey. While some of Chase’s critics perceived an aloofness in his figures, the artist’s emotionally stirring portrait of Blum forges a deeper connection between these well-known works.



Presentation at the Figge supported by
John & Kay Hall honoring Jean Nobis
HTMLText_406F7D69_6330_087F_41C1_D6E58F81B585.html =
Audio Test 1
HTMLText_406F7D69_6330_087F_41C1_D6E58F81B585_mobile.html =
Audio Test 1
HTMLText_4072CD1D_6330_09D6_41CC_7D2BE1B18A5F.html =
Audio Test 1
HTMLText_4072CD1D_6330_09D6_41CC_7D2BE1B18A5F_mobile.html =
Audio Test 1
HTMLText_40746D01_5E85_AB29_41D1_AE6B209EA488.html =
Frederic Edwin Church
Hartford, CT 1826–1900 New York City


Scene among the Andes, 1854


Oil on canvas
Bequest of James A. Suydam, 1865



Presentation at the Figge supported by
Whitey’s Ice Cream




HTMLText_40746D01_5E85_AB29_41D1_AE6B209EA488_mobile.html =
Frederic Edwin Church
Hartford, CT 1826–1900 New York City


Scene among the Andes, 1854


Oil on canvas
Bequest of James A. Suydam, 1865



Presentation at the Figge supported by
Whitey’s Ice Cream




HTMLText_40773D14_5E85_AB2F_416B_6CEF43C28E11.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40773D14_5E85_AB2F_416B_6CEF43C28E11_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4077DD0D_6330_09B6_41CB_A767724D2F10.html =
John Singer Sargent
Florence, Italy 1856–1925 London, England


Self-Portrait, 1892


Oil on canvas
ANA diploma presentation, May 9, 1892






HTMLText_4077DD0D_6330_09B6_41CB_A767724D2F10_mobile.html =
John Singer Sargent
Florence, Italy 1856–1925 London, England


Self-Portrait, 1892


Oil on canvas
ANA diploma presentation, May 9, 1892






HTMLText_4078DD2A_6330_09F2_41D7_FD092DF71A38.html =
Audio Test 1
HTMLText_4078DD2A_6330_09F2_41D7_FD092DF71A38_mobile.html =
Audio Test 1
HTMLText_40790D30_6330_09EE_41C4_E88F08D76EBE.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40790D30_6330_09EE_41C4_E88F08D76EBE_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_407B5CEB_5E85_AAF9_41C2_0BBD118609D6.html =
Audio Test 1
HTMLText_407B5CEB_5E85_AAF9_41C2_0BBD118609D6_mobile.html =
Audio Test 1
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_407CFCF1_5E85_AAE9_41D2_8B5EA0DF8031_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_407D1D24_6330_09F6_41D3_28E0A6923E01.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40872E57_6330_0852_41BE_F26A97229C31.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40872E57_6330_0852_41BE_F26A97229C31_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40887E6C_6330_0876_41A1_622F9372563C.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40887E6C_6330_0876_41A1_622F9372563C_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_408F0E66_6330_0872_41C8_A47165896B33.html =
Audio Test 1
HTMLText_408F0E66_6330_0872_41C8_A47165896B33_mobile.html =
Audio Test 1
HTMLText_4090AE34_6330_0BD6_4196_A15921F2AAA9.html =
Robert Reid
Stockbridge, MA 1862–1929 Clifton Springs, NY


Self-Portrait, 1904


Oil on canvas
ANA diploma presentation, December 5, 1904
HTMLText_4090AE34_6330_0BD6_4196_A15921F2AAA9_mobile.html =
Robert Reid
Stockbridge, MA 1862–1929 Clifton Springs, NY


Self-Portrait, 1904


Oil on canvas
ANA diploma presentation, December 5, 1904
HTMLText_409A5E49_6330_0BBE_41CE_160F4BB563AE.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_409A5E49_6330_0BBE_41CE_160F4BB563AE_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_409BCE51_6330_0BAE_41CE_F055F6951E79.html =
Audio Test 1
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Audio Test 1
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Audio Test 1
HTMLText_409EAE44_6330_0BB6_41C8_40126708CFFF_mobile.html =
Audio Test 1
HTMLText_40A29E14_6330_0BD6_4199_B259A03F942B.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40A29E14_6330_0BD6_4199_B259A03F942B_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40A52E04_6330_0BB6_418E_C602EA1CAE38.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40A52E04_6330_0BB6_418E_C602EA1CAE38_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40A74E0D_6330_0BB6_41D7_113C8F835D1E.html =
Audio Test 1
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Audio Test 1
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Audio Test 1
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Audio Test 1
HTMLText_40AB6E27_6330_0BF2_41C6_EA43EC00DE26.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40AB6E27_6330_0BF2_41C6_EA43EC00DE26_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40B3FDF1_6330_086F_41C5_DEFF38777134.html =
William Merritt Chase
Williamsburg, IN 1849–1916 New York City


The Young Orphan [or] An Idle Moment [or] Portrait, 1884


Oil on canvas
NA diploma presentation, November 24, 1890




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William Merritt Chase
Williamsburg, IN 1849–1916 New York City


The Young Orphan [or] An Idle Moment [or] Portrait, 1884


Oil on canvas
NA diploma presentation, November 24, 1890




HTMLText_40B46DDE_6330_0855_41AB_996D5B98FA07.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40B46DDE_6330_0855_41AB_996D5B98FA07_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40B9DDFE_6330_0852_41C2_549D5FE54AE5.html =
Audio Test 1
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Audio Test 1
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Audio Test 1
HTMLText_40C0EEEB_6330_0873_41C7_6A6BB572EA80_mobile.html =
Audio Test 1
HTMLText_40C2FEF1_6330_086F_41D1_E8E0D541F329.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40C2FEF1_6330_086F_41D1_E8E0D541F329_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40CB9F00_6330_09AD_41D4_CA3637864010.html =
Kenyon Cox
Warren, OH 1856–1919 New York City


Maxfield Parrish, 1905


Oil on canvas
ANA diploma presentation, December 5, 1905














HTMLText_40CB9F00_6330_09AD_41D4_CA3637864010_mobile.html =
Kenyon Cox
Warren, OH 1856–1919 New York City


Maxfield Parrish, 1905


Oil on canvas
ANA diploma presentation, December 5, 1905














HTMLText_40D30ECB_6330_08B3_41D3_11EABBD48D96.html =
Audio Test 1
HTMLText_40D30ECB_6330_08B3_41D3_11EABBD48D96_mobile.html =
Audio Test 1
HTMLText_40D4DEBE_6330_08D5_41A6_62B05C341268.html =
Maxfield Parrish
Philadelphia 1870-1966 Plainfield, NH


Saint Valentine, 1904


Tempera on gessoed panel
NA diploma presentation, May 8, 1907


The most familiar artist to me, growing up in a working-class family in Saint Louis, was certainly Maxfield Parrish, whose calendars or posters would have been found above the refrigerators in the kitchens of my childhood. Saint Valentine was commissioned as a cover for Life magazine and based on a photographic self-portrait by Parrish. The artist lost no sleep over the idea that using a photographic source might be “cheating,” nor did he worry too much about any bias toward fine art versus illustration, a distinction that has lost much of its certainty. The primacy of imagination was the driving force in Parrish’s work, as is evident in his statement “People need outlets for their imagination. They need windows for their minds. Artists provide them.”


—John Moore, NA



Presentation at the Figge supported by
Annie Kuttler & Will Martin


HTMLText_40D4DEBE_6330_08D5_41A6_62B05C341268_mobile.html =
Maxfield Parrish
Philadelphia 1870-1966 Plainfield, NH


Saint Valentine, 1904


Tempera on gessoed panel
NA diploma presentation, May 8, 1907


The most familiar artist to me, growing up in a working-class family in Saint Louis, was certainly Maxfield Parrish, whose calendars or posters would have been found above the refrigerators in the kitchens of my childhood. Saint Valentine was commissioned as a cover for Life magazine and based on a photographic self-portrait by Parrish. The artist lost no sleep over the idea that using a photographic source might be “cheating,” nor did he worry too much about any bias toward fine art versus illustration, a distinction that has lost much of its certainty. The primacy of imagination was the driving force in Parrish’s work, as is evident in his statement “People need outlets for their imagination. They need windows for their minds. Artists provide them.”


—John Moore, NA



Presentation at the Figge supported by
Annie Kuttler & Will Martin


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Audio Test 1
HTMLText_40D95ED8_6330_085D_41D8_5AA511DE88B5_mobile.html =
Audio Test 1
HTMLText_40DBCEDD_6330_0857_41C5_75BC87916992.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40DBCEDD_6330_0857_41C5_75BC87916992_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40DCFED1_6330_08AF_41D0_CE16E150E273.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40DCFED1_6330_08AF_41D0_CE16E150E273_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40EC5EA7_6330_08F2_41B9_AF96193091C9.html =
Audio Test 1
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Audio Test 1
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40ED8EAD_6330_08F6_419C_126C08A2B28E_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40F39E86_6330_08B2_41B6_A90DB9880398.html =
Audio Test 1
HTMLText_40F39E86_6330_08B2_41B6_A90DB9880398_mobile.html =
Audio Test 1
HTMLText_40F54E78_6330_085E_418D_45A26B1DA706.html =
Robert Reid
Stockbridge, MA 1862–1929 Clifton Springs, NY


Daffodils, n.d.


Oil on canvas
NA diploma presentation, October 25, 1906


In 1877, deeming the National Academy too conservative, a group of artists seceded to form the Society of American Artists; twenty years later, a group of artists seceded from that society for the same reason to form the Ten American Painters, better known as “the Ten.” Reid was the youngest member of the group, and he is best known for the works he exhibited during the Ten’s early years, such as Daffodils, which present a synthesis of academic and Impressionist approaches. Of his style, Reid said, “If my work has any virtue and value, it is because it is mine and does not remind you of any other man’s work, either French or American or other. It is of my time. If it has this quality, and suggests beauty, it is art.”



Presentation at the Figge supported
In memory of Rebecca Carnow Jones





HTMLText_40F54E78_6330_085E_418D_45A26B1DA706_mobile.html =
Robert Reid
Stockbridge, MA 1862–1929 Clifton Springs, NY


Daffodils, n.d.


Oil on canvas
NA diploma presentation, October 25, 1906


In 1877, deeming the National Academy too conservative, a group of artists seceded to form the Society of American Artists; twenty years later, a group of artists seceded from that society for the same reason to form the Ten American Painters, better known as “the Ten.” Reid was the youngest member of the group, and he is best known for the works he exhibited during the Ten’s early years, such as Daffodils, which present a synthesis of academic and Impressionist approaches. Of his style, Reid said, “If my work has any virtue and value, it is because it is mine and does not remind you of any other man’s work, either French or American or other. It is of my time. If it has this quality, and suggests beauty, it is art.”



Presentation at the Figge supported
In memory of Rebecca Carnow Jones





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Audio Test 1
HTMLText_40FBCE9A_6330_08D2_41D7_2138755A0242.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40FBCE9A_6330_08D2_41D7_2138755A0242_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40FF0E8B_6330_08B2_41CD_65234A9BB4A7.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_40FF0E8B_6330_08B2_41CD_65234A9BB4A7_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_41CFBC00_6330_0FAD_41D2_8B76DA4249BA.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_41CFBC00_6330_0FAD_41D2_8B76DA4249BA_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Audio Test 1
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Audio Test 1
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Section for video archive of programs, art activities, regional artist interviews, and docent videos.
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Section for video archive of programs, art activities, regional artist interviews, and docent videos.
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Audio Test 1
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Audio Test 1
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_460DA1FF_6330_3853_41BF_18E00A2378C4_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_461491C3_6330_38B3_41C9_06E31DA6A29B.html =
J. Alden Weir
West Point, NY 1852–1919 New York City


Albert Pinkham Ryder, 1902–3


Oil on canvas
ANA diploma presentation, March 2, 1903


Weir and Ryder met in class at the Academy and became lifelong friends. Weir often invited Ryder to his family farm, hoping that the countryside would have a calming effect on his eccentric friend, and on one such visit, he created this portrait. Ryder’s face and hands are composed of furrows of thick paint layered on top of more paint of varying colors—a stylistic choice through which Weir paid homage to his friend’s own style of painting, evident in this vibrating, almost abstract seascape. The penetrating character of the sympathetic portrait was noted soon after it went on exhibit, and the Academician and powerful art critic William A. Coffin later called it “one of the best canvases in the large portrait collection of the National Academy of Design.”



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J. Alden Weir
West Point, NY 1852–1919 New York City


Albert Pinkham Ryder, 1902–3


Oil on canvas
ANA diploma presentation, March 2, 1903


Weir and Ryder met in class at the Academy and became lifelong friends. Weir often invited Ryder to his family farm, hoping that the countryside would have a calming effect on his eccentric friend, and on one such visit, he created this portrait. Ryder’s face and hands are composed of furrows of thick paint layered on top of more paint of varying colors—a stylistic choice through which Weir paid homage to his friend’s own style of painting, evident in this vibrating, almost abstract seascape. The penetrating character of the sympathetic portrait was noted soon after it went on exhibit, and the Academician and powerful art critic William A. Coffin later called it “one of the best canvases in the large portrait collection of the National Academy of Design.”



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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_461BC1EB_6330_3873_41D7_B7B3DD1A9B38_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_461E51DD_6330_3857_41AD_83CEDF196098_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_462261AD_6330_38F7_41D2_DEFF6F416DC4.html =
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_462DE1B3_6330_38D3_41B5_84D2389D7EAC_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_46335188_6330_38BE_41B2_CD6B8DE6902A_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_46349981_B379_87F5_41DF_CC90E7583DB4.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_46357987_B379_87FD_41CA_B6BEDAB81357.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_463A419A_6330_38D2_41B2_D0C72721A630.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_463A419A_6330_38D2_41B2_D0C72721A630_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_463EE194_6330_38D6_41D7_7E57D18CABED.html =
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4646528F_6330_38B2_41D8_986B45CEB55F_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4657A266_6330_3872_41CA_8B07C34E56C4.html =
Albert Pinkham Ryder
New Bedford, MA 1847–1917 Elmhurst, NY


Marine, 1907


Oil on wood panel
NA diploma presentation, March 4, 1907



Presentation at the Figge supported by
Christine Sederstrom & Pete Nelson







HTMLText_4657A266_6330_3872_41CA_8B07C34E56C4_mobile.html =
Albert Pinkham Ryder
New Bedford, MA 1847–1917 Elmhurst, NY


Marine, 1907


Oil on wood panel
NA diploma presentation, March 4, 1907



Presentation at the Figge supported by
Christine Sederstrom & Pete Nelson







HTMLText_46590282_6330_38B2_41CA_B8F37CA8BEF7.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_46590282_6330_38B2_41CA_B8F37CA8BEF7_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_466C5251_6330_3BAF_41D7_C27E92E38D49_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Frederick Carl Frieseke
Owosso, MI 1874–1939 Mesnil-sur-Blangy, France


Hollyhocks, by 1911


Oil on canvas
NA diploma presentation, November 2, 1914





Presentation at the Figge supported by
Ann Koski, Jane Koski, Kevin Koski









HTMLText_46744213_6330_3BD3_41C4_AB6BD101CA7C_mobile.html =
Frederick Carl Frieseke
Owosso, MI 1874–1939 Mesnil-sur-Blangy, France


Hollyhocks, by 1911


Oil on canvas
NA diploma presentation, November 2, 1914





Presentation at the Figge supported by
Ann Koski, Jane Koski, Kevin Koski









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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_467BB23D_6330_3BD7_41CB_71C8731393D8_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_467E022A_6330_3BFD_41D7_2D81B1D36212.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_467E022A_6330_3BFD_41D7_2D81B1D36212_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4700AF89_6330_08BE_41BE_43B219F2C5E2.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4700AF89_6330_08BE_41BE_43B219F2C5E2_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_47050F83_6330_08B2_4190_4ED6D888D19D.html =
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Isabel Bishop
Cincinnati, OH 1902–1988 New York City


Nude Study, 1934


Oil on canvas
NA diploma presentation, February 17, 1942


A student of Kenneth Hayes Miller—himself a student of Kenyon Cox—Bishop struggled for decades to break free from her teacher’s classicizing vision while maintaining her respect for the history of art. Eventually, she accomplished this through her choice of subject matter, which focused on the lived reality of individuals. With her studio located on the top floor of a timeworn office building in New York City, Bishop often called models in from Union Square—working girls, personable hobos, café patrons—in order to work from life, as was the case with this nude, whose subject was a tailor’s daughter with aspirations of becoming a dancer.


Bishop was an active member of the Academy and she was intimately familiar with the institution’s collection: this submission may have been her nod to Kenyon Cox’s ambitious diploma work of 1891, A Blonde, also on view in this exhibition.



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Isabel Bishop
Cincinnati, OH 1902–1988 New York City


Nude Study, 1934


Oil on canvas
NA diploma presentation, February 17, 1942


A student of Kenneth Hayes Miller—himself a student of Kenyon Cox—Bishop struggled for decades to break free from her teacher’s classicizing vision while maintaining her respect for the history of art. Eventually, she accomplished this through her choice of subject matter, which focused on the lived reality of individuals. With her studio located on the top floor of a timeworn office building in New York City, Bishop often called models in from Union Square—working girls, personable hobos, café patrons—in order to work from life, as was the case with this nude, whose subject was a tailor’s daughter with aspirations of becoming a dancer.


Bishop was an active member of the Academy and she was intimately familiar with the institution’s collection: this submission may have been her nod to Kenyon Cox’s ambitious diploma work of 1891, A Blonde, also on view in this exhibition.



HTMLText_47101F5E_6330_0855_41C6_3ADC9EAE26AA.html =
Audio Test 1
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Audio Test 1
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_47121F63_6330_0873_41CF_1703A9C4E964_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_47184F75_6330_0857_416F_91FDCDF5A8D0.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_47184F75_6330_0857_416F_91FDCDF5A8D0_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4721EF37_6330_09D3_41D7_2B1C8E031D6B_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_47265F31_6330_09EF_41C2_903A6AF505C1.html =
Audio Test 1
HTMLText_47265F31_6330_09EF_41C2_903A6AF505C1_mobile.html =
Audio Test 1
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Kenyon Cox
Warren, OH 1856–1919 New York City


A Blonde, 1891


Oil on canvas
NA diploma presentation, June 1, 1903


Presentation at the Figge supported by
Judith Belfer














HTMLText_472A3F4F_6330_09B3_41D1_5AE2FDAB4788_mobile.html =
Kenyon Cox
Warren, OH 1856–1919 New York City


A Blonde, 1891


Oil on canvas
NA diploma presentation, June 1, 1903


Presentation at the Figge supported by
Judith Belfer














HTMLText_4733BF16_6330_09D5_41D0_4C847EBA3BE4.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4733BF16_6330_09D5_41D0_4C847EBA3BE4_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4737EF10_6330_09AD_41C4_FF828068B6AC.html =
Audio Test 1
HTMLText_4737EF10_6330_09AD_41C4_FF828068B6AC_mobile.html =
Audio Test 1
HTMLText_473A0F22_6330_09ED_41A6_37C20D910DD5.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_473A0F22_6330_09ED_41A6_37C20D910DD5_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4744E017_6330_37D2_41C5_C40007BD7A5E_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_474B8037_6330_37D2_41C5_D302809F1B47.html =
Richard E. Miller
Saint Louis, MO 1875–1943 Saint Augustine, FL


Henry Ossawa Tanner, not dated


Oil on canvas
ANA diploma presentation, on or before May 11, 1910






HTMLText_474B8037_6330_37D2_41C5_D302809F1B47_mobile.html =
Richard E. Miller
Saint Louis, MO 1875–1943 Saint Augustine, FL


Henry Ossawa Tanner, not dated


Oil on canvas
ANA diploma presentation, on or before May 11, 1910






HTMLText_474E402B_6330_37F2_41CC_D13C33C92BAA.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_474E402B_6330_37F2_41CC_D13C33C92BAA_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_47538FFE_6330_0852_41BE_608F809067E0.html =
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Philip Pearlstein
Born Pittsburgh, PA 1924


Nude Torso, 1963


Oil on canvas
NA diploma presentation, May 6, 1987


Any nude triggers memories of past art: Venuses and courtesans, sensual limbs in mythological gardens, come-hitherish glances, golden skin. Involuntarily recalling all that, we get this. An austere, factual body. Bare, if intricate, description. Nothing else. No sweeteners, no captions. To me, Pearlstein’s empiricism gives the human body a strange, compelling dignity, and even makes it seem (impossibly!) new. Looking at this torso, right at eye level, I feel like an art student on the first day of life class. I’m absorbed and calm, buoyed by the optical Adderall of bright light.


—Alexi Worth, NA







Presentation at the Figge supported by
George and Rachel K. Strader







HTMLText_47556FF0_6330_086E_41D1_76299F818044_mobile.html =
Philip Pearlstein
Born Pittsburgh, PA 1924


Nude Torso, 1963


Oil on canvas
NA diploma presentation, May 6, 1987


Any nude triggers memories of past art: Venuses and courtesans, sensual limbs in mythological gardens, come-hitherish glances, golden skin. Involuntarily recalling all that, we get this. An austere, factual body. Bare, if intricate, description. Nothing else. No sweeteners, no captions. To me, Pearlstein’s empiricism gives the human body a strange, compelling dignity, and even makes it seem (impossibly!) new. Looking at this torso, right at eye level, I feel like an art student on the first day of life class. I’m absorbed and calm, buoyed by the optical Adderall of bright light.


—Alexi Worth, NA







Presentation at the Figge supported by
George and Rachel K. Strader







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Audio Test 1
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Audio Test 1
HTMLText_475F7004_6330_37B6_4181_7AEB47616D08.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_475F7004_6330_37B6_4181_7AEB47616D08_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_47624FD7_6330_0852_41B3_55E5971623CB.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_47624FD7_6330_0852_41B3_55E5971623CB_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_47670FD2_6330_0852_41D3_B01221AB7B98.html =
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Audio Test 1
HTMLText_4773FFB6_6330_08D2_419C_C8BD8795CD7C.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4773FFB6_6330_08D2_419C_C8BD8795CD7C_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_47743307_027D_B9C8_4182_EEC25574A0EA.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_47743307_027D_B9C8_4182_EEC25574A0EA_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_477652FE_027D_B838_4161_12741703AE28.html =
Audio Test 1
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Audio Test 1
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Audio Test 1
HTMLText_47792FC2_6330_08B2_41A3_6F605F39F9BC.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_47792FC2_6330_08B2_41A3_6F605F39F9BC_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_477AE2FF_027D_B838_4165_D5A9E860F70A.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_477AE2FF_027D_B838_4165_D5A9E860F70A_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_477F0FBD_6330_08D6_41D6_DA6278AC4A9D.html =
Audio Test 1
HTMLText_477F0FBD_6330_08D6_41D6_DA6278AC4A9D_mobile.html =
Audio Test 1
HTMLText_478460B5_6330_38D7_41C4_63AC83966604.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_478460B5_6330_38D7_41C4_63AC83966604_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_478A50DC_6330_3855_41D0_BB64CA2D1BA7.html =
Childe Hassam
Dorchester, MA 1859–1935 East Hampton, NY


The Jewel Box, Old Lyme, 1906


Oil on canvas
NA diploma presentation, January 7, 1907



Presentation at the Figge supported by
Anonymous



HTMLText_478A50DC_6330_3855_41D0_BB64CA2D1BA7_mobile.html =
Childe Hassam
Dorchester, MA 1859–1935 East Hampton, NY


The Jewel Box, Old Lyme, 1906


Oil on canvas
NA diploma presentation, January 7, 1907



Presentation at the Figge supported by
Anonymous



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Audio Test 1
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_478DF0C9_6330_38BF_41D4_8DFCBB1769A4_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Henry Ossawa Tanner
Pittsburgh, PA 1859–1937 Paris, France


The Miraculous Haul of Fishes, about 1913–14


Oil on canvas
NA diploma presentation, October 3, 1927


Although he was praised by both Thomas Eakins (his teacher) and William Merritt Chase, Tanner found greater acceptance in the less racialized climate of Europe, and in 1891, he moved to France. The son of a bishop in the African Methodist Episcopal Church, Tanner came to specialize in religious themes, such as that of The Miraculous Haul of Fishes, inflected by both European Impressionism and Symbolism—an artistic movement that stressed emotion over observation and the mystical over the rational. The American Impressionist and fellow Academician Richard E. Miller consciously evoked Tanner’s expressive paint handling and jewel-like tones in his diploma portrait.
HTMLText_4795F08D_6330_38B7_41C5_FF080733C3E7_mobile.html =
Henry Ossawa Tanner
Pittsburgh, PA 1859–1937 Paris, France


The Miraculous Haul of Fishes, about 1913–14


Oil on canvas
NA diploma presentation, October 3, 1927


Although he was praised by both Thomas Eakins (his teacher) and William Merritt Chase, Tanner found greater acceptance in the less racialized climate of Europe, and in 1891, he moved to France. The son of a bishop in the African Methodist Episcopal Church, Tanner came to specialize in religious themes, such as that of The Miraculous Haul of Fishes, inflected by both European Impressionism and Symbolism—an artistic movement that stressed emotion over observation and the mystical over the rational. The American Impressionist and fellow Academician Richard E. Miller consciously evoked Tanner’s expressive paint handling and jewel-like tones in his diploma portrait.
HTMLText_4798E0AF_6330_38F3_41A8_A1930B91283D.html =
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Audio Test 1
HTMLText_479C209C_6330_38D5_41D8_585E14EF8B99_mobile.html =
Audio Test 1
HTMLText_479FA0A1_6330_38EF_41C1_8D08C40650D6.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_479FA0A1_6330_38EF_41C1_8D08C40650D6_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_47A1506D_6330_3877_41C6_74ED2FBE1723.html =
Audio Test 1
HTMLText_47A1506D_6330_3877_41C6_74ED2FBE1723_mobile.html =
Audio Test 1
HTMLText_47AC9079_6330_385F_41CC_2F029D766707.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_47AC9079_6330_385F_41CC_2F029D766707_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_47B1C04A_6330_37BD_41C9_1BECB3A9335C.html =
Audio Test 1
HTMLText_47B1C04A_6330_37BD_41C9_1BECB3A9335C_mobile.html =
Audio Test 1
HTMLText_47BA805D_6330_3857_41BF_D88B64E83ECF.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_47BA805D_6330_3857_41BF_D88B64E83ECF_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_47BD704F_6330_37B3_41D4_89839AE2B375.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_47BD704F_6330_37B3_41D4_89839AE2B375_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Audio Test 1
HTMLText_47BEF058_6330_385D_41B5_8F31FD05AE79_mobile.html =
Audio Test 1
HTMLText_47C1215E_6330_3852_41A7_46D5EADE5F70.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_47C1215E_6330_3852_41A7_46D5EADE5F70_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Audio Test 1
HTMLText_47C6D158_6330_385E_41D8_94B08750761A_mobile.html =
Audio Test 1
HTMLText_47CA9174_6330_3856_41D0_2B710B41D4EA.html =
Wyatt Eaton
Phillipsburg, Quebec 1849–1896 Middletown, RI


The Artist in His Studio, 1873


Oil on canvas
Gift of John Elderkin, May 14, 1902
HTMLText_47CA9174_6330_3856_41D0_2B710B41D4EA_mobile.html =
Wyatt Eaton
Phillipsburg, Quebec 1849–1896 Middletown, RI


The Artist in His Studio, 1873


Oil on canvas
Gift of John Elderkin, May 14, 1902
HTMLText_47D27137_6330_39D2_41B2_B71C2278958D.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_47D27137_6330_39D2_41B2_B71C2278958D_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_47D37131_6330_39EE_41D0_6A7B6840E2CD.html =
Audio Test 1
HTMLText_47D37131_6330_39EE_41D0_6A7B6840E2CD_mobile.html =
Audio Test 1
HTMLText_47D94149_6330_39BE_41CF_821D09DB88F5.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_47E29114_6330_39D6_41B4_43A407C68F43_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Walter Hatke
Born Topeka, KS 1948


Provider, 2001


Oil on linen
Gift of the artist, May 9, 2012



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Walter Hatke
Born Topeka, KS 1948


Provider, 2001


Oil on linen
Gift of the artist, May 9, 2012



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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_47F9A0FC_6330_3857_41C0_6C662FA8EFB6_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_47FC00EF_6330_3872_41CD_C11D280B5D1D.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_47FC00EF_6330_3872_41CD_C11D280B5D1D_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4A60D8B4_50CB_0392_41CF_C825414DD5F1_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Emanuel Leutze
Gmünd, Württemberg, Germany 1816-1868 Washington, DC


George Washington, Study for “Washington Crossing the Delaware,” circa 1850
Oil on canvas
NA diploma presentation, May 6, 1861


Leutze emigrated with his family from Germany to the United States when he was nine years old. After establishing himself in this country as a talented portraitist, he traveled to Düsseldorf to study and, later, became a noted teacher there. Thanks to his strong network of patrons and peers, Leutze’s studio was a hub for American artists abroad. Among these artists, Worthington Whittredge became his closest friend. As Whittredge recounted in his autobiography, Leutze asked him to pose as the model for General Washington in the artist’s masterwork, Washington Crossing the Delaware; although it was not customary for
Academicians to submit sketches as diploma works, Leutze’s towering reputation and the ambition of the monumental canvas allowed for this exception.



Presentation at the Figge supported by
Kenneth Koupal and
Thomas Kersting



HTMLText_4A67D8C6_50CB_03FE_41A7_77C1BE409E63_mobile.html =
Emanuel Leutze
Gmünd, Württemberg, Germany 1816-1868 Washington, DC


George Washington, Study for “Washington Crossing the Delaware,” circa 1850
Oil on canvas
NA diploma presentation, May 6, 1861


Leutze emigrated with his family from Germany to the United States when he was nine years old. After establishing himself in this country as a talented portraitist, he traveled to Düsseldorf to study and, later, became a noted teacher there. Thanks to his strong network of patrons and peers, Leutze’s studio was a hub for American artists abroad. Among these artists, Worthington Whittredge became his closest friend. As Whittredge recounted in his autobiography, Leutze asked him to pose as the model for General Washington in the artist’s masterwork, Washington Crossing the Delaware; although it was not customary for
Academicians to submit sketches as diploma works, Leutze’s towering reputation and the ambition of the monumental canvas allowed for this exception.



Presentation at the Figge supported by
Kenneth Koupal and
Thomas Kersting



HTMLText_4A6DF8D2_50CB_0391_41D3_DA3727D4373D.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4A6DF8D2_50CB_0391_41D3_DA3727D4373D_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4A6E18D8_50CB_0391_41C8_559F24BB6CBE.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4A6E18D8_50CB_0391_41C8_559F24BB6CBE_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4B0145B3_50CD_0D97_41B9_E22F34A73F86_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4B0235AE_50CD_0DB1_41CB_B48C92D97934.html =
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George Henry Hall
Boston 1825-1913 New York City


A Dead Rabbit, 1858


Oil on canvas
NA diploma exchange presentation, April 3, 1882
Original NA diploma presentation, 1868


The Dead Rabbits were a notorious street gang in New York during the nineteenth century. Looking at this work, I think of the wintry days of my Ohio youth, in the basement watching old movies about the Bowery Boys—accents thick with masculinity and fearless desire—as well as the ever-present kind priest who leads the boys out of becoming thugs. It is the tenderness and vulnerability of flesh that the artist portrays in this painting, which allows a question to be raised as to the subject’s identity and character. If he, the subject, looked back at us with eyes on fire and brick posed to be thrown, we, the audience, would read “thug,” easy and descriptive. Instead, we gaze upon the flesh and the sideways look of the subject with empathy. That is the quality I appreciate and the attraction I have to this particular portrait.


—Catherine Opie, NA



Presentation at the Figge supported by
Marion Meginnis & Jack Haberman





HTMLText_4B08C5C4_50CD_0DF1_41A8_F51CB63437FA_mobile.html =
George Henry Hall
Boston 1825-1913 New York City


A Dead Rabbit, 1858


Oil on canvas
NA diploma exchange presentation, April 3, 1882
Original NA diploma presentation, 1868


The Dead Rabbits were a notorious street gang in New York during the nineteenth century. Looking at this work, I think of the wintry days of my Ohio youth, in the basement watching old movies about the Bowery Boys—accents thick with masculinity and fearless desire—as well as the ever-present kind priest who leads the boys out of becoming thugs. It is the tenderness and vulnerability of flesh that the artist portrays in this painting, which allows a question to be raised as to the subject’s identity and character. If he, the subject, looked back at us with eyes on fire and brick posed to be thrown, we, the audience, would read “thug,” easy and descriptive. Instead, we gaze upon the flesh and the sideways look of the subject with empathy. That is the quality I appreciate and the attraction I have to this particular portrait.


—Catherine Opie, NA



Presentation at the Figge supported by
Marion Meginnis & Jack Haberman





HTMLText_4B0D55D7_50CD_0D9F_4194_12581B949068.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4B0D55D7_50CD_0D9F_4194_12581B949068_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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HTMLText_4B1115DD_50CD_0D93_41AE_0C26270E7F07_mobile.html =
Audio Test 1
HTMLText_4B1215E2_50CD_0DB1_4195_F9F1EECE1B37.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4B1215E2_50CD_0DB1_4195_F9F1EECE1B37_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4B889554_50D5_0291_41B7_BC7BFDC5699D.html =
Daniel Huntington
New York City 1816-1906


Self-Portrait, 1891


Oil on canvas
ANA diploma exchange presentation, March 13, 1893


Huntington exchanged this self-portrait for his original diploma portrait, a likeness of himself painted nearly sixty years earlier by his close friend and brother-in-law, Cornelius Ver Bryck. It was natural for the Academy’s venerable former president to donate a mature self-image to the collection. Elected twice to the role, Huntington was the longest serving NAD president. A firm adherent to traditional artistic ideals, he pictured himself as a student and lover of the art of the past rather than as a successful professional artist. His direct gaze invites the viewer to share in his study and appreciation of an engraving after Titian’s The Penitent Magdalene. The self-portrait is a remarkable reworking of the theme of reading and beholding explored in the artist’s earlier work, The Fair Student, which the Academician James Augustus Suydam donated to the collection during Huntington’s first presidency.
HTMLText_4B889554_50D5_0291_41B7_BC7BFDC5699D_mobile.html =
Daniel Huntington
New York City 1816-1906


Self-Portrait, 1891


Oil on canvas
ANA diploma exchange presentation, March 13, 1893


Huntington exchanged this self-portrait for his original diploma portrait, a likeness of himself painted nearly sixty years earlier by his close friend and brother-in-law, Cornelius Ver Bryck. It was natural for the Academy’s venerable former president to donate a mature self-image to the collection. Elected twice to the role, Huntington was the longest serving NAD president. A firm adherent to traditional artistic ideals, he pictured himself as a student and lover of the art of the past rather than as a successful professional artist. His direct gaze invites the viewer to share in his study and appreciation of an engraving after Titian’s The Penitent Magdalene. The self-portrait is a remarkable reworking of the theme of reading and beholding explored in the artist’s earlier work, The Fair Student, which the Academician James Augustus Suydam donated to the collection during Huntington’s first presidency.
HTMLText_4B8B3542_50D5_02F1_41B3_B6034113EFC1.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4B8B3542_50D5_02F1_41B3_B6034113EFC1_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4B90B560_50D5_02B1_41CF_055776BEC76F_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4B920566_50D5_02B1_41D0_09916FC1EB96.html =
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4B9F7566_50D5_02B1_41C3_C65E78F54E5F_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4C3197BA_50DD_0D91_41C9_86A08C539B59.html =
Audio Test 1
HTMLText_4C3197BA_50DD_0D91_41C9_86A08C539B59_mobile.html =
Audio Test 1
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4C35A7BA_50DD_0D91_41CC_82BDD1B2BADD_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Eastman Johnson
Lovell, ME 1824-1906 New York City


Negro Boy, circa 1860-1861


Oil on canvas
NA diploma presentation, May 6, 1861


Johnson's picture of a boy playing a homemade flute ranks as one of the most intimate and engaging paintings in his series devoted to life in the American South. Situated somewhere between the naïve and the painterly, nativist and multicultural, superficial and probing, Johnson’s works are an important link between the genre scenes of midcentury and the realism of the later century. In the words of the Johnson scholar Patricia Hills, “Johnson depicted the myth—and myth is the collective fantasy of a nation. . .”



Presentation at the Figge supported by
Marion Meginnis & Jack Haberman
HTMLText_4C36D7C0_50DD_0DF1_41C3_C3D950F5CF34_mobile.html =
Eastman Johnson
Lovell, ME 1824-1906 New York City


Negro Boy, circa 1860-1861


Oil on canvas
NA diploma presentation, May 6, 1861


Johnson's picture of a boy playing a homemade flute ranks as one of the most intimate and engaging paintings in his series devoted to life in the American South. Situated somewhere between the naïve and the painterly, nativist and multicultural, superficial and probing, Johnson’s works are an important link between the genre scenes of midcentury and the realism of the later century. In the words of the Johnson scholar Patricia Hills, “Johnson depicted the myth—and myth is the collective fantasy of a nation. . .”



Presentation at the Figge supported by
Marion Meginnis & Jack Haberman


HTMLText_4C40B7D2_50DD_0D91_41C4_05ACA7BC447C.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4C40B7D2_50DD_0D91_41C4_05ACA7BC447C_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4C4AA7CD_50DD_0DF3_41C8_3F30EE5EA000_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4C948737_50DD_0E9F_41D3_036DD0803D10_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4CA3B75C_50DD_0E91_41A8_608836CCF69E_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Elihu Vedder
New York City 1836-1923 Rome, Italy


Jane Jackson, 1865


Oil on canvas
NA diploma presentation, May 7, 1866


The Civil War ended only a few weeks prior to the opening of the Academy’s annual exhibition of 1865. There, Vedder exhibited eight paintings, including this work. The sitter was Jane Jackson, formerly a slave in the Confederacy, who had traveled north sometime before 1864 and ended up selling peanuts outside the building where Vedder kept his studio in New York City. After passing her frequently on the corner, the artist persuaded her to pose for him, had her photograph taken, drew her, painted her in this portrait, and, eventually, used her face for a series of works devoted to the subject of the Cumaean Sibyl, culminating in the work reproduced at left.



Presentation at the Figge supported by
Carolyn Levine & Leonard Kallio Trust
HTMLText_4CA94749_50DD_0EF3_4195_998D6D8F3A2F_mobile.html =
Elihu Vedder
New York City 1836-1923 Rome, Italy


Jane Jackson, 1865


Oil on canvas
NA diploma presentation, May 7, 1866


The Civil War ended only a few weeks prior to the opening of the Academy’s annual exhibition of 1865. There, Vedder exhibited eight paintings, including this work. The sitter was Jane Jackson, formerly a slave in the Confederacy, who had traveled north sometime before 1864 and ended up selling peanuts outside the building where Vedder kept his studio in New York City. After passing her frequently on the corner, the artist persuaded her to pose for him, had her photograph taken, drew her, painted her in this portrait, and, eventually, used her face for a series of works devoted to the subject of the Cumaean Sibyl, culminating in the work reproduced at left.



Presentation at the Figge supported by
Carolyn Levine & Leonard Kallio Trust
HTMLText_4CACE755_50DD_0E93_41CB_F42A38660E39.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_4CACE755_50DD_0E93_41CB_F42A38660E39_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_54A8C00B_4F35_0276_41BD_9E81CF6F4E23.html =
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_54A9100B_4F35_0276_41C7_61A86E684EE3_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_54AE8000_4F35_0272_41C0_0052D2C86100.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_54AE8000_4F35_0272_41C0_0052D2C86100_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_54B0AFEF_4F35_1D8F_416B_1172DE891B6A.html =
Albert Bierstadt
Solingen, Germany 1830-1902 New York City


On the Sweetwater near the Devil’s Gate, 1860


Oil on millboard
NA diploma presentation, December 17, 1860


In 1860, when Bierstadt painted On the Sweetwater near the Devil’s Gate, the world’s largest genocide was taking place on the Native population. It’s likely that my tribe, the Confederated Salish and Kootenai Nation, once hunted buffalo in the area of the Devil’s Gate in Wyoming, but we had to sign away the northwest section of that state, part of Idaho, a piece of Canada, and half of Montana in the Hellgate Treaty of 1855. My great-grandparents, grandparents, great-aunts, and great-uncles were all imprisoned at Fort Missoula, ravaged by smallpox and starved by the wormy beef and moldy flour rationed to my family. Bierstadt was painting the sublime while this tragedy was going on.


One more thing. Bierstadt was welcomed as an honorary member of the National Academy in 1858, yet no Native American artist was nominated until 153 years later, when I became the first Native Academician.


—Jaune Quick-to-See Smith, NA



Presentation at the Figge supported
In memory of my husband, Melbert



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Albert Bierstadt
Solingen, Germany 1830-1902 New York City


On the Sweetwater near the Devil’s Gate, 1860


Oil on millboard
NA diploma presentation, December 17, 1860


In 1860, when Bierstadt painted On the Sweetwater near the Devil’s Gate, the world’s largest genocide was taking place on the Native population. It’s likely that my tribe, the Confederated Salish and Kootenai Nation, once hunted buffalo in the area of the Devil’s Gate in Wyoming, but we had to sign away the northwest section of that state, part of Idaho, a piece of Canada, and half of Montana in the Hellgate Treaty of 1855. My great-grandparents, grandparents, great-aunts, and great-uncles were all imprisoned at Fort Missoula, ravaged by smallpox and starved by the wormy beef and moldy flour rationed to my family. Bierstadt was painting the sublime while this tragedy was going on.


One more thing. Bierstadt was welcomed as an honorary member of the National Academy in 1858, yet no Native American artist was nominated until 153 years later, when I became the first Native Academician.


—Jaune Quick-to-See Smith, NA



Presentation at the Figge supported
In memory of my husband, Melbert



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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_54B92FDA_4F35_1D91_4181_59FA5B684478_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_5611F763_4F3B_0EB7_41C2_13E0EAF6BCD2.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_5611F763_4F3B_0EB7_41C2_13E0EAF6BCD2_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_56132762_4F3B_0EB1_41CF_C877358709C1.html =
Audio Test 1
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Audio Test 1
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HTMLText_56165769_4F3B_0EB3_41CD_3453C62FB1F0.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_56165769_4F3B_0EB3_41CD_3453C62FB1F0_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_561A4746_4F3B_0EFE_41B5_C26E68C7D747.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_561A4746_4F3B_0EFE_41B5_C26E68C7D747_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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John Frederick Kensett
Cheshire, CT 1816-1872 New York City


The Bash-Bish, 1855


Oil on canvas
Bequest of James A. Suydam, 1865


Kensett’s paintings of the Bash-Bish Falls, located on the border between New York and Massachusetts, are seemingly the noisiest paintings he ever made. We come upon the scene as if stumbling into a sacred place, but there are no faeries or nymphs, just nature itself, presenting a prospect that approaches the miraculous in its confluence of light and shadow; near and far; rocks, pool, waterfall, forest, and mountain; earth, air, fire (light), and water. Close to the picture plane, the “wide stance” contrapposto of the falls closely evokes the human body, intensifying the viewer’s sense that his own gaze, whether looking at a painting or at an actual landscape, is something embodied: to consciously look at something is to take one’s own measure in relation to it. And I never forget that paintings are bodies, too.


—Stephen Westfall, NA



Presentation at the Figge supported by
Nancy Bach and Gwen Hudson



HTMLText_561C0752_4F3B_0E91_4170_74FC598056C7_mobile.html =
John Frederick Kensett
Cheshire, CT 1816-1872 New York City


The Bash-Bish, 1855


Oil on canvas
Bequest of James A. Suydam, 1865


Kensett’s paintings of the Bash-Bish Falls, located on the border between New York and Massachusetts, are seemingly the noisiest paintings he ever made. We come upon the scene as if stumbling into a sacred place, but there are no faeries or nymphs, just nature itself, presenting a prospect that approaches the miraculous in its confluence of light and shadow; near and far; rocks, pool, waterfall, forest, and mountain; earth, air, fire (light), and water. Close to the picture plane, the “wide stance” contrapposto of the falls closely evokes the human body, intensifying the viewer’s sense that his own gaze, whether looking at a painting or at an actual landscape, is something embodied: to consciously look at something is to take one’s own measure in relation to it. And I never forget that paintings are bodies, too.


—Stephen Westfall, NA



Presentation at the Figge supported by
Nancy Bach and Gwen Hudson



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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_5BA5DDD7_4F4B_1D9F_41BB_5256E48875DE_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_5BCB4D9E_4F4B_1D8E_41A1_EA6099A61F36_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_5BD87DC1_4F4B_1DF3_41CF_283EC14FDA8D.html =
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HTMLText_5BD9ADCB_4F4B_1DF7_41BF_771493E5B2D2.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_5BD9ADCB_4F4B_1DF7_41BF_771493E5B2D2_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_5BDBDDD1_4F4B_1D93_41D2_8ECC7837D64D.html =
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Audio Test 1
HTMLText_5BDC6DB3_4F4B_1D97_419F_B1922B2C597E.html =
Samuel F.B. Morse, Benjamin
West, about 1811, oil on canvas,
30 ¼ x 25 3/8 in., National
Academy of Design, New York
HTMLText_5BDC6DB3_4F4B_1D97_419F_B1922B2C597E_mobile.html =
Samuel F.B. Morse, Benjamin
West, about 1811, oil on canvas,
30 ¼ x 25 3/8 in., National
Academy of Design, New York
HTMLText_64D59796_6570_18D5_41C0_B45E7DEB1C6D.html =
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59797_6570_18D3_41D3_781F525C48AE_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D5979E_6570_18D5_41C7_56F20AFD6AD9.html =
William Clutz
Born Gettysburg, PA 1933


Self-Portrait (Walking), 1980


Oil on canvas
Gift of the artist, September 23, 2009



HTMLText_64D5979E_6570_18D5_41C7_56F20AFD6AD9_mobile.html =
William Clutz
Born Gettysburg, PA 1933


Self-Portrait (Walking), 1980


Oil on canvas
Gift of the artist, September 23, 2009



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Audio Test 1
HTMLText_64D597AC_6570_18F5_41C6_F387C2E18031.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D597B3_6570_18D2_41C8_781D98AE9F15.html =
Wayne Thiebaud
Born Mesa, AZ 1920


Tennis Player (Self-Portrait), 1985


Oil on plywood panel
ANA diploma presentation, October 1, 1986
© 2020 Wayne Thiebaud / Licensed by VAGA at
Artists Rights Society (ARS), NY



HTMLText_64D597B3_6570_18D2_41C8_781D98AE9F15_mobile.html =
Wayne Thiebaud
Born Mesa, AZ 1920


Tennis Player (Self-Portrait), 1985


Oil on plywood panel
ANA diploma presentation, October 1, 1986
© 2020 Wayne Thiebaud / Licensed by VAGA at
Artists Rights Society (ARS), NY



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Audio Test 1
HTMLText_64D597C6_6570_18B2_41D7_4BC0F92D4AAD_mobile.html =
Audio Test 1
HTMLText_64D597C7_6570_18B2_41CF_C4A012047D82.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D597C7_6570_18B2_41CF_C4A012047D82_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Audio Test 1
HTMLText_64D597CE_6570_18B2_41A1_004ED634353C_mobile.html =
Audio Test 1
HTMLText_64D597CF_6570_18B2_41C8_7140029F047E.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D597CF_6570_18B2_41C8_7140029F047E_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D597DD_6570_1856_41D8_5C1E45427574.html =
Audio Test 1
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Audio Test 1
HTMLText_64D597DE_6570_1852_41B3_DAED3EFBA212.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D597DE_6570_1852_41B3_DAED3EFBA212_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D597E6_6570_1872_41B8_4825DFF07AE9.html =
W. Lee Savage
Charleston, WV 1928–1998 Tarrytown, NY


Endangered Bobby, 1992


Acrylic and mixed media on canvas
NA diploma presentation, May 26, 1993


Endangered Bobby depicts the artist’s cousin, Bobby Kelly, clad in blue stripes alongside his grandfather. Collaged onto the canvas is a faded photograph depicting, from left to right, the artist, known as Lee; his older brother, John; and Lon, his twin brother. In his self-portrait, Savage emerges from behind a still life of cup and saucer, knife, beer bottle, and a pair of glasses reminiscent of those worn by James Joyce, a frequent inspiration for the artist. Any criticism of Savage’s idiosyncratic paintings, which typically employ personal symbols and lack discernible narratives, may be answered in his own words, taken from his successful 1961 application for a grant from the John Simon Guggenheim Foundation: “I paint for the same reason I splash in the bathtub.”






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W. Lee Savage
Charleston, WV 1928–1998 Tarrytown, NY


Endangered Bobby, 1992


Acrylic and mixed media on canvas
NA diploma presentation, May 26, 1993


Endangered Bobby depicts the artist’s cousin, Bobby Kelly, clad in blue stripes alongside his grandfather. Collaged onto the canvas is a faded photograph depicting, from left to right, the artist, known as Lee; his older brother, John; and Lon, his twin brother. In his self-portrait, Savage emerges from behind a still life of cup and saucer, knife, beer bottle, and a pair of glasses reminiscent of those worn by James Joyce, a frequent inspiration for the artist. Any criticism of Savage’s idiosyncratic paintings, which typically employ personal symbols and lack discernible narratives, may be answered in his own words, taken from his successful 1961 application for a grant from the John Simon Guggenheim Foundation: “I paint for the same reason I splash in the bathtub.”






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Audio Test 1
HTMLText_64D597F6_6570_1852_41C4_CB04DD477A8D.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D597F6_6570_1852_41C4_CB04DD477A8D_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D597FD_6570_1856_41C3_CF3E0F3E8298.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D597FD_6570_1856_41C3_CF3E0F3E8298_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D597FD_6570_1856_41D6_A1E98FEBF972.html =
Audio Test 1
HTMLText_64D597FD_6570_1856_41D6_A1E98FEBF972_mobile.html =
Audio Test 1
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Audio Test 1
HTMLText_64D5980A_6570_17B2_41D3_2B31F1D7B62C_mobile.html =
Audio Test 1
HTMLText_64D5980B_6570_17B2_41C5_7F78F0469F24.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D5980B_6570_17B2_41C5_7F78F0469F24_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59812_6570_17D2_41D6_AE22CCEA1C9B.html =
W. Lee Savage
Charleston, WV 1928–1998 Tarrytown, NY


Self-Portrait with Cup and Narragansett Beer, 1988


Acrylic on board
ANA diploma presentation, May 6, 1992
HTMLText_64D59812_6570_17D2_41D6_AE22CCEA1C9B_mobile.html =
W. Lee Savage
Charleston, WV 1928–1998 Tarrytown, NY


Self-Portrait with Cup and Narragansett Beer, 1988


Acrylic on board
ANA diploma presentation, May 6, 1992
HTMLText_64D59820_6570_17EE_41D1_4F74E067681B.html =
Audio Test 1
HTMLText_64D59820_6570_17EE_41D1_4F74E067681B_mobile.html =
Audio Test 1
HTMLText_64D59822_6570_17F2_41BD_AE8346E9D705.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59822_6570_17F2_41BD_AE8346E9D705_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59828_6570_17FE_4190_CFDBDA22B5F2.html =
Audio Test 1
HTMLText_64D59828_6570_17FE_4190_CFDBDA22B5F2_mobile.html =
Audio Test 1
HTMLText_64D59829_6570_17FE_41C9_07C91F229694.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59829_6570_17FE_41C9_07C91F229694_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59836_6570_17D2_41CB_12755639F9AA.html =
Audio Test 1
HTMLText_64D59836_6570_17D2_41CB_12755639F9AA_mobile.html =
Audio Test 1
HTMLText_64D59837_6570_17D2_41D8_971D27726C92.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59837_6570_17D2_41D8_971D27726C92_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D5983E_6570_17D2_41C5_532003EBB763.html =
Louisa Matthíasdóttir
Reykjavík, Iceland 1917–2000 Delhi, NY


Self-Portrait in Overalls, about 1985


Oil on canvas
ANA diploma presentation, October 7, 1987





Presentation at the Figge supported by
Carolyn & Joseph Martin
HTMLText_64D5983E_6570_17D2_41C5_532003EBB763_mobile.html =
Louisa Matthíasdóttir
Reykjavík, Iceland 1917–2000 Delhi, NY


Self-Portrait in Overalls, about 1985


Oil on canvas
ANA diploma presentation, October 7, 1987





Presentation at the Figge supported by
Carolyn & Joseph Martin
HTMLText_64D5984B_6570_17B2_41CD_FDAC1EB892BE.html =
Audio Test 1
HTMLText_64D5984B_6570_17B2_41CD_FDAC1EB892BE_mobile.html =
Audio Test 1
HTMLText_64D5984C_6570_17B6_41C3_30ED5A670B1F.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D5984C_6570_17B6_41C3_30ED5A670B1F_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59853_6570_0852_41D0_9DA9D332C124.html =
Audio Test 1
HTMLText_64D59853_6570_0852_41D0_9DA9D332C124_mobile.html =
Audio Test 1
HTMLText_64D59854_6570_0856_41C5_44FEF5A06B64.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59854_6570_0856_41C5_44FEF5A06B64_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59863_6570_0872_41CE_1819C15CFF9D.html =
Audio Test 1
HTMLText_64D59863_6570_0872_41CE_1819C15CFF9D_mobile.html =
Audio Test 1
HTMLText_64D59864_6570_0876_41BB_C23CA9568CCC.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59864_6570_0876_41BB_C23CA9568CCC_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D5986B_6570_0872_41D0_F5AD97B57533.html =
Rosemarie Beck
Westchester, NY 1923–2003 New York City


The Tempest: Prospero, Miranda, Ferdinand, 1976


Oil on linen
NA diploma presentation, October 4, 1982



HTMLText_64D5986B_6570_0872_41D0_F5AD97B57533_mobile.html =
Rosemarie Beck
Westchester, NY 1923–2003 New York City


The Tempest: Prospero, Miranda, Ferdinand, 1976


Oil on linen
NA diploma presentation, October 4, 1982



HTMLText_64D59879_6570_085F_4183_0C4A751438D4.html =
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HTMLText_64D59879_6570_085F_4183_0C4A751438D4_mobile.html =
Audio Test 1
HTMLText_64D5987A_6570_085D_4195_E3ABA9623F4C.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D5987A_6570_085D_4195_E3ABA9623F4C_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59880_6570_08AE_41C4_EF91AFF237F7.html =
Audio Test 1
HTMLText_64D59880_6570_08AE_41C4_EF91AFF237F7_mobile.html =
Audio Test 1
HTMLText_64D59881_6570_08AE_41D6_9EB4B36ED8E7.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59881_6570_08AE_41D6_9EB4B36ED8E7_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D5988F_6570_08B3_41C6_14BD670D390D.html =
Audio Test 1
HTMLText_64D5988F_6570_08B3_41C6_14BD670D390D_mobile.html =
Audio Test 1
HTMLText_64D59890_6570_08AD_41A0_65DDD3B94621.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59890_6570_08AD_41A0_65DDD3B94621_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59896_6570_08D5_41A2_A720B55A810E.html =
Rosemarie Beck
Westchester, NY 1923–2003 New York City


Self-Portrait, 1975


Oil on linen
ANA diploma presentation, January 12, 1981


“I always do self-portraits; it’s one of those punishing things you have to do, like looking in the mirror.” In nearly all her self-portraits—a genre the artist investigated consistently, throughout her life—Beck gazes directly out from the canvas. Was it the viewer she was facing, or the self that gazed back at her from her studio mirror? Was she presenting herself as confrontational or deeply introspective? Brush in hand and surrounded by the trappings of biography and the weighty symbols of art history, the artist managed to find the means of creative freedom in the act of painting itself.
HTMLText_64D59896_6570_08D5_41A2_A720B55A810E_mobile.html =
Rosemarie Beck
Westchester, NY 1923–2003 New York City


Self-Portrait, 1975


Oil on linen
ANA diploma presentation, January 12, 1981


“I always do self-portraits; it’s one of those punishing things you have to do, like looking in the mirror.” In nearly all her self-portraits—a genre the artist investigated consistently, throughout her life—Beck gazes directly out from the canvas. Was it the viewer she was facing, or the self that gazed back at her from her studio mirror? Was she presenting herself as confrontational or deeply introspective? Brush in hand and surrounded by the trappings of biography and the weighty symbols of art history, the artist managed to find the means of creative freedom in the act of painting itself.
HTMLText_64D598A3_6570_08F3_41CA_4ED1C42BBCEC.html =
Audio Test 1
HTMLText_64D598A3_6570_08F3_41CA_4ED1C42BBCEC_mobile.html =
Audio Test 1
HTMLText_64D598A4_6570_08F5_4193_DBD545E5FF0A.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D598A4_6570_08F5_4193_DBD545E5FF0A_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D598AC_6570_08F5_41D3_367383A60692_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D598B9_6570_08DF_41D4_CE1F9407D3B4.html =
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D598BA_6570_08DD_41D9_298F577E1215_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D598C1_6570_08AF_41D6_4124810A31C6.html =
Guy C. Wiggins
New York City 1883–1962 Saint Augustine, FL


Manhattan, 1929


Oil on canvas
NA diploma presentation, December 17, 1935





Presentation at the Figge supported
In Memory of Ellis Island Emigrants






HTMLText_64D598C1_6570_08AF_41D6_4124810A31C6_mobile.html =
Guy C. Wiggins
New York City 1883–1962 Saint Augustine, FL


Manhattan, 1929


Oil on canvas
NA diploma presentation, December 17, 1935



Presentation at the Figge supported
In Memory of Ellis Island Emigrants


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D598D1_6570_08AF_41C2_9BC282E15949_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D598D7_6570_0852_41C2_10A56291B9AC.html =
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D598D8_6570_085E_41C9_ABB87AAE60E1_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D598E5_6570_0876_4188_6E8B71835C19.html =
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D598E6_6570_0872_41CA_D2AADC041FE8_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D598ED_6570_0876_41C3_F673B6D6B746.html =
Jacqueline Gourevitch
Born Paris, France 1933


Night: WTC Looking East, 2000–2001


Oil on canvas
NA diploma presentation, March 7, 2012



HTMLText_64D598ED_6570_0876_41C3_F673B6D6B746_mobile.html =
Jacqueline Gourevitch
Born Paris, France 1933


Night: WTC Looking East, 2000–2001


Oil on canvas
NA diploma presentation, March 7, 2012



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Audio Test 1
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D598FC_6570_0856_41D1_19E0B0AAFB13_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59902_6570_09B2_41A2_A54CAF90CE41.html =
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59903_6570_09B2_41B9_A6F6B12147FF_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59910_6570_09AE_41D8_DF211796408A.html =
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Audio Test 1
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59911_6570_09AE_41D3_4BE5D97FD731_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59918_6570_09DE_41B4_243701B250BD.html =
Richard Estes
Born Kewanee, IL 1932


NYC Parking Lot, 1969


Oil on Masonite
NA diploma presentation, January 7, 1987


At first glance, this picture appears to show an unremarkable jumble of empty cars. But they could just as easily be a crowd of commuters squeezed into uncomfortable proximity. They maintain their individuality and dignity despite it all. The TLC Estes lavished on these beauties ennobles them and the banal space they occupy. This is “street art” at its finest: transforming ordinary moments into joyful, transcendent aesthetic experiences.


—Walter Chatham, NA



Presentation at the Figge supported by
Carolyn Levine & Leonard Kallio Trust
HTMLText_64D59918_6570_09DE_41B4_243701B250BD_mobile.html =
Richard Estes
Born Kewanee, IL 1932


NYC Parking Lot, 1969


Oil on Masonite
NA diploma presentation, January 7, 1987


At first glance, this picture appears to show an unremarkable jumble of empty cars. But they could just as easily be a crowd of commuters squeezed into uncomfortable proximity. They maintain their individuality and dignity despite it all. The TLC Estes lavished on these beauties ennobles them and the banal space they occupy. This is “street art” at its finest: transforming ordinary moments into joyful, transcendent aesthetic experiences.


—Walter Chatham, NA



Presentation at the Figge supported by
Carolyn Levine & Leonard Kallio Trust
HTMLText_64D59926_6570_09F2_41BA_BA5F22FCB4DD.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59926_6570_09F2_41BA_BA5F22FCB4DD_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59926_6570_09F2_41C3_C653B4852E0C.html =
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Audio Test 1
HTMLText_64D5992E_6570_09F2_4184_D9DAD8355807.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D5992E_6570_09F2_4184_D9DAD8355807_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D5993A_6570_09D2_41AB_2CE7AADE71C6.html =
Audio Test 1
HTMLText_64D5993A_6570_09D2_41AB_2CE7AADE71C6_mobile.html =
Audio Test 1
HTMLText_64D5993C_6570_09D6_41D1_C0C0BC8AB0C1.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D5993C_6570_09D6_41D1_C0C0BC8AB0C1_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59942_6570_09B2_41D1_8856E74FBF4B.html =
David Kapp
Born New York City 1953


Coming out of the Subway, 1998


Oil on linen
Gift of anonymous donor, accepted as NA diploma presentation, May 18, 2005



HTMLText_64D59942_6570_09B2_41D1_8856E74FBF4B_mobile.html =
David Kapp
Born New York City 1953


Coming out of the Subway, 1998


Oil on linen
Gift of anonymous donor, accepted as NA diploma presentation, May 18, 2005



HTMLText_64D5994F_6570_09B2_41D8_7B549A17C71F.html =
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HTMLText_64D5994F_6570_09B2_41D8_7B549A17C71F_mobile.html =
Audio Test 1
HTMLText_64D59951_6570_09AE_41D0_B9C5A212C04E.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59951_6570_09AE_41D0_B9C5A212C04E_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59957_6570_0852_41C6_EBD04CEE81F0.html =
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HTMLText_64D59957_6570_0852_41C6_EBD04CEE81F0_mobile.html =
Audio Test 1
HTMLText_64D59958_6570_085E_419F_9DB5BE9DC911.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59958_6570_085E_419F_9DB5BE9DC911_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59965_6570_0877_41CF_5CF63E2C730F.html =
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Audio Test 1
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59966_6570_0875_41D2_3DBC0DE3B300_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D5996D_6570_0877_41B3_2BEB829552FD.html =
May Stevens
Boston 1924–2019 Santa Fe, NM


Benny Andrews, the Artist, and Big Daddy Paper Doll, 1976


Acrylic on canvas
NA diploma presentation, May 19, 2004


Stevens was a committed social and political activist for most of her life. This work is from a series Stevens created in response to the United States’ involvement in the Vietnam War. She depicted herself alongside her close friend, the collage artist Benny Andrews, who, during this period, was teaching art to prisoners at Rikers Island Correctional Facility with Stevens’s husband, the artist and educator Rudolf Baranik.



Presentation at the Figge supported by
T. Felden: Celebrating Black Artists


HTMLText_64D5996D_6570_0877_41B3_2BEB829552FD_mobile.html =
May Stevens
Boston 1924–2019 Santa Fe, NM


Benny Andrews, the Artist, and Big Daddy Paper Doll, 1976


Acrylic on canvas
NA diploma presentation, May 19, 2004


Stevens was a committed social and political activist for most of her life. This work is from a series Stevens created in response to the United States’ involvement in the Vietnam War. She depicted herself alongside her close friend, the collage artist Benny Andrews, who, during this period, was teaching art to prisoners at Rikers Island Correctional Facility with Stevens’s husband, the artist and educator Rudolf Baranik.



Presentation at the Figge supported by
T. Felden: Celebrating Black Artists


HTMLText_64D5997A_6570_085D_41BB_1BDA4FF8E588.html =
Audio Test 1
HTMLText_64D5997A_6570_085D_41BB_1BDA4FF8E588_mobile.html =
Audio Test 1
HTMLText_64D5997B_6570_0853_41CC_930B5E3F7323.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D5997B_6570_0853_41CC_930B5E3F7323_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59981_6570_08AF_41CB_330CE820DEA2.html =
Audio Test 1
HTMLText_64D59981_6570_08AF_41CB_330CE820DEA2_mobile.html =
Audio Test 1
HTMLText_64D59982_6570_08AD_41A7_838CF6CA4759.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59982_6570_08AD_41A7_838CF6CA4759_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D5998F_6570_08B3_41C3_FAE3D8AB460E.html =
Audio Test 1
HTMLText_64D5998F_6570_08B3_41C3_FAE3D8AB460E_mobile.html =
Audio Test 1
HTMLText_64D59990_6570_08AD_41D4_3060C61F6DC7.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59990_6570_08AD_41D4_3060C61F6DC7_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59997_6570_08D3_41D8_679F1FFC5587.html =
Hank Willis Thomas
Born Plainfield, NJ 1976


Jordan and Johnnie Walker, 2006


Inkjet print on canvas
NA diploma presentation, June 17, 2019
© Hank Willis Thomas, Courtesy of the artist and
Jack Shainman Gallery, New York


How do the signs and symbols around us reveal our implicit biases or unspoken assumptions? And how might the visual language employed by the brands and companies we encounter every day inform the ideas we have about one another? About the past? The work of Hank Willis Thomas is often addressed to these questions, but the artist offers no easy answers or singular takeaways.
















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Hank Willis Thomas
Born Plainfield, NJ 1976


Jordan and Johnnie Walker, 2006


Inkjet print on canvas
NA diploma presentation, June 17, 2019
© Hank Willis Thomas, Courtesy of the artist and
Jack Shainman Gallery, New York


How do the signs and symbols around us reveal our implicit biases or unspoken assumptions? And how might the visual language employed by the brands and companies we encounter every day inform the ideas we have about one another? About the past? The work of Hank Willis Thomas is often addressed to these questions, but the artist offers no easy answers or singular takeaways.
















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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D599A5_6570_08F7_41D9_11B6D9303190_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D599AD_6570_08F7_41D2_662529455697_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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James McGarrell
Indianapolis, IN 1930–2020 Woodsville, NH


Bison Self-Portrait, 1987


Oil on canvas
ANA diploma presentation, September 22, 1993


In 1959, at the age of twenty-nine, McGarrell was the youngest artist included in Peter Selz’s New Images of Man—an influential and controversial exhibition held at New York’s Museum of Modern Art—alongside such famous artists as Francis Bacon, Alberto Giacometti, Willem de Kooning, and Jackson Pollock. In 1968, McGarrell’s paintings were included in the American exhibition at the 34th Venice Biennale. Since his early career, the artist consistently produced work that challenged the conventions of representational painting, ignoring any supposed one-to-one correlation between the world outside the canvas and the one pictured within its borders.



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James McGarrell
Indianapolis, IN 1930–2020 Woodsville, NH


Bison Self-Portrait, 1987


Oil on canvas
ANA diploma presentation, September 22, 1993


In 1959, at the age of twenty-nine, McGarrell was the youngest artist included in Peter Selz’s New Images of Man—an influential and controversial exhibition held at New York’s Museum of Modern Art—alongside such famous artists as Francis Bacon, Alberto Giacometti, Willem de Kooning, and Jackson Pollock. In 1968, McGarrell’s paintings were included in the American exhibition at the 34th Venice Biennale. Since his early career, the artist consistently produced work that challenged the conventions of representational painting, ignoring any supposed one-to-one correlation between the world outside the canvas and the one pictured within its borders.



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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D599E4_6570_0875_418D_D5F78783065F_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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David Diao
Born Chengdu, China 1943


Bruce and Me, 2000


Acrylic and silkscreen on canvas
NA diploma presentation, February 6, 2013


Bruce and Me incorporates a screenprint of a detail of a photograph taken in Diao’s studio. In the photograph, the seated artist is partially veiled by a large transparency of an iconic image of Bruce Lee that hung in the studio; in the painting, the figures of Lee and Diao seem to merge, or one seems to grow out of the other. They are set into a field of hot pink—the color that has been, in the twentieth and twenty-first centuries, the overdetermined code of hyper-femininity. With traces of palette-knife marks visible up close, marking a surface that is nevertheless characteristically smooth and radiant, the pink field embodies the duality of critique and visual pleasure that makes Diao’s work so distinctive.


—Mira Schor, NA




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David Diao
Born Chengdu, China 1943


Bruce and Me, 2000


Acrylic and silkscreen on canvas
NA diploma presentation, February 6, 2013


Bruce and Me incorporates a screenprint of a detail of a photograph taken in Diao’s studio. In the photograph, the seated artist is partially veiled by a large transparency of an iconic image of Bruce Lee that hung in the studio; in the painting, the figures of Lee and Diao seem to merge, or one seems to grow out of the other. They are set into a field of hot pink—the color that has been, in the twentieth and twenty-first centuries, the overdetermined code of hyper-femininity. With traces of palette-knife marks visible up close, marking a surface that is nevertheless characteristically smooth and radiant, the pink field embodies the duality of critique and visual pleasure that makes Diao’s work so distinctive.


—Mira Schor, NA




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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59A00_6570_0BAD_41B1_1BF603F9ADF8_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Peter Saul
Born San Francisco 1934


Self-Portrait, 2013


Peter Saul’s paintings have always had a savage and funny anger against all sacred cows, but this hasn’t led him to spare himself. What on earth would lead anyone to depict himself like this, glasses askew, like he just ran into a wall? Eyeballs drift independently of each other, and potato teeth push past slobbering gums. He holds a bloody paintbrush aloft like some lame torch of liberty, just utterly pathetic. There are never any heroes in Peter’s paintings, and so we are all one with original sin, meatbags, blobs of stipple. Although on first impression it might seem like he is awash in judgment, a painting like this refutes that impression and reveals him to be a low-expectation humanist.


—Tom Burckhardt, NA








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Peter Saul
Born San Francisco 1934


Self-Portrait, 2013


Peter Saul’s paintings have always had a savage and funny anger against all sacred cows, but this hasn’t led him to spare himself. What on earth would lead anyone to depict himself like this, glasses askew, like he just ran into a wall? Eyeballs drift independently of each other, and potato teeth push past slobbering gums. He holds a bloody paintbrush aloft like some lame torch of liberty, just utterly pathetic. There are never any heroes in Peter’s paintings, and so we are all one with original sin, meatbags, blobs of stipple. Although on first impression it might seem like he is awash in judgment, a painting like this refutes that impression and reveals him to be a low-expectation humanist.


—Tom Burckhardt, NA








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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59A21_6570_0BEE_41D4_4B4F68517100_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59A28_6570_0BFE_41B9_D82265744725_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59A35_6570_0BD6_41D2_3239D2D3FE5F_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Jaune Quick-To-See Smith
Born Saint Ignatius, Flathead Reservation, MT 1940


Snake Dance, 2011


Oil, collage, and mixed media on canvas
NA diploma presentation, November 7, 2012


The artist’s varied treatments of the individual parts of this image evoke bark or flesh, water or fire. I love deciphering the layers embedded in Smith’s art. People expect the Native American symbolism, but do they also recognize her European references, I wonder? Who would have imagined Dürer’s rabbit in this context, peering out at us quizzically? Smith may have begun with the Hopi snake dance, but it led her to roam across time and space. This painting cannot be easily categorized. Neither abstract nor figurative, Eastern nor Western, ancient nor modern, it retains its mystery while incorporating the many languages of art making.


—Joyce Kozloff, NA



Presentation at the Figge supported by
Carolyn Levine & Leonard Kallio Trust



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Jaune Quick-To-See Smith
Born Saint Ignatius, Flathead Reservation, MT 1940


Snake Dance, 2011


Oil, collage, and mixed media on canvas
NA diploma presentation, November 7, 2012


The artist’s varied treatments of the individual parts of this image evoke bark or flesh, water or fire. I love deciphering the layers embedded in Smith’s art. People expect the Native American symbolism, but do they also recognize her European references, I wonder? Who would have imagined Dürer’s rabbit in this context, peering out at us quizzically? Smith may have begun with the Hopi snake dance, but it led her to roam across time and space. This painting cannot be easily categorized. Neither abstract nor figurative, Eastern nor Western, ancient nor modern, it retains its mystery while incorporating the many languages of art making.


—Joyce Kozloff, NA



Presentation at the Figge supported by
Carolyn Levine & Leonard Kallio Trust



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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59B32_6570_09D2_41A5_F3C814658E37_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59B32_6570_09D2_41D6_5C9B31BAA122.html =
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William Clutz
Born Gettysburg, PA 1933


Autumn Street, 1999


Oil on canvas
NA diploma presentation, May 17, 2006


For more than half a century, Clutz has painted figures. Seen in doorways, windows, or street crossings, often faceless, they appear to glimmer and glint as if caught in a quick glance. “When I moved to NYC, it was the people in the street, a stage set with people moving back and forth. I rode my bicycle around so I could catch lighting effects and return the next day, same time, to continue collecting facts and then develop them at home. . . . People always want to read a face, but, in the street, personalities shine through posture, clothes, hands, a tilt of the head. . . . You think, ‘I know someone like that.’”



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William Clutz
Born Gettysburg, PA 1933


Autumn Street, 1999


Oil on canvas
NA diploma presentation, May 17, 2006


For more than half a century, Clutz has painted figures. Seen in doorways, windows, or street crossings, often faceless, they appear to glimmer and glint as if caught in a quick glance. “When I moved to NYC, it was the people in the street, a stage set with people moving back and forth. I rode my bicycle around so I could catch lighting effects and return the next day, same time, to continue collecting facts and then develop them at home. . . . People always want to read a face, but, in the street, personalities shine through posture, clothes, hands, a tilt of the head. . . . You think, ‘I know someone like that.’”



HTMLText_64D59B46_6570_09B2_41D6_8E31916D8DCC.html =
Audio Test 1
HTMLText_64D59B46_6570_09B2_41D6_8E31916D8DCC_mobile.html =
Audio Test 1
HTMLText_64D59B47_6570_09B2_41D8_CCEA37A9C58E.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59B47_6570_09B2_41D8_CCEA37A9C58E_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59B4E_6570_09B2_419D_3BDC76B75D0C.html =
Audio Test 1
HTMLText_64D59B4E_6570_09B2_419D_3BDC76B75D0C_mobile.html =
Audio Test 1
HTMLText_64D59B4F_6570_09B2_41B5_3A436FD55BA4.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_64D59B4F_6570_09B2_41B5_3A436FD55BA4_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_66F8243C_02E4_9838_416B_0CFCB72A9B79.html =
Asher B. Durand
Maplewood, NJ 1796-1886


Landscape, 1850


Oil on canvas
Bequest of James A. Suydam, 1865


By the time Durand painted this landscape, the artist had been elected NAD president and become an important mentor to American landscapists seeking a leader after the death of the Academician Thomas Cole, the founder of the Hudson River School. In this work—painted just two years after Cole’s passing—Durand depicted two artists in a scene that evokes the upper Hudson River Valley in New York, looking south toward the Catskill Mountains. Painted in the act of contemplating their surroundings, the pair symbolizes the importance of artists’ relationships, the power of artistic interpretation, and our place in the natural world.



Presentation at the Figge supported by
Kay Hall in honor of Peggy Pierce
HTMLText_66F8243C_02E4_9838_416B_0CFCB72A9B79_mobile.html =
Asher B. Durand
Maplewood, NJ 1796-1886


Landscape, 1850


Oil on canvas
Bequest of James A. Suydam, 1865


By the time Durand painted this landscape, the artist had been elected NAD president and become an important mentor to American landscapists seeking a leader after the death of the Academician Thomas Cole, the founder of the Hudson River School. In this work—painted just two years after Cole’s passing—Durand depicted two artists in a scene that evokes the upper Hudson River Valley in New York, looking south toward the Catskill Mountains. Painted in the act of contemplating their surroundings, the pair symbolizes the importance of artists’ relationships, the power of artistic interpretation, and our place in the natural world.



Presentation at the Figge supported by
Kay Hall in honor of Peggy Pierce
HTMLText_68E59D33_5E8C_AB69_418A_93D271229969.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_68E59D33_5E8C_AB69_418A_93D271229969_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_68F22D08_5E8C_AB27_41CC_1D3ABFAD3E1D.html =
Audio Test 1
HTMLText_68F22D08_5E8C_AB27_41CC_1D3ABFAD3E1D_mobile.html =
Audio Test 1
HTMLText_68F61D0F_5E8C_AB39_41CC_6B1EFBDC2F97.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_68F61D0F_5E8C_AB39_41CC_6B1EFBDC2F97_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_68F8AD33_5E8C_AB69_41BF_D933DE1F3FB0.html =
Audio Test 1
HTMLText_68F8AD33_5E8C_AB69_41BF_D933DE1F3FB0_mobile.html =
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HTMLText_68F91D27_5E8C_AB69_41C1_27184C01261B_mobile.html =
Audio Test 1
HTMLText_68FA6D27_5E8C_AB69_41B5_4985EC92C1CC.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_68FA6D27_5E8C_AB69_41B5_4985EC92C1CC_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_68FD7D15_5E8C_AB29_41D0_10C3FDA06583.html =
Eastman Johnson
Lovell, ME 1824–1906 New York City


Self-Portrait, about 1859–60


Oil on canvas
ANA diploma presentation, date unknown


This is likely the earliest of Johnson’s extant self-portraits. He depicted himself as a self-assured man, aged approximately thirty-five, during the period when he first gained the attention of the art world and various American publics.
HTMLText_68FD7D15_5E8C_AB29_41D0_10C3FDA06583_mobile.html =
Eastman Johnson
Lovell, ME 1824–1906 New York City


Self-Portrait, about 1859–60


Oil on canvas
ANA diploma presentation, date unknown


This is likely the earliest of Johnson’s extant self-portraits. He depicted himself as a self-assured man, aged approximately
thirty-five, during the period when he first gained the attention of the art world and various American publics.
HTMLText_69904731_5E9C_E769_41BE_8BA36C3A6086.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_69904731_5E9C_E769_41BE_8BA36C3A6086_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_69935726_5E9C_E76B_41A7_B467C8D3FA0F.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_69935726_5E9C_E76B_41A7_B467C8D3FA0F_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_6995B731_5E9C_E769_41D7_8B45F6753812.html =
Audio Test 1
HTMLText_6995B731_5E9C_E769_41D7_8B45F6753812_mobile.html =
Audio Test 1
HTMLText_6997C725_5E9C_E769_41D2_B2293F401301.html =
Audio Test 1
HTMLText_6997C725_5E9C_E769_41D2_B2293F401301_mobile.html =
Audio Test 1
HTMLText_699A36F8_5E9C_E6E7_41B7_5564F533BAAA.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_699A36F8_5E9C_E6E7_41B7_5564F533BAAA_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_699B970E_5E9C_E73B_41D2_9CD1F20097AB.html =
Oliver Ingraham Lay
New York City 1845–1890 Stratford, CT


Winslow Homer, 1865


Oil on canvas
ANA diploma presentation, May 7, 1866











HTMLText_699B970E_5E9C_E73B_41D2_9CD1F20097AB_mobile.html =
Oliver Ingraham Lay
New York City 1845–1890 Stratford, CT


Winslow Homer, 1865


Oil on canvas
ANA diploma presentation, May 7, 1866











HTMLText_699E16F7_5E9C_E6E9_41C8_0E121670EB84.html =
Audio Test 1
HTMLText_699E16F7_5E9C_E6E9_41C8_0E121670EB84_mobile.html =
Audio Test 1
HTMLText_69A1AF51_5E84_A726_41CD_8B7B07035D49.html =
Winslow Homer
Boston 1836–1910 Prouts Neck, ME


Croquet Player, about 1865


Oil on canvas
NA diploma presentation, May 7, 1866



Presentation at the Figge supported by
Norwoods in memory of
Jessie Palmer










HTMLText_69A1AF51_5E84_A726_41CD_8B7B07035D49_mobile.html =
Winslow Homer
Boston 1836–1910 Prouts Neck, ME


Croquet Player, about 1865


Oil on canvas
NA diploma presentation, May 7, 1866



Presentation at the Figge supported by
Norwoods in memory of
Jessie Palmer










HTMLText_69A36F3F_5E84_A758_41D5_5219D47FB1B0.html =
Audio Test 1
HTMLText_69A36F3F_5E84_A758_41D5_5219D47FB1B0_mobile.html =
Audio Test 1
HTMLText_69A4BF5E_5E84_A7DA_41CA_EB216245466A.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_69A4BF5E_5E84_A7DA_41CA_EB216245466A_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_69AF7F41_5E84_A729_41A2_29D6B57024F7.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_69AF7F41_5E84_A729_41A2_29D6B57024F7_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_69B8CF5C_5E84_A7DF_41CE_85CE0301A796.html =
Audio Test 1
HTMLText_69B8CF5C_5E84_A7DF_41CE_85CE0301A796_mobile.html =
Audio Test 1
HTMLText_69B93F62_5E84_A7EB_41D6_2E5820E60654.html =
Audio Test 1
HTMLText_69B93F62_5E84_A7EB_41D6_2E5820E60654_mobile.html =
Audio Test 1
HTMLText_69BA2F63_5E84_A7E9_41D4_894F7617A668.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_69BA2F63_5E84_A7E9_41D4_894F7617A668_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_6A637EDF_5E8B_A6D9_41B8_BA7A4FD6245E.html =
Ferdinand Thomas Lee Boyle
Ringwood, England 1820–1906 New York City


Eliza Greatorex, 1869
Oil on canvas
ANA diploma portrait, date unknown



Presentation at the Figge supported by
Leslie DuPree for my Irish women



HTMLText_6A637EDF_5E8B_A6D9_41B8_BA7A4FD6245E_mobile.html =
Ferdinand Thomas Lee Boyle
Ringwood, England 1820–1906 New York City


Eliza Greatorex, 1869
Oil on canvas
ANA diploma portrait, date unknown



Presentation at the Figge supported by
Leslie DuPree for my Irish women



HTMLText_6A646ED8_5E8B_A927_41BE_89A50A517469.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_6A646ED8_5E8B_A927_41BE_89A50A517469_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_6A695EF1_5E8B_A6E6_41D2_EA14DD107CFA.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_6A695EF1_5E8B_A6E6_41D2_EA14DD107CFA_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_6A6BFEEA_5E8B_A6FA_41B1_A2A6D0AD319D.html =
Audio Test 1
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Audio Test 1
HTMLText_6A6C7EF0_5E8B_A6E6_41D2_9AE6482350E1_mobile.html =
Audio Test 1
HTMLText_6A6F3EEB_5E8B_A6FA_41C4_E0B168D2F8A3.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_6A6F3EEB_5E8B_A6FA_41C4_E0B168D2F8A3_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_6A88BCEB_5E8D_AAF9_41D4_D1CEE1EE4BED.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_6A88BCEB_5E8D_AAF9_41D4_D1CEE1EE4BED_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_6A907D07_5E8D_AB29_41C0_4C00BD159E02.html =
Audio Test 1
HTMLText_6A907D07_5E8D_AB29_41C0_4C00BD159E02_mobile.html =
Audio Test 1
HTMLText_6A945CEA_5E8D_AAFB_41D4_01D216570F69.html =
Audio Test 1
HTMLText_6A945CEA_5E8D_AAFB_41D4_01D216570F69_mobile.html =
Audio Test 1
HTMLText_6A95BCF1_5E8D_AAE9_41CD_2E84659A7D58.html =
Will Barnet
Beverly, MA 1911–2012 New York City


Self-Portrait, 1981


Oil on canvas
ANA diploma presentation, April 6, 1981
© 2020 Will Barnet Trust / Licensed by VAGA at
Artists Rights Society (ARS), NY



Presentation at the Figge supported by
J. Randolph and Linda Lewis



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Will Barnet
Beverly, MA 1911–2012 New York City


Self-Portrait, 1981


Oil on canvas
ANA diploma presentation, April 6, 1981
© 2020 Will Barnet Trust / Licensed by VAGA at
Artists Rights Society (ARS), NY



Presentation at the Figge supported by
J. Randolph and Linda Lewis



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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Emanuel Leutze
Gmünd, Württemberg, Germany 1816-1868 Washington, DC


Worthington Whittredge, 1861


Oil on canvas
ANA diploma presentation, April 7, 1861


Leutze emigrated with his family from Germany to the United States when he was nine years old. After establishing himself in this country as a talented portraitist, he traveled to Düsseldorf to study and, later, became a noted teacher there. Thanks to his strong network of patrons and peers, Leutze’s studio was a hub for American artists abroad. Among these artists, Worthington Whittredge became his closest friend. As Whittredge recounted in his autobiography, Leutze asked him to pose as the model for General Washington in the artist’s masterwork, Washington Crossing the Delaware; although it was not customary for Academicians to submit sketches as diploma works, Leutze’s towering reputation and the ambition of the monumental canvas allowed for this exception.



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Emanuel Leutze
Gmünd, Württemberg, Germany 1816-1868 Washington, DC


Worthington Whittredge, 1861


Oil on canvas
ANA diploma presentation, April 7, 1861


Leutze emigrated with his family from Germany to the United States when he was nine years old. After establishing himself in this country as a talented portraitist, he traveled to Düsseldorf to study and, later, became a noted teacher there. Thanks to his strong network of patrons and peers, Leutze’s studio was a hub for American artists abroad. Among these artists, Worthington Whittredge became his closest friend. As Whittredge recounted in his autobiography, Leutze asked him to pose as the model for General Washington in the artist’s masterwork, Washington Crossing the Delaware; although it was not customary for Academicians to submit sketches as diploma works, Leutze’s towering reputation and the ambition of the monumental canvas allowed for this exception.



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Exhibition Sponsors


Presentation at the Figge


Supporting Sponsors
Estes Construction | Harris Family Charitable Gift Fund | US Bank


Contributing Sponsors
Mark and Rita Bawden | BITCO Insurance Companies | Julie and Alan Renken




*Deceased
The Major Exhibitions Endowment is a fund that supports the presentation of world-class art exhibitions at the Figge Art Museum every other year in perpetuity. To the right is a list of contributors to this fund. Thanks to their support, For America: 200 Years of Painting from the National Academy of Design has been made possible


HTMLText_7801C655_8DBF_9FF2_41D6_D5BB6925382E_mobile.html =
Exhibition Sponsors


Presentation at the Figge


Supporting Sponsors
Estes Construction | Harris Family Charitable Gift Fund | US Bank


Contributing Sponsors
Mark and Rita Bawden | BITCO Insurance Companies | Julie and Alan Renken




*Deceased
The Major Exhibitions Endowment is a fund that supports the presentation of world-class art exhibitions at the Figge Art Museum every other year in perpetuity. To the right is a list of contributors to this fund. Thanks to their support, For America: 200 Years of Painting from the National Academy of Design has been made possible


HTMLText_780C7677_8DBF_9FBE_41C2_0317238A9BE8.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_780C7677_8DBF_9FBE_41C2_0317238A9BE8_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_7810C68B_8DBF_9F56_41DD_D5B64F4EDB07_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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For America Fun Facts


1. Painter, Jane Wilson, was nominated as the Academy’s first female president in 1992.


2. Samuel F. B. Morse, painter and one of the founders of the Academy, helped improve the long-distance electric telegraph.


3. Asher B. Durand was originally trained to be an engraver.


4. Devil’s Gate pictured in Albert Bierstadt’s On the Sweetwater near Devil’s Gate is located in central Wyoming and was once a fur-trading post and stop on the famous Oregon Trail.


5. Jaune Quick-to-See Smith became the Academy’s first Native American Academician in 2011.


6. Painting, sculpture, architecture, and engraving were the four “arts of design” the National Academy’s founders recognized.


7. Women were not permitted to draw with live models at the National Academy School until 1857.


8. The National Academy’s most recent National Academy Affiliated Fellowship recipient is painter, Athena LaTocha, who was admitted in 2020.


9. The National Academy has a database (http://www.nadatabase.org) that grants visitors access to artists’ profiles and their artwork.


10. Painter Robert Blum had heterochromia, which William Merritt Chase accurately depicted in his portrait of him.


11. Elihu Vedder's painting depicts former slave in the Confederacy, Jane Jackson. She had traveled north to New York and sold peanuts on Broadway outside of the Old Gibson building where Vedder kept his studio. Vedder befriended Jackson and immortalized her “look of patient endurance and resignation” in the portrait.


12. Worthington Whittredge was the model for George Washington in Emanuel Leutze’s portrait of the first United States president. "As Whittredge recounted in his autobiography, Leutze asked him to pose as the model for General Washington in the artist’s masterwork, Washington Crossing the Delaware."



For more information on the National Academy of Design, visit https://www.nationalacademy.org.




HTMLText_78F290D1_8DDA_74F3_4194_F85017CA764E_mobile.html =
For America Fun Facts


1. Painter, Jane Wilson, was nominated as the Academy’s first female president in 1992.


2. Samuel F. B. Morse, painter and one of the founders of the Academy, helped improve the long-distance electric telegraph.


3. Asher B. Durand was originally trained to be an engraver.


4. Devil’s Gate pictured in Albert Bierstadt’s On the Sweetwater near Devil’s Gate is located in central Wyoming and was once a fur-trading post and stop on the famous Oregon Trail.


5. Jaune Quick-to-See Smith became the Academy’s first Native American Academician in 2011.


6. Painting, sculpture, architecture, and engraving were the four “arts of design” the National Academy’s founders recognized.


7. Women were not permitted to draw with live models at the National Academy School until 1857.


8. The National Academy’s most recent National Academy Affiliated Fellowship recipient is painter, Athena LaTocha, who was admitted in 2020.


9. The National Academy has a database (http://www.nadatabase.org) that grants visitors access to artists’ profiles and their artwork.


10. Painter Robert Blum had heterochromia, which William Merritt Chase accurately depicted in his portrait of him.


11. Elihu Vedder's painting depicts former slave in the Confederacy, Jane Jackson. She had traveled north to New York and sold peanuts on Broadway outside of the Old Gibson building where Vedder kept his studio. Vedder befriended Jackson and immortalized her “look of patient endurance and resignation” in the portrait.


12. Worthington Whittredge was the model for George Washington in Emanuel Leutze’s portrait of the first United States president. "As Whittredge recounted in his autobiography, Leutze asked him to pose as the model for General Washington in the artist’s masterwork, Washington Crossing the Delaware."



For more information on the National Academy of Design, visit https://www.nationalacademy.org.




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Audio Test 1
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_7C84C68D_5E8C_9939_41D4_AFFDDAAFE3FA_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Audio Test 1
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Altoon Sultan
Born New York City 1948


Tractor and Disc Harrow, Pawlett, Vermont, 1987


Oil on canvas
NA diploma presentation, September 20, 1995


At the end of the 1970s, Altoon Sultan gained critical acclaim for her landscape views devoted to New England’s farmlands and vast open spaces. For many critics, Sultan’s art forms a tangible link in the great American tradition of landscape painting. Exploring the unexpected beauty of both machines and work, her paintings merge expectation and reality, idea and ideal, to broach broader questions of land use and abuse.






Presentation at the Figge supported by
Karen A. Cathelyn, Geneseo, IL






HTMLText_7C8F3699_5E8C_9959_41C2_0BBC1A62F38B_mobile.html =
Altoon Sultan
Born New York City 1948


Tractor and Disc Harrow, Pawlett, Vermont, 1987


Oil on canvas
NA diploma presentation, September 20, 1995


At the end of the 1970s, Altoon Sultan gained critical acclaim for her landscape views devoted to New England’s farmlands and vast open spaces. For many critics, Sultan’s art forms a tangible link in the great American tradition of landscape painting. Exploring the unexpected beauty of both machines and work, her paintings merge expectation and reality, idea and ideal, to broach broader questions of land use and abuse.






Presentation at the Figge supported by
Karen A. Cathelyn, Geneseo, IL






HTMLText_7CB4B6AF_5E8C_9979_41B9_B2F370D157AD.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_7CB4B6AF_5E8C_9979_41B9_B2F370D157AD_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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FIGGE Art Museum
figgeartmuseum.org
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FIGGE Art Museum
figgeartmuseum.org
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_7E991026_3BDA_9FEF_41C5_AE92381EFE2E_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Look around the gallery and try to find all of the items on the list!


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Look around the gallery and try to find all of the items on the list!


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Edward Harrison May
Croydon, England 1824–1887 Paris, France


Frederic Edwin Church, not dated


Oil on canvas
ANA diploma presentation, May 7, 1849



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Edward Harrison May
Croydon, England 1824–1887 Paris, France


Frederic Edwin Church, not dated


Oil on canvas
ANA diploma presentation, May 7, 1849



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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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This virtual tour is brought to you by the FIGGE Art Museum.


For more information visit:
figgeartmuseum.org



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This virtual tour is brought to you by the FIGGE Art Museum.


For more information visit:
figgeartmuseum.org



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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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John Frederick Kensett
Cheshire, CT 1816-1872 New York City


The Bash-Bish, 1855


Oil on canvas
Bequest of James A. Suydam, 1865


Kensett’s paintings of the Bash-Bish Falls, located on the border between New York and Massachusetts, are seemingly the noisiest paintings he ever made. We come upon the scene as if stumbling into a sacred place, but there are no faeries or nymphs, just nature itself, presenting a prospect that approaches the miraculous in its confluence of light and shadow; near and far; rocks, pool, waterfall, forest, and mountain; earth, air, fire (light), and water. Close to the picture plane, the “wide stance” contrapposto of the falls closely evokes the human body, intensifying the viewer’s sense that his own gaze, whether looking at a painting or at an actual landscape, is something embodied: to consciously look at something is to take one’s own measure in relation to it. And I never forget that paintings are bodies, too.


—Stephen Westfall, NA





Presentation at the Figge supported by
Nancy Bach and Gwen Hudson



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John Frederick Kensett
Cheshire, CT 1816-1872 New York City


The Bash-Bish, 1855


Oil on canvas
Bequest of James A. Suydam, 1865


Kensett’s paintings of the Bash-Bish Falls, located on the border between New York and Massachusetts, are seemingly the noisiest paintings he ever made. We come upon the scene as if stumbling into a sacred place, but there are no faeries or nymphs, just nature itself, presenting a prospect that approaches the miraculous in its confluence of light and shadow; near and far; rocks, pool, waterfall, forest, and mountain; earth, air, fire (light), and water. Close to the picture plane, the “wide stance” contrapposto of the falls closely evokes the human body, intensifying the viewer’s sense that his own gaze, whether looking at a painting or at an actual landscape, is something embodied: to consciously look at something is to take one’s own measure in relation to it. And I never forget that paintings are bodies, too.


—Stephen Westfall, NA





Presentation at the Figge supported by
Nancy Bach and Gwen Hudson



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artworks © the artists


*Clickable objects are limited
Click to expand selected objects
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artworks © the artists”


*Clickable objects are limited
Click to expand selected objects
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Andrew Wyeth
Chadds Ford, PA 1917–2009


Self-Portrait, 1945


Egg tempera on gessoed panel
ANA diploma presentation, February 5, 1945


Wyeth, son of artist N.C. Wyeth, was introduced to egg tempera by Peter Hurd, a student of his father’s who later married his sister Henriette, also an artist (diploma works by Hurd and N.C. Wyeth are on view in this exhibition). The medium enabled Wyeth to successfully achieve the technical facility and clarity of detail he was seeking for his work. This commanding yet quotidian self-portrait—among Wyeth’s first mature paintings in the medium—is a master study in ambivalence. Does Wyeth look through or past his viewer? Is the young artist’s gaze one of steady determination or a register of trouble just ahead? Do the dry, wild grasses engulf his lone figure, or part for a pathway? And might the black hawks register his presence, or ours, from afar?





Presentation at the Figge supported by
Figge 15 Birthday Club







HTMLText_945089E8_96E2_4CBE_41D4_8AB8D993B9D1_mobile.html =
Andrew Wyeth
Chadds Ford, PA 1917–2009


Self-Portrait, 1945


Egg tempera on gessoed panel
ANA diploma presentation, February 5, 1945


Wyeth, son of artist N.C. Wyeth, was introduced to egg tempera by Peter Hurd, a student of his father’s who later married his sister Henriette, also an artist (diploma works by Hurd and N.C. Wyeth are on view in this exhibition). The medium enabled Wyeth to successfully achieve the technical facility and clarity of detail he was seeking for his work. This commanding yet quotidian self-portrait—among Wyeth’s first mature paintings in the medium—is a master study in ambivalence. Does Wyeth look through or past his viewer? Is the young artist’s gaze one of steady determination or a register of trouble just ahead? Do the dry, wild grasses engulf his lone figure, or part for a pathway? And might the black hawks register his presence, or ours, from afar?





Presentation at the Figge supported by
Figge 15 Birthday Club







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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_945089FE_96E2_4C92_41E2_12EA473DDA90_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Audio Test 1
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Audio Test 1
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_9452050C_96E6_4577_41E1_2CB2B73AA11B_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Charles White
Chicago 1918-1979 Los Angeles


Matriarch, 1967


Oil on canvas
ANA diploma presentation, February 5, 1973
Rather than a likeness of himself, White submitted
Matriarch—a portrayal of his great-aunt Hasty Baines,
born into slavery in 1857 on the Yellowley plantation
in Ridgeland, Mississippi—to the Academy as his
diploma portrait. Painted 110 years after her birth,
in the thick of a decade rife with political and social
unrest, the deeply personal work stood for White as
a symbol of wisdom and courage—universal themes
also explored in his mature work Mother Courage II.
After extensive conservation, Matriarch is on view for
the first time in nearly four decades.



Presentation at the Figge supported
In Honor of Rebecca Christoffel
HTMLText_94520522_96E6_45B3_41DC_7BC2B44F8935_mobile.html =
Charles White
Chicago 1918-1979 Los Angeles


Matriarch, 1967


Oil on canvas
ANA diploma presentation, February 5, 1973
Rather than a likeness of himself, White submitted
Matriarch—a portrayal of his great-aunt Hasty Baines,
born into slavery in 1857 on the Yellowley plantation
in Ridgeland, Mississippi—to the Academy as his
diploma portrait. Painted 110 years after her birth,
in the thick of a decade rife with political and social
unrest, the deeply personal work stood for White as
a symbol of wisdom and courage—universal themes
also explored in his mature work Mother Courage II.
After extensive conservation, Matriarch is on view for
the first time in nearly four decades.



Presentation at the Figge supported
In Honor of Rebecca Christoffel
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Audio Test 1
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Audio Test 1
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_9452052E_96E6_45B3_41D0_F0A24E0EA18F_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Audio Test 1
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Audio Test 1
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_94520535_96E6_4591_41C2_82506E5DA5D4_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_9453FFEE_96E5_C4B3_41C9_4A71568F2B48.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_9453FFEE_96E5_C4B3_41C9_4A71568F2B48_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Audio Test 1
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Kay Walkingstick
Born Syracuse, NY 1935


Volute/Volupté, 2009


Oil on panel
NA diploma presentation, March 4, 2019


The relationship between Indigenous Peoples and the
land is a source of inspiration for Kay WalkingStick,
a citizen of both the United States and the Cherokee
Nation. She has long used the diptych—a painting
comprised of two panels—to explore multiple points
of view simultaneously. In her words, “This is who we
Americans really are. All different, all the same, all
in it together, making art.” Incorporating designs and
patterns from Indigenous traditions into her landscape
views, the artist reclaims these lands and instills them
with the Indigenous identity that historical American
painting traditions—such as the Hudson River
School—had largely erased.





Presentation at the Figge supported by
Carolyn Levine & Leonard Kallio Trust


HTMLText_9453FFF5_96E5_C491_41E0_A62B44A77CFE_mobile.html =
Kay Walkingstick
Born Syracuse, NY 1935


Volute/Volupté, 2009


Oil on panel
NA diploma presentation, March 4, 2019


The relationship between Indigenous Peoples and the
land is a source of inspiration for Kay WalkingStick,
a citizen of both the United States and the Cherokee
Nation. She has long used the diptych—a painting
comprised of two panels—to explore multiple points
of view simultaneously. In her words, “This is who we
Americans really are. All different, all the same, all
in it together, making art.” Incorporating designs and
patterns from Indigenous traditions into her landscape
views, the artist reclaims these lands and instills them
with the Indigenous identity that historical American
painting traditions—such as the Hudson River
School—had largely erased.





Presentation at the Figge supported by
Carolyn Levine & Leonard Kallio Trust


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HTMLText_94540002_96E2_3B73_41D9_7ABB4C28C735.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_94540002_96E2_3B73_41D9_7ABB4C28C735_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_94540008_96E2_3B7F_41DE_8E554E3172BA.html =
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_94540009_96E2_3B71_41E1_EAE07ABCF88E_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_A028AE55_F2E2_7799_41E9_8BCD44955E89.html =
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Description. What are we looking at?
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Description. What are we looking at?
HTMLText_A8CC3F7A_75CF_18E5_41D9_B81A5365E998.html =
Seek and Find!
Look for the items on the list. Click on the painting to add to your score.


*Make sure to select the painting from the closest view point.
HTMLText_A8CC3F7A_75CF_18E5_41D9_B81A5365E998_mobile.html =
Seek and Find!
Look for the items on the list. Click on the painting to add to your score.


*Make sure to select the painting from the closest view point.
HTMLText_A99A91A8_F2E3_8CB7_41C3_EAAD1F3DF005.html =
George Tooker
New York City 1920-2011 Hartland, VT


Voice II, 1972
Egg tempera on gessoed panel
NA diploma presentation, October 2, 1972
HTMLText_A99A91A8_F2E3_8CB7_41C3_EAAD1F3DF005_mobile.html =
George Tooker
New York City 1920-2011 Hartland, VT


Voice II, 1972
Egg tempera on gessoed panel
NA diploma presentation, October 2, 1972
HTMLText_AE417F52_64D0_0852_41B9_0AA6CE2DBC3C.html =
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HTMLText_AE441F53_64D0_0852_41D4_64AFCDACC34B.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AE441F53_64D0_0852_41D4_64AFCDACC34B_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AE46AF4C_64D0_09B6_41AF_4F7650F0DED4.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AE46AF4C_64D0_09B6_41AF_4F7650F0DED4_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AE482F32_64D0_09ED_41D0_03202008E38C.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AE482F32_64D0_09ED_41D0_03202008E38C_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AE494F38_64D0_09DD_41C1_69387D4A6AA1.html =
Peter Hurd
Roswell, NM 1904–1984


Evening in the Sierras, 1938–39


Egg tempera on gessoed panel
NA diploma presentation, February 3, 1947


Hurd studied privately with N. C. Wyeth, the well-known American Realist painter, father of Andrew and Henriette and grandfather of Jamie. As it happens, Hurd married Henriette, and the couple had three children together. Hurd had attended military school as a boy and enrolled at West Point but, having always loved art and painting, decided to leave halfway through to attend the Pennsylvania Academy of the Fine Arts in Philadelphia. That decision was quite radical, especially for the early 1920s. This is the story of a person who had an inner desire to do something, followed his dream, and ended up not only living the rest of his life as an artist but also finding his wife and family in the process. There is a “lived happily ever after” spirit to this decision, which is instructive as an example of following one’s passion and calling.


—Glenn Goldberg, NA








Presentation at the Figge supported by
Carol Sommer
HTMLText_AE494F38_64D0_09DD_41C1_69387D4A6AA1_mobile.html =
Peter Hurd
Roswell, NM 1904–1984


Evening in the Sierras, 1938–39


Egg tempera on gessoed panel
NA diploma presentation, February 3, 1947


Hurd studied privately with N. C. Wyeth, the well-known American Realist painter, father of Andrew and Henriette and grandfather of Jamie. As it happens, Hurd married Henriette, and the couple had three children together. Hurd had attended military school as a boy and enrolled at West Point but, having always loved art and painting, decided to leave halfway through to attend the Pennsylvania Academy of the Fine Arts in Philadelphia. That decision was quite radical, especially for the early 1920s. This is the story of a person who had an inner desire to do something, followed his dream, and ended up not only living the rest of his life as an artist but also finding his wife and family in the process. There is a “lived happily ever after” spirit to this decision, which is instructive as an example of following one’s passion and calling.


—Glenn Goldberg, NA








Presentation at the Figge supported by
Carol Sommer
HTMLText_AE4EDF31_64D0_09EF_41D2_615393D2201A.html =
Audio Test 1
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HTMLText_AE52EF7E_64D0_0852_41D5_18F33C134ACD.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AE52EF7E_64D0_0852_41D5_18F33C134ACD_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AE537F7D_64D0_0856_41C1_E15A8A61288D.html =
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Gertrude Fiske
Boston 1879–1961 Weston, MA


Jade, about 1918


Oil on canvas
NA diploma presentation, October 6, 1930


Fiske was born into a wealthy and socially prominent
family that traced its ancestry to the colonial
Massachusetts governor William Bradford. She
won numerous awards throughout her career, and
in 1916, she had a solo exhibition at the Guild of
Boston Artists, of which she was a founding member.
Commissioned portraits were Fiske’s mainstay, and
Jade is representative of her mature style—vibrant
colors and swathes of pattern combined with a
controlled economy of form.





Presentation at the Figge supported by
Kay K. Runge – KKRunge Associates
HTMLText_AE577F94_64D0_08D6_41D3_7F5993C75C71_mobile.html =
Gertrude Fiske
Boston 1879–1961 Weston, MA


Jade, about 1918


Oil on canvas
NA diploma presentation, October 6, 1930


Fiske was born into a wealthy and socially prominent
family that traced its ancestry to the colonial
Massachusetts governor William Bradford. She
won numerous awards throughout her career, and
in 1916, she had a solo exhibition at the Guild of
Boston Artists, of which she was a founding member.
Commissioned portraits were Fiske’s mainstay, and
Jade is representative of her mature style—vibrant
colors and swathes of pattern combined with a
controlled economy of form.





Presentation at the Figge supported by
Kay K. Runge – KKRunge Associates
HTMLText_AE587F61_64D0_086E_41CF_635D8892C92E.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AE587F61_64D0_086E_41CF_635D8892C92E_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AE596F60_64D0_086E_4187_812BE156C142.html =
Audio Test 1
HTMLText_AE596F60_64D0_086E_4187_812BE156C142_mobile.html =
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Ellen Emmet Rand
San Francisco 1875–1941 New York City


Self-Portrait, 1927


Oil on composition board
ANA diploma presentation, November 14, 1927


By choosing to portray herself at work, Rand, a noted portraitist, told us how she wanted to be seen. More importantly, knowing that this was to be part of the National Academy’s collection, she had it convey how she wanted to be remembered in history. Everything she wanted us to know about her is right there. In fact, everything in Rand’s self-portrait is attached to her physically: smock, glasses, hat, paint, palette, brushes. There is no setting, no background or foreground. There are no symbolic details or coded narrative in the textiles, out the window, or on a table. In its formal self-sufficiency, it is more like a statue than a painting. Self-contained. Solid.


And so, in this quietly powerful image, Ellen Emmet Rand offered us a prototype of a strong successful female artist of early twentieth-century America. It is a great lineage.


—Judith Shea, NA









Presentation at the Figge supported by
Neil and Perrine West







HTMLText_AE5A3F68_64D0_087E_41C9_1717AA0B1ED2_mobile.html =
Ellen Emmet Rand
San Francisco 1875–1941 New York City


Self-Portrait, 1927


Oil on composition board
ANA diploma presentation, November 14, 1927


By choosing to portray herself at work, Rand, a noted portraitist, told us how she wanted to be seen. More importantly, knowing that this was to be part of the National Academy’s collection, she had it convey how she wanted to be remembered in history. Everything she wanted us to know about her is right there. In fact, everything in Rand’s self-portrait is attached to her physically: smock, glasses, hat, paint, palette, brushes. There is no setting, no background or foreground. There are no symbolic details or coded narrative in the textiles, out the window, or on a table. In its formal self-sufficiency, it is more like a statue than a painting. Self-contained. Solid.


And so, in this quietly powerful image, Ellen Emmet Rand offered us a prototype of a strong successful female artist of early twentieth-century America. It is a great lineage.


—Judith Shea, NA









Presentation at the Figge supported by
Neil and Perrine West







HTMLText_AE5F0F77_64D0_0852_41BA_BC3C2918AEF9.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AE5F0F77_64D0_0852_41BA_BC3C2918AEF9_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AE739F1D_64D0_09D7_41A1_149F76EEAFAA.html =
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HTMLText_AE739F1D_64D0_09D7_41A1_149F76EEAFAA_mobile.html =
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HTMLText_AE779F1E_64D0_09D5_41A5_F66C74E14BB0.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AE779F1E_64D0_09D5_41A5_F66C74E14BB0_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AE77BF25_64D0_09F7_41C5_AB25F4A07F95.html =
Robert Henri
Cincinnati, OH 1865–1929 New York City


George Wesley Bellows, 1911


Oil on canvas
ANA diploma presentation, December 4, 1911


Henri completed this portrait of his friend and former student George Bellows the same year the two summered in Monhegan Island, fifteen miles off the coast of Maine. Bellows submitted the work as his Academy portrait, a gesture that perhaps signifies the artists’ shared ideas about portraiture and representation. Henri’s words in his book The Art Spirit, first published in 1923, provide an interesting context for the painting:


Take things of certain constructive values and build with them a special thing, your unique vision of nature, the thing you caught in an instant look of a face or the formation of a moment in the sky, [making] it possible to state not only that face, that landscape, but make your statement of them as they were when they were most beautiful to you.





HTMLText_AE77BF25_64D0_09F7_41C5_AB25F4A07F95_mobile.html =
Robert Henri
Cincinnati, OH 1865–1929 New York City


George Wesley Bellows, 1911


Oil on canvas
ANA diploma presentation, December 4, 1911


Henri completed this portrait of his friend and former student George Bellows the same year the two summered in Monhegan Island, fifteen miles off the coast of Maine. Bellows submitted the work as his Academy portrait, a gesture that perhaps signifies the artists’ shared ideas about portraiture and representation. Henri’s words in his book The Art Spirit, first published in 1923, provide an interesting context for the painting:


Take things of certain constructive values and build with them a special thing, your unique vision of nature, the thing you caught in an instant look of a face or the formation of a moment in the sky, [making] it possible to state not only that face, that landscape, but make your statement of them as they were when they were most beautiful to you.





HTMLText_AE804030_64D0_37ED_41D6_F9BB41E3E2F7.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AE804030_64D0_37ED_41D6_F9BB41E3E2F7_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AE81402F_64D0_37F3_41CD_A81265B28421.html =
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HTMLText_AE82E029_64D0_37FF_416B_9052B739F7BC.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AE82E029_64D0_37FF_416B_9052B739F7BC_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AE85C045_64D0_37B7_41D7_782B2FB05701.html =
Daniel Garber
North Manchester, IN 1880–1958 Lumberville, PA


Self-Portrait, circa 1911


Oil on canvas
ANA diploma presentation, May 11, 1911


After studying at the Art Academy of Cincinnati and the Pennsylvania Academy of the Fine Arts, Garber settled near New Hope, Pennsylvania and, within a few years, became the revered master of the New Hope artists’ colony. “We were always a bit apprehensive of Garber—especially the newcomers,” recalled Charlie Ward, a student there. “Soon, we learned he was interested in what we were doing. He appeared in class in a stiff brown smock drawn in at the waist with a wide belt. He wore a bowtie and he had bangs. Everything was as it should have been.”


In 1909, Garber was awarded the National Academy’s first Julius Hallgarten Prize, established for exceptionally promising artists under the age of thirty-five.
HTMLText_AE85C045_64D0_37B7_41D7_782B2FB05701_mobile.html =
Daniel Garber
North Manchester, IN 1880–1958 Lumberville, PA


Self-Portrait, circa 1911


Oil on canvas
ANA diploma presentation, May 11, 1911


After studying at the Art Academy of Cincinnati and the Pennsylvania Academy of the Fine Arts, Garber settled near New Hope, Pennsylvania and, within a few years, became the revered master of the New Hope artists’ colony. “We were always a bit apprehensive of Garber—especially the newcomers,” recalled Charlie Ward, a student there. “Soon, we learned he was interested in what we were doing. He appeared in class in a stiff brown smock drawn in at the waist with a wide belt. He wore a bowtie and he had bangs. Everything was as it should have been.”


In 1909, Garber was awarded the National Academy’s first Julius Hallgarten Prize, established for exceptionally promising artists under the age of thirty-five.
HTMLText_AE87103D_64D0_37D7_41D5_FC1F37267BE8.html =
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HTMLText_AE87103D_64D0_37D7_41D5_FC1F37267BE8_mobile.html =
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HTMLText_AE889FFF_64D0_0853_41D5_C53161862484.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AE889FFF_64D0_0853_41D5_C53161862484_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AE88F01B_64D0_37D3_41D0_756865CCD0B9.html =
N. C. Wyeth
Needham, MA 1882–1945 Chadds Ford, PA


Blubber Island, Maine, 1938


Oil on gessoed panel
NA diploma presentation, February 17, 1942






Presentation at the Figge supported by
Carolyn Levine & Leonard Kallio Trust






HTMLText_AE88F01B_64D0_37D3_41D0_756865CCD0B9_mobile.html =
N. C. Wyeth
Needham, MA 1882–1945 Chadds Ford, PA


Blubber Island, Maine, 1938


Oil on gessoed panel
NA diploma presentation, February 17, 1942






Presentation at the Figge supported by
Carolyn Levine & Leonard Kallio Trust






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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AE94A069_64D0_387F_41C4_E449D69361DE_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Walter Ufer
Louisville, KY 1876–1936 Albuquerque, NM


Jim, 1918


Oil on canvas
NA diploma presentation, October 4, 1926


Jim Mirabel, a member of the Taos Pueblo and Ufer’s friend, domestic employee, and model, is depicted in this confident and expressive portrait. Ufer was a political radical, a member of the Chicago labor union Industrial Workers of the World (IWW), and a devout Trotskyite who frequently protested the U.S. government’s treatment of American Indians. Upon the artist’s death, Mirabel and another of Ufer’s friends distributed his ashes, in accordance with his wishes, into the winds over the Taos Valley in New Mexico.






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Walter Ufer
Louisville, KY 1876–1936 Albuquerque, NM


Jim, 1918


Oil on canvas
NA diploma presentation, October 4, 1926


Jim Mirabel, a member of the Taos Pueblo and Ufer’s friend, domestic employee, and model, is depicted in this confident and expressive portrait. Ufer was a political radical, a member of the Chicago labor union Industrial Workers of the World (IWW), and a devout Trotskyite who frequently protested the U.S. government’s treatment of American Indians. Upon the artist’s death, Mirabel and another of Ufer’s friends distributed his ashes, in accordance with his wishes, into the winds over the Taos Valley in New Mexico.






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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AE973053_64D0_3853_419C_808BB6F49AEC_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Gertrude Fiske
Boston 1879–1961 Weston, MA


Self-Portrait, 1922


Oil on canvas
ANA diploma presentation, May 7, 1923




Presentation at the Figge supported by
Catherine Weideman and John Gardner













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Gertrude Fiske
Boston 1879–1961 Weston, MA


Self-Portrait, 1922


Oil on canvas
ANA diploma presentation, May 7, 1923




Presentation at the Figge supported by
Catherine Weideman and John Gardner













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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Audio Test 1
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Audio Test 1
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Audio Test 1
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Walter Ufer
Louisville, KY 1876–1936 Albuquerque, NM


Self-Portrait, not dated


Oil on canvas
ANA diploma presentation, December 6, 1920



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Walter Ufer
Louisville, KY 1876–1936 Albuquerque, NM


Self-Portrait, not dated


Oil on canvas
ANA diploma presentation, December 6, 1920



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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AEBD2FE3_64D0_0872_41BD_9606F8858A6D_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AEBFDFD4_64D0_0856_41D3_B3E77DD9020E_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Audio Test 1
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AEC170FC_64D0_3856_41D5_6EBB879A495A_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Audio Test 1
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Audio Test 1
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AEC72103_64D0_39B2_41BD_686CE997EA0C_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Albert Kresch
Born Scranton, PA 1922


North of Taos, N.M., 2005


Oil on canvas
NA diploma presentation, September 19, 2007






Presentation at the Figge supported by
John R. and Michele Martin



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Albert Kresch
Born Scranton, PA 1922


North of Taos, N.M., 2005


Oil on canvas
NA diploma presentation, September 19, 2007






Presentation at the Figge supported by
John R. and Michele Martin



HTMLText_AEC970E6_64D0_3872_41AE_005B58DBEFE2.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AEC970E6_64D0_3872_41AE_005B58DBEFE2_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Audio Test 1
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Audio Test 1
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Audio Test 1
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Audio Test 1
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AED1112D_64D0_39F6_41C1_D42F71E66434_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AED1513A_64D0_39D2_41AF_6C3D1C19B15D_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Audio Test 1
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AED65125_64D0_39F6_41B4_33A120278C6F_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Audio Test 1
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Audio Test 1
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Mary Shepard Greene Blumenschein
New York City 1869–1958 Santa Fe, NM


Self-Portrait, 1915


Oil on canvas
ANA diploma presentation, March 1, 1915



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Mary Shepard Greene Blumenschein
New York City 1869–1958 Santa Fe, NM


Self-Portrait, 1915


Oil on canvas
ANA diploma presentation, March 1, 1915



HTMLText_AED8D110_64D0_39AE_41A1_151CA4A847A8.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AED8D110_64D0_39AE_41A1_151CA4A847A8_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Ernest L. Blumenschein
Pittsburgh, PA 1874–1960 Albuquerque, NM


The Lake, about 1923


Oil on canvas
NA diploma presentation, October 18, 1927


The little cabin nestled in the foreground can hardly compete with the grandeur of its surroundings. It’s a fugue of forms and colors singing their hymn to the glory of nature without the slightest need for an audience. And yet, if you look hard, the porch posts of the house resemble a couple standing at the edge of a balcony, oddly outsized to the dimensions of their home, yet tiny compared to the view they are taking in. It’s a strange depiction. Perhaps Blumenschein was suggesting that we are large and important in our own homes, masters of our domain, but insignificant in the greater scheme of things.


—Leslie Wayne, NA







Presentation at the Figge supported by
Carolyn Levine & Leonard Kallio Trust



HTMLText_AEDA7117_64D0_39D2_41D5_397797006A73_mobile.html =
Ernest L. Blumenschein
Pittsburgh, PA 1874–1960 Albuquerque, NM


The Lake, about 1923


Oil on canvas
NA diploma presentation, October 18, 1927


The little cabin nestled in the foreground can hardly compete with the grandeur of its surroundings. It’s a fugue of forms and colors singing their hymn to the glory of nature without the slightest need for an audience. And yet, if you look hard, the porch posts of the house resemble a couple standing at the edge of a balcony, oddly outsized to the dimensions of their home, yet tiny compared to the view they are taking in. It’s a strange depiction. Perhaps Blumenschein was suggesting that we are large and important in our own homes, masters of our domain, but insignificant in the greater scheme of things.


—Leslie Wayne, NA







Presentation at the Figge supported by
Carolyn Levine & Leonard Kallio Trust



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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AEE07094_64D0_38D5_41D0_69CB8A3E694E_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Audio Test 1
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AEE2B07F_64D0_3853_41CF_415D5A9FFC51_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AEE3809B_64D0_38D3_41CD_B92F1F10F0E9.html =
N. C. Wyeth
Needham, MA 1882–1945 Chadds Ford, PA


Self-Portrait, 1940


Egg tempera on gessoed panel
ANA diploma presentation, February 18, 1941




Presentation at the Figge supported by
Susan McPeters - Davenport





HTMLText_AEE3809B_64D0_38D3_41CD_B92F1F10F0E9_mobile.html =
N. C. Wyeth
Needham, MA 1882–1945 Chadds Ford, PA


Self-Portrait, 1940


Egg tempera on gessoed panel
ANA diploma presentation, February 18, 1941




Presentation at the Figge supported by
Susan McPeters - Davenport





HTMLText_AEED9087_64D0_38B3_41C6_96091776B378.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AEED9087_64D0_38B3_41C6_96091776B378_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Audio Test 1
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HTMLText_AEF0A0BD_64D0_38D6_41D7_734ECAAE5515.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AEF0A0BD_64D0_38D6_41D7_734ECAAE5515_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AEF1C0D2_64D0_3852_418A_E2DCDE1AD1CB.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AEF1C0D2_64D0_3852_418A_E2DCDE1AD1CB_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AEF450D9_64D0_385E_41CA_D70D75FC52A3.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AEF450D9_64D0_385E_41CA_D70D75FC52A3_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Audio Test 1
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Audio Test 1
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AEF970A8_64D0_38FE_41D0_700D1AD31BC7_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AEF9F0AF_64D0_38F2_41B1_14FC88B6B4FF.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AEF9F0AF_64D0_38F2_41B1_14FC88B6B4FF_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AEFAF0AE_64D0_38F2_41AF_2137AD04482D.html =
Audio Test 1
HTMLText_AEFAF0AE_64D0_38F2_41AF_2137AD04482D_mobile.html =
Audio Test 1
HTMLText_AEFC10C4_64D0_38B6_41D3_D618A70CF0A9.html =
Daniel Garber
North Manchester, IN 1880–1958 Lumberville, PA


By Addingham, 1911


Oil on canvas
NA diploma presentation, April 6, 1914





Presentation at the Figge supported by
J. Randolph and Linda Lewis



HTMLText_AEFC10C4_64D0_38B6_41D3_D618A70CF0A9_mobile.html =
Daniel Garber
North Manchester, IN 1880–1958 Lumberville, PA


By Addingham, 1911


Oil on canvas
NA diploma presentation, April 6, 1914





Presentation at the Figge supported by
J. Randolph and Linda Lewis



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Audio Test 1
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Audio Test 1
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Audio Test 1
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF0651CD_64D0_38B7_41D7_0594FF15D2A6_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF06F1D4_64D0_3855_41CB_6FD0FA1AEC60.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF06F1D4_64D0_3855_41CB_6FD0FA1AEC60_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Reginald Marsh
Paris, France 1898–1954 Dorset, VT


Barrel of Fun, 1943


Oil on composition board
NA diploma presentation, April 3, 1944
© 2020 Estate of Reginald Marsh / Art Students
League, New York / Artists Rights Society (ARS),
New York


The Barrel of Fun ride was once located at the oceanside entrance of the Steeplechase amusement park in Coney Island, Brooklyn. The giant spinning wheel often knocked people to the ground and brought complete strangers into intimate physical contact—so much so, in fact, that it was also commonly referred to as the Barrel of Love. From the tumultuous jumble of the modern city, Marsh created iconic images that communicate something of what it means to live alone in a world teeming with others.


Presentation at the Figge supported by
Robert and Suzanne Benson



HTMLText_AF0E11BD_64D0_38D7_41D8_39E957965F0A_mobile.html =
Reginald Marsh
Paris, France 1898–1954 Dorset, VT


Barrel of Fun, 1943


Oil on composition board
NA diploma presentation, April 3, 1944
© 2020 Estate of Reginald Marsh / Art Students
League, New York / Artists Rights Society (ARS),
New York


The Barrel of Fun ride was once located at the oceanside entrance of the Steeplechase amusement park in Coney Island, Brooklyn. The giant spinning wheel often knocked people to the ground and brought complete strangers into intimate physical contact—so much so, in fact, that it was also commonly referred to as the Barrel of Love. From the tumultuous jumble of the modern city, Marsh created iconic images that communicate something of what it means to live alone in a world teeming with others.


Presentation at the Figge supported by
Robert and Suzanne Benson



HTMLText_AF0FC1B6_64D0_38D5_41CB_410E3C2A7A8F.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF0FC1B6_64D0_38D5_41CB_410E3C2A7A8F_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF1031FF_64D0_3853_41D7_0C73E34D1BD7.html =
Audio Test 1
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Audio Test 1
HTMLText_AF1221F8_64D0_385D_41D3_59500CA50FC3.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF1221F8_64D0_385D_41D3_59500CA50FC3_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF13E200_64D0_3BAD_41D6_255744F2FECD.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF13E200_64D0_3BAD_41D6_255744F2FECD_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF1861E3_64D0_3873_41C1_3E09A1DFAFF7.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF1861E3_64D0_3873_41C1_3E09A1DFAFF7_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF1BA1EA_64D0_387D_41BB_E4F7C216C815.html =
John Steuart Curry
Dunavant, KS 1897–1946 Madison, WI


Belgian Stallions, 1938


Oil on wood panel
NA diploma presentation, October 4, 1943






Presentation at the Figge supported by
John and Nancy Danico



HTMLText_AF1BA1EA_64D0_387D_41BB_E4F7C216C815_mobile.html =
John Steuart Curry
Dunavant, KS 1897–1946 Madison, WI


Belgian Stallions, 1938


Oil on wood panel
NA diploma presentation, October 4, 1943






Presentation at the Figge supported by
John and Nancy Danico



HTMLText_AF1E71E2_64D0_386D_41C3_C2A719F67C87.html =
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HTMLText_AF20816B_64D0_3872_41C4_8A10625AC5A2.html =
Paul Sample
Louisville, KY 1896–1974 Hanover, NH


Unemployment, 1931


Oil on canvas
NA diploma presentation, December 1, 1941









Presentation at the Figge supported by
Marianne Jensen



HTMLText_AF20816B_64D0_3872_41C4_8A10625AC5A2_mobile.html =
Paul Sample
Louisville, KY 1896–1974 Hanover, NH


Unemployment, 1931


Oil on canvas
NA diploma presentation, December 1, 1941









Presentation at the Figge supported by
Marianne Jensen



HTMLText_AF21D164_64D0_3876_41C0_EA3B859B22E9.html =
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF23F165_64D0_3876_41CE_F51D6378790E_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF28B150_64D0_39AE_41A4_B07E29A7192C.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF28B150_64D0_39AE_41A4_B07E29A7192C_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF298157_64D0_3852_41B7_7159E0249DB5.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF298157_64D0_3852_41B7_7159E0249DB5_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF2C6156_64D0_3852_41D1_ABE56A2527D2.html =
Audio Test 1
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HTMLText_AF325193_64D0_38D3_41C9_78AF2A6D117B.html =
Paul Sample
Louisville, KY 1896–1974 Hanover, NH


Self-Portrait, 1937


Oil on canvas
ANA diploma presentation, January 18, 1938








HTMLText_AF325193_64D0_38D3_41C9_78AF2A6D117B_mobile.html =
Paul Sample
Louisville, KY 1896–1974 Hanover, NH


Self-Portrait, 1937


Oil on canvas
ANA diploma presentation, January 18, 1938








HTMLText_AF32918C_64D0_38B5_4172_E336488E0317.html =
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Audio Test 1
HTMLText_AF3521A9_64D0_38FF_4190_764B88596FB7.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF3521A9_64D0_38FF_4190_764B88596FB7_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF3571A1_64D0_38EF_41D4_67073DD86A6E.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF3571A1_64D0_38EF_41D4_67073DD86A6E_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF3B7179_64D0_385F_41D7_1873A5F59A97.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF3B7179_64D0_385F_41D7_1873A5F59A97_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF3BE180_64D0_38AD_41D6_4AAF89D54884.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF3BE180_64D0_38AD_41D6_4AAF89D54884_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF3D918D_64D0_38B7_41B8_5EF548A3B350.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF3D918D_64D0_38B7_41B8_5EF548A3B350_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF3E217F_64D0_3853_41CA_3DCAA403C652.html =
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Audio Test 1
HTMLText_AF50A2C2_64D0_38B2_41CB_6922E0342C99_mobile.html =
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HTMLText_AF5142C9_64D0_38BE_41D3_709D8724952B.html =
Audio Test 1
HTMLText_AF5142C9_64D0_38BE_41D3_709D8724952B_mobile.html =
Audio Test 1
HTMLText_AF5442CA_64D0_38B2_41D4_E3D8B6742A57.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF5442CA_64D0_38B2_41D4_E3D8B6742A57_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF55F2C3_64D0_38B2_41A4_F772EAC46431.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF55F2C3_64D0_38B2_41A4_F772EAC46431_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF5832AF_64D0_38F2_41B8_046767B26B5E.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF5832AF_64D0_38F2_41B8_046767B26B5E_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_AF5992B6_64D0_38D2_41D2_69702A191B4C.html =
Paul Resika
Born New York City 1928


The End of the Hurricane, 1979


Oil on canvas
NA diploma presentation, February 4, 1980





Presentation at the Figge supported by
Xenotronics Company






HTMLText_AF5992B6_64D0_38D2_41D2_69702A191B4C_mobile.html =
Paul Resika
Born New York City 1928


The End of the Hurricane, 1979


Oil on canvas
NA diploma presentation, February 4, 1980





Presentation at the Figge supported by
Xenotronics Company






HTMLText_AF5E92AE_64D0_38F2_41C7_0941ED312200.html =
Audio Test 1
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HTMLText_B2B09396_7F47_5F2B_41D0_9790337A5FA3.html =
Albert Bierstadt
Solingen, Germany 1830-1902 New York City


On the Sweetwater near the Devil’s Gate, 1860
Oil on millboard
NA diploma presentation, December 17, 1860


HTMLText_B2B09396_7F47_5F2B_41D0_9790337A5FA3_mobile.html =
Albert Bierstadt
Solingen, Germany 1830-1902 New York City


On the Sweetwater near the Devil’s Gate, 1860
Oil on millboard
NA diploma presentation, December 17, 1860


HTMLText_B35D03B5_B2BE_8B1D_41E2_C0673AF9193F.html =
Samuel F. B. Morse
Charlestown, MA 1791-1872 New York City


Self-Portrait, circa 1809


Watercolor on ivory
Gift of Samuel P. Avery, John G. Bown, Thomas B. Clarke, Lockwood de Forest, Daniel Huntington, James C. Nicoll, and Harry W. Watrous, 1900


Morse likely painted this self-portrait miniature when he was studying at Yale College and not yet twenty years old. Although Morse has long been considered self-taught, research for this exhibition has uncovered the probable identity of his first art teacher: the miniaturist and engraver Thomas Gimbrede, a French émigré who offered private classes in New Haven during Morse’s college years. The deft self-portrait likely served to display Morse’s skill to prospective patrons. The artist had fully committed to oil painting by 1811, when he arrived in London to study with the American-born Benjamin West, second president of the Royal Academy of Arts. West’s example and the Royal Academy were decisive models for Morse as he founded the National Academy. His admiration for West is evident in the inset painting, copied after a portrait of West by the English painter Sir Thomas Lawrence. The work hung in Morse’s library throughout his life.



Presentation at the Figge supported by
Ron and Connie Koehn



HTMLText_B35D03B5_B2BE_8B1D_41E2_C0673AF9193F_mobile.html =
Samuel F. B. Morse
Charlestown, MA 1791-1872 New York City


Self-Portrait, circa 1809


Watercolor on ivory
Gift of Samuel P. Avery, John G. Bown, Thomas B. Clarke, Lockwood de Forest, Daniel Huntington, James C. Nicoll, and Harry W. Watrous, 1900


Morse likely painted this self-portrait miniature when he was studying at Yale College and not yet twenty years old. Although Morse has long been considered self-taught, research for this exhibition has uncovered the probable identity of his first art teacher: the miniaturist and engraver Thomas Gimbrede, a French émigré who offered private classes in New Haven during Morse’s college years. The deft self-portrait likely served to display Morse’s skill to prospective patrons. The artist had fully committed to oil painting by 1811, when he arrived in London to study with the American-born Benjamin West, second president of the Royal Academy of Arts. West’s example and the Royal Academy were decisive models for Morse as he founded the National Academy. His admiration for West is evident in the inset painting, copied after a portrait of West by the English painter Sir Thomas Lawrence. The work hung in Morse’s library throughout his life.



Presentation at the Figge supported by
Ron and Connie Koehn



HTMLText_B365ACCB_B289_9D75_4185_D51B96A3069B.html =
Emanuel Leutze, Washington Crossing the Delaware, 1851, oil on canvas, 149 x 255 in., Metropolitan Museum of Art, New York
HTMLText_B365ACCB_B289_9D75_4185_D51B96A3069B_mobile.html =
Emanuel Leutze, Washington Crossing the Delaware, 1851, oil on canvas, 149 x 255 in., Metropolitan Museum of Art, New York
HTMLText_B36AC3FF_B29B_8B0D_41B8_C27ADE1D99D4.html =
Cornelius Cort, after Titian, The Penitent Magdelene, 1580-1620, engraving on paper, 10 x 7.5 in., The British Museum
HTMLText_B36AC3FF_B29B_8B0D_41B8_C27ADE1D99D4_mobile.html =
Cornelius Cort, after Titian, The Penitent Magdelene, 1580-1620, engraving on paper, 10 x 7.5 in., The British Museum
HTMLText_B36D8D32_B299_9F17_41DF_159E1797C719.html =
Elihu Vedder, The Cumaean Sibyl, 1876, oil on canvas, 38 × 59 in, Detroit Institute of Arts
HTMLText_B36D8D32_B299_9F17_41DF_159E1797C719_mobile.html =
Elihu Vedder, The Cumaean Sibyl, 1876, oil on canvas, 38 × 59 in, Detroit Institute of Arts
HTMLText_B36F3CD8_B29A_FD13_41E1_9DA336C5BDAD.html =
Nina Leen, RT to C, Barrel of Fun,
Coney Island, 1941. Reproduced in Life magazine.
HTMLText_B36F3CD8_B29A_FD13_41E1_9DA336C5BDAD_mobile.html =
Nina Leen, RT to C, Barrel of Fun,
Coney Island, 1941. Reproduced in Life magazine.
HTMLText_B3718C01_B289_9CF5_41E4_120EEAE3461C.html =
Albrecht Dürer, Young Hare, 1502,
watercolor and gouache, heightened with white gouache, on paper, 9.9 × 8.9 in., Albertina, Vienna
HTMLText_B3718C01_B289_9CF5_41E4_120EEAE3461C_mobile.html =
Albrecht Dürer, Young Hare, 1502,
watercolor and gouache, heightened with white gouache, on paper, 9.9 × 8.9 in., Albertina, Vienna
HTMLText_B80905C4_65D0_38B5_41A9_C2E3E8C53E89.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B80905C4_65D0_38B5_41A9_C2E3E8C53E89_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B80A75BD_65D0_38D7_41D6_D4F62C37AFCB.html =
Audio Test 1
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Audio Test 1
HTMLText_B80FE5AE_65D0_38F5_41A2_5EF5F43DA427.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B810E5FB_65D0_3853_41A0_E166D532B136.html =
Audio Test 1
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Audio Test 1
HTMLText_B81425EE_65D0_3875_41D5_67D40B2B602F.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B81425EE_65D0_3875_41D5_67D40B2B602F_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B819B5E7_65D0_3873_41B6_ACE845CB4FA4.html =
Audio Test 1
HTMLText_B819B5E7_65D0_3873_41B6_ACE845CB4FA4_mobile.html =
Audio Test 1
HTMLText_B81C55D7_65D0_3853_41B2_D1EEECAC8490.html =
Reuben Tam
Kapa‘a, Kaua‘i, HI 1916–1991


Monhegan Landform, 1974


Oil on canvas
ANA diploma presentation, October 1, 1986


“Hawaii to Monhegan—birthplace + home,” penned Tam in his journal for 1948. Like Robert Henri and George Bellows before him, Tam felt the pull of Maine’s Monhegan Island, visiting and living there for decades. The artist, who believed that landscape was not only a subject for representational painting but also a medium to convey ideas and concerns related to memory, identity, and subjectivity, submitted Monhegan Landform in lieu of a diploma portrait. Departing from convention, the Academy’s governing council accepted it without reservation.  














HTMLText_B81C55D7_65D0_3853_41B2_D1EEECAC8490_mobile.html =
Reuben Tam
Kapa‘a, Kaua‘i, HI 1916–1991


Monhegan Landform, 1974


Oil on canvas
ANA diploma presentation, October 1, 1986


“Hawaii to Monhegan—birthplace + home,” penned Tam in his journal for 1948. Like Robert Henri and George Bellows before him, Tam felt the pull of Maine’s Monhegan Island, visiting and living there for decades. The artist, who believed that landscape was not only a subject for representational painting but also a medium to convey ideas and concerns related to memory, identity, and subjectivity, submitted Monhegan Landform in lieu of a diploma portrait. Departing from convention, the Academy’s governing council accepted it without reservation.  














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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B834459A_65D0_38DD_41AC_547253CFB960_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Reuben Tam
Kapa‘a, Kaua‘i, HI 1916–1991


Monhegan Night, 1956


Oil on canvas
Gift of the artist’s estate, 1991



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Reuben Tam
Kapa‘a, Kaua‘i, HI 1916–1991


Monhegan Night, 1956


Oil on canvas
Gift of the artist’s estate, 1991



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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Ann Gale
Born Baltimore, MD 1966


Babs with Ribbons, 2007


Oil on canvas
NA diploma presentation, February 12, 2014







Presentation at the Figge supported by
Marion Meginnis & Jack Haberman







HTMLText_B85F8689_65D0_38BE_41A2_2995CB490106_mobile.html =
Ann Gale
Born Baltimore, MD 1966


Babs with Ribbons, 2007


Oil on canvas
NA diploma presentation, February 12, 2014







Presentation at the Figge supported by
Marion Meginnis & Jack Haberman







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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B8668617_65D0_3BD2_41D3_6AFF25B1CFF2_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B8703652_65D0_3852_41BE_A587512E19C5.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Audio Test 1
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B8777642_65D0_3BB2_41D8_2EE2CAAE5D2C_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Gretna Campbell
New York City 1922–1987


Garden in Brazil, 1983


Oil on canvas
Posthumous ANA diploma presentation, December 2, 1987


Gretna Campbell—a woman who painted, taught masterfully, and raised a family—was a mentor of mine, although I never told her that. I believe that landscape was the apex of painting for her. In the fall, winter, and spring, Gretna worked in the Delaware Water Gap region in New Jersey, so Garden in Brazil is a bit of an exception, as she painted it while on a trip abroad with her husband. It is still Gretna’s voice that is seen and felt in this vibrant and expressive picture. Back at home, to prepare for painting outdoors in the winter months, Gretna would bake a couple of potatoes which she then put in her pockets to use as hand warmers. After several hours, when the potatoes began to lose their heat, she ate them for lunch!


—Barbara Grossman, NA






Presentation at the Figge supported by
Wynne and David Schafer






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Gretna Campbell
New York City 1922–1987


Garden in Brazil, 1983


Oil on canvas
Posthumous ANA diploma presentation, December 2, 1987


Gretna Campbell—a woman who painted, taught masterfully, and raised a family—was a mentor of mine, although I never told her that. I believe that landscape was the apex of painting for her. In the fall, winter, and spring, Gretna worked in the Delaware Water Gap region in New Jersey, so Garden in Brazil is a bit of an exception, as she painted it while on a trip abroad with her husband. It is still Gretna’s voice that is seen and felt in this vibrant and expressive picture. Back at home, to prepare for painting outdoors in the winter months, Gretna would bake a couple of potatoes which she then put in her pockets to use as hand warmers. After several hours, when the potatoes began to lose their heat, she ate them for lunch!


—Barbara Grossman, NA






Presentation at the Figge supported by
Wynne and David Schafer






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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B8848468_65D0_387D_41D8_B4D42646D94B_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Audio Test 1
HTMLText_B88B8457_65D0_3853_41C8_6A3629EF5FF8.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B88B8457_65D0_3853_41C8_6A3629EF5FF8_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Jane Freilicher
New York City 1924–2014


Telephone Poles, 1963


Oil on canvas
NA diploma presentation, November 1, 1982


After studying with the Abstract Expressionist Hans Hofmann in the late 1940s, Freilicher and several of Hofmann’s other students developed representational modes that acknowledged the lessons learned from total abstraction: an attention to the material properties of paint and an awareness of the flatness of the canvas. Freilicher drew her subject matter from her immediate experience of the world—New York’s Greenwich Village, where she spent her winter months, and, as illustrated in Telephone Poles, Water Mill, Long Island, where she passed her summers.





Presentation at the Figge supported by
Hedy and Michael Hustedde


HTMLText_B897B493_65D0_38D2_41D1_0B956CAB7237_mobile.html =
Jane Freilicher
New York City 1924–2014


Telephone Poles, 1963


Oil on canvas
NA diploma presentation, November 1, 1982


After studying with the Abstract Expressionist Hans Hofmann in the late 1940s, Freilicher and several of Hofmann’s other students developed representational modes that acknowledged the lessons learned from total abstraction: an attention to the material properties of paint and an awareness of the flatness of the canvas. Freilicher drew her subject matter from her immediate experience of the world—New York’s Greenwich Village, where she spent her winter months, and, as illustrated in Telephone Poles, Water Mill, Long Island, where she passed her summers.





Presentation at the Figge supported by
Hedy and Michael Hustedde


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B89DB47E_65D0_3855_41D6_2A244A692927_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B8A2C411_65D0_3FAF_41D9_275E686ABE57_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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HTMLText_B8A52409_65D0_3FBF_41C1_6564E195ED7C_mobile.html =
Audio Test 1
HTMLText_B8A96401_65D0_3FAF_41C3_836B487ABE70.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B8A96401_65D0_3FAF_41C3_836B487ABE70_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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George Tooker
New York City 1920–2011 Hartland, VT


Voice II, 1972


Egg tempera on gessoed panel
NA diploma presentation, October 2, 1972






HTMLText_B8B53440_65D0_3FAD_41D8_6B0A8512B42A_mobile.html =
George Tooker
New York City 1920–2011 Hartland, VT


Voice II, 1972


Egg tempera on gessoed panel
NA diploma presentation, October 2, 1972






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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B8BA4428_65D0_3FFD_41BD_43FE176A247F_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Audio Test 1
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B8C3451F_65D0_39D2_41D0_8BBA03D28968_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Audio Test 1
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B8CED4FB_65D0_3852_41D4_E70BE47C9504_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Audio Test 1
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Audio Test 1
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Audio Test 1
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Audio Test 1
HTMLText_B8D5C54C_65D0_39B6_41CF_EDABE460BF3D.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B8D5C54C_65D0_39B6_41CF_EDABE460BF3D_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B8DDA530_65D0_39EE_41B3_A68A997CC881.html =
Lois Dodd
Born Montclair, NJ 1927


View through Chicken House, 1971


Oil on Masonite
Gift of Lois Dodd, 2004
© 2020 Lois Dodd / Licensed by VAGA at Artists
Rights Society (ARS), NY


New Jersey-native Lois Dodd studied at the Cooper
Union for the Advancement of Science and Art
and she was a founder of the Tanager Gallery, an
early cooperative gallery in New York. Now in her
eighth decade as a painter, Dodd has consistently
depicted views through windows and doors—painterly
metaphors for transition, reflection, concealment, and
insight. With its absence of any human presence,
View through Chicken House, starkly contrasts the
bravura directness of her Academy self-portrait.



Presentation at the Figge supported by
Caroline Kimple, for her chickens
HTMLText_B8DDA530_65D0_39EE_41B3_A68A997CC881_mobile.html =
Lois Dodd
Born Montclair, NJ 1927


View through Chicken House, 1971


Oil on Masonite
Gift of Lois Dodd, 2004
© 2020 Lois Dodd / Licensed by VAGA at Artists
Rights Society (ARS), NY


New Jersey-native Lois Dodd studied at the Cooper
Union for the Advancement of Science and Art
and she was a founder of the Tanager Gallery, an
early cooperative gallery in New York. Now in her
eighth decade as a painter, Dodd has consistently
depicted views through windows and doors—painterly
metaphors for transition, reflection, concealment, and
insight. With its absence of any human presence,
View through Chicken House, starkly contrasts the
bravura directness of her Academy self-portrait.



Presentation at the Figge supported by
Caroline Kimple, for her chickens
HTMLText_B8E0D4C8_65D0_38BE_41B2_79C3F02556CC.html =
Audio Test 1
HTMLText_B8E0D4C8_65D0_38BE_41B2_79C3F02556CC_mobile.html =
Audio Test 1
HTMLText_B8E914BA_65D0_38D2_41D5_81833E9EF5BC.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B8E914BA_65D0_38D2_41D5_81833E9EF5BC_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B8EA44B3_65D0_38D2_41B8_2E4B5C3EF346.html =
Audio Test 1
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Audio Test 1
HTMLText_B8EC04AB_65D0_38F2_41D1_785D3F075A1D.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B8EC04AB_65D0_38F2_41D1_785D3F075A1D_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B8F224F3_65D0_3852_41C9_18DAFD8277E9.html =
Audio Test 1
HTMLText_B8F224F3_65D0_3852_41C9_18DAFD8277E9_mobile.html =
Audio Test 1
HTMLText_B8F824DE_65D0_3852_41C0_A14B08CC3155.html =
Lois Dodd
Born Montclair, NJ 1927


Self-Portrait, 1984


Oil on composition board
ANA diploma presentation, March 2, 1988
© 2020 Lois Dodd / Licensed by VAGA at Artists
Rights Society (ARS), NY


HTMLText_B8F824DE_65D0_3852_41C0_A14B08CC3155_mobile.html =
Lois Dodd
Born Montclair, NJ 1927


Self-Portrait, 1984


Oil on composition board
ANA diploma presentation, March 2, 1988
© 2020 Lois Dodd / Licensed by VAGA at Artists
Rights Society (ARS), NY


HTMLText_B8FE94CF_65D0_38B2_41D1_75FF8716A017.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B8FE94CF_65D0_38B2_41D1_75FF8716A017_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B9421949_65D0_09BE_41D6_14817B93CC46.html =
Audio Test 1
HTMLText_B9421949_65D0_09BE_41D6_14817B93CC46_mobile.html =
Audio Test 1
HTMLText_B945A941_65D0_09AE_41CB_5B17D63E6861.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B945A941_65D0_09AE_41CB_5B17D63E6861_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B946E939_65D0_09DE_41A8_86B0DF00D28B.html =
Audio Test 1
HTMLText_B946E939_65D0_09DE_41A8_86B0DF00D28B_mobile.html =
Audio Test 1
HTMLText_B94F392B_65D0_09F2_41C8_7F7718552041.html =
Charles White
Chicago 1918-1979 Los Angeles


Mother Courage II, 1974


Oil on canvas
NA diploma presentation, March 3, 1975





Presentation at the Figge supported by
Marianne Jensen







HTMLText_B94F392B_65D0_09F2_41C8_7F7718552041_mobile.html =
Charles White
Chicago 1918-1979 Los Angeles


Mother Courage II, 1974


Oil on canvas
NA diploma presentation, March 3, 1975





Presentation at the Figge supported by
Marianne Jensen







HTMLText_B95ED950_65D0_09AE_41D8_3F3A089A355D.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B95ED950_65D0_09AE_41D8_3F3A089A355D_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B9731920_65D0_09EE_41B4_FA2E4A76E66A.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B9731920_65D0_09EE_41B4_FA2E4A76E66A_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B974A919_65D0_09DE_41A2_EED9EEF84F88.html =
Audio Test 1
HTMLText_B974A919_65D0_09DE_41A2_EED9EEF84F88_mobile.html =
Audio Test 1
HTMLText_B9AED6B3_65D0_38D2_41BF_9E3A9C28E6EB.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_B9AED6B3_65D0_38D2_41BF_9E3A9C28E6EB_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_BF0332FF_65D0_3853_4181_1233C81C7E41.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_BF0332FF_65D0_3853_4181_1233C81C7E41_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_BF0482F7_65D0_3853_41D5_8AA9BA91B9F1.html =
Audio Test 1
HTMLText_BF0482F7_65D0_3853_41D5_8AA9BA91B9F1_mobile.html =
Audio Test 1
HTMLText_BF08E2E7_65D0_3873_41D1_62C7E13A0F24.html =
Ivan Albright
North Harvey, IL 1897–1983 Woodstock, VT


Self-Portrait, 1948


Oil on canvas
ANA diploma presentation, May 2, 1949



Presentation at the Figge supported by
GM to honor fan of the macabre JM






HTMLText_BF08E2E7_65D0_3873_41D1_62C7E13A0F24_mobile.html =
Ivan Albright
North Harvey, IL 1897–1983 Woodstock, VT


Self-Portrait, 1948


Oil on canvas
ANA diploma presentation, May 2, 1949



Presentation at the Figge supported by
GM to honor fan of the macabre JM






HTMLText_BF0FF2D8_65D0_385D_41C3_1F6403005944.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_BF0FF2D8_65D0_385D_41C3_1F6403005944_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_BF15B32C_65D0_39F6_41A4_C13045671AF3.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_BF15B32C_65D0_39F6_41A4_C13045671AF3_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_BF191325_65D0_39F6_41A7_ACDD6ACFA26E.html =
Audio Test 1
HTMLText_BF191325_65D0_39F6_41A7_ACDD6ACFA26E_mobile.html =
Audio Test 1
HTMLText_BF1A4315_65D0_39D6_41D5_2ED743425F74.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_BF1A4315_65D0_39D6_41D5_2ED743425F74_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_BF1C330D_65D0_39B7_41CF_804DF4932C95.html =
Audio Test 1
HTMLText_BF1C330D_65D0_39B7_41CF_804DF4932C95_mobile.html =
Audio Test 1
HTMLText_BF248294_65D0_38D5_41D7_2D1B68F9A79C.html =
Jules Kirschenbaum
New York City 1930–2000 Des Moines, IA


Dark in the Forest, 1951–52


Oil on canvas
NA diploma presentation, October 2, 1967


HTMLText_BF248294_65D0_38D5_41D7_2D1B68F9A79C_mobile.html =
Jules Kirschenbaum
New York City 1930–2000 Des Moines, IA


Dark in the Forest, 1951–52


Oil on canvas
NA diploma presentation, October 2, 1967


HTMLText_BF3342D1_65D0_38AF_41B6_D74A3244BF93.html =
Audio Test 1
HTMLText_BF3342D1_65D0_38AF_41B6_D74A3244BF93_mobile.html =
Audio Test 1
HTMLText_BF3642C1_65D0_38AF_41D7_274D66D06289.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_BF3642C1_65D0_38AF_41D7_274D66D06289_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_BF3BA2B9_65D0_38DF_41B5_C7CA149541AA.html =
Audio Test 1
HTMLText_BF3BA2B9_65D0_38DF_41B5_C7CA149541AA_mobile.html =
Audio Test 1
HTMLText_BF3C72B1_65D0_38EE_41C5_1B4641CA703E.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_BF3C72B1_65D0_38EE_41C5_1B4641CA703E_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_BF3E72A9_65D0_38FF_41D1_18BCCA740678.html =
Audio Test 1
HTMLText_BF3E72A9_65D0_38FF_41D1_18BCCA740678_mobile.html =
Audio Test 1
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Audio Test 1
HTMLText_BF41E3BC_65D0_38D6_4187_59B103DDDF73_mobile.html =
Audio Test 1
HTMLText_BF4513AE_65D0_38F2_41D6_CE54B7F13D76.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_BF4513AE_65D0_38F2_41D6_CE54B7F13D76_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_BF4683A6_65D0_38F2_41D4_BACF4B63C0E3.html =
Audio Test 1
HTMLText_BF4683A6_65D0_38F2_41D4_BACF4B63C0E3_mobile.html =
Audio Test 1
HTMLText_BF4D3396_65D0_38D2_41D0_63F0EA6DC431.html =
Hughie Lee-Smith
Eustis, FL 1915–1999 Albuquerque, NM


The Bridge, before 1968


Oil on canvas
NA diploma presentation, March 4, 1968
© 2020 Estate of Hughie Lee-Smith / Licensed by
VAGA at ARS, NY


“It’s rather odd the way I view it,” Lee-Smith said on becoming a National Academician, “because this is one of my—well you might say, childhood dreams. . . . It represented to me or for me a sort of life-long dream come true.” Since Henry Ossawa Tanner had asked Richard E. Miller to paint his diploma portrait (also on view in this exhibition), Lee-Smith’s self-portrait was the first by an African American artist to enter the collection. The Academy’s highest honor was awarded to Lee-Smith at a climactic time in the nation’s tumultuous twentieth-century history of race relations and civil disobedience, and The Bridge may have served as a metaphor for transitions in the artist’s personal life or for the visible fractures in America’s political landscape.



Presentation at the Figge supported
In Loving Memory Of Scott Holgorsen







HTMLText_BF4D3396_65D0_38D2_41D0_63F0EA6DC431_mobile.html =
Hughie Lee-Smith
Eustis, FL 1915–1999 Albuquerque, NM


The Bridge, before 1968


Oil on canvas
NA diploma presentation, March 4, 1968
© 2020 Estate of Hughie Lee-Smith / Licensed by
VAGA at ARS, NY


“It’s rather odd the way I view it,” Lee-Smith said on becoming a National Academician, “because this is one of my—well you might say, childhood dreams. . . . It represented to me or for me a sort of life-long dream come true.” Since Henry Ossawa Tanner had asked Richard E. Miller to paint his diploma portrait (also on view in this exhibition), Lee-Smith’s self-portrait was the first by an African American artist to enter the collection. The Academy’s highest honor was awarded to Lee-Smith at a climactic time in the nation’s tumultuous twentieth-century history of race relations and civil disobedience, and The Bridge may have served as a metaphor for transitions in the artist’s personal life or for the visible fractures in America’s political landscape.



Presentation at the Figge supported
In Loving Memory Of Scott Holgorsen







HTMLText_BF5193E9_65D0_387F_41D1_AB29F3DEB1A7.html =
George Tooker
New York City 1920–2011 Hartland, VT


Self-Portrait, 1969


Egg tempera on gessoed panel
ANA diploma presentation, March 3, 1969





HTMLText_BF5193E9_65D0_387F_41D1_AB29F3DEB1A7_mobile.html =
George Tooker
New York City 1920–2011 Hartland, VT


Self-Portrait, 1969


Egg tempera on gessoed panel
ANA diploma presentation, March 3, 1969





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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_BF57D3DC_65D0_3856_41C6_F521F88A16B4_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_BF5C83C5_65D0_38B6_41D0_38ABDE096F50_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_BF649353_65D0_3852_41D7_2446B5EB2B22_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_BF69E34B_65D0_39B2_41C3_F29F27D039B6.html =
Audio Test 1
HTMLText_BF69E34B_65D0_39B2_41C3_F29F27D039B6_mobile.html =
Audio Test 1
HTMLText_BF6C233B_65D0_39D2_41B3_C9545E771DB7.html =
Hughie Lee-Smith
Eustis, FL 1915–1999 Albuquerque, NM


Self-Portrait, 1964


Oil on canvas
ANA diploma presentation, April 4, 1966
© 2020 Estate of Hughie Lee-Smith / Licensed by
VAGA at ARS, NY





Presentation at the Figge supported by
Tim Schiffer








HTMLText_BF6C233B_65D0_39D2_41B3_C9545E771DB7_mobile.html =
Hughie Lee-Smith
Eustis, FL 1915–1999 Albuquerque, NM


Self-Portrait, 1964


Oil on canvas
ANA diploma presentation, April 4, 1966
© 2020 Estate of Hughie Lee-Smith / Licensed by
VAGA at ARS, NY





Presentation at the Figge supported by
Tim Schiffer








HTMLText_BF79237F_65D0_3852_41CA_D3D9123185FD.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_BF79237F_65D0_3852_41CA_D3D9123185FD_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Audio Test 1
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Audio Test 1
HTMLText_BF7E1369_65D0_387E_41D1_BC1BD386CA86.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_BF7E1369_65D0_387E_41D1_BC1BD386CA86_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_BFC1A24A_65D0_3BB2_41B8_D4EAB220CBDB.html =
Audio Test 1
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Aaron Bohrod
Chicago 1907–1992 Madison, WI


Façade, New Orleans, not dated


Oil on canvas
NA diploma presentation, April 5, 1954
© 2020 Estate of Aaron Bohrod / Licensed by VAGA
at Artists Rights Society (ARS), NY





Presentation at the Figge supported by
Michael Hetrick and Bill McFarland
HTMLText_BFC78236_65D0_3BD2_41D7_2E27A6366511_mobile.html =
Aaron Bohrod
Chicago 1907–1992 Madison, WI


Façade, New Orleans, not dated


Oil on canvas
NA diploma presentation, April 5, 1954
© 2020 Estate of Aaron Bohrod / Licensed by VAGA
at Artists Rights Society (ARS), NY





Presentation at the Figge supported by
Michael Hetrick and Bill McFarland
HTMLText_BFD1427D_65D0_3857_41B7_9ABC9ED925F8.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_BFD1427D_65D0_3857_41B7_9ABC9ED925F8_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Audio Test 1
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Audio Test 1
HTMLText_BFD9B267_65D0_3872_41D6_88323B8CE930.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_BFD9B267_65D0_3872_41D6_88323B8CE930_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_BFDBE25F_65D0_3852_41D2_65D90AC9A561.html =
Audio Test 1
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Audio Test 1
HTMLText_BFDC4252_65D0_3852_4193_8EA3E92211CF.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_BFDC4252_65D0_3852_4193_8EA3E92211CF_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_BFE3A1F8_65D0_385D_41C3_D0FCBB09C54C.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_BFE3A1F8_65D0_385D_41C3_D0FCBB09C54C_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Audio Test 1
HTMLText_BFF03222_65D0_3BF2_4180_CDF94C6E9FB0.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_BFF03222_65D0_3BF2_4180_CDF94C6E9FB0_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_BFF2521B_65D0_3BD2_41BD_78EE6DF5BF12.html =
Audio Test 1
HTMLText_BFF2521B_65D0_3BD2_41BD_78EE6DF5BF12_mobile.html =
Audio Test 1
HTMLText_BFF9C209_65D0_3BBF_41BC_68D736BDDD93.html =
Aaron Bohrod
Chicago 1907–1992 Madison, WI


Artist in Residence: Self-Portrait, 1943


Oil on canvas
ANA diploma presentation, December 3, 1951
© 2020 Estate of Aaron Bohrod / Licensed by VAGA
at Artists Rights Society (ARS), NY


Bohrod studied with Kenneth Hayes Miller, one of the
most influential teachers of his generation. (Within
this exhibition alone, Miller’s other students include
Isabel Bishop, Reginald Marsh, and George Tooker.)
This self-portrait was completed while Bohrod was a
visiting artist at the Southern Illinois Normal University
(now Southern Illinois University) in Carbondale. “It
pleased me,” he reflected the following year, “when
it seemed that the strip mines, the town railroad
park, the streets, and the surrounding country which
they knew so well and which may have seemed so
commonplace in the eyes of most of the students,
took on a new interest after they had seen them
portrayed through the eyes of a painter.”



HTMLText_BFF9C209_65D0_3BBF_41BC_68D736BDDD93_mobile.html =
Aaron Bohrod
Chicago 1907–1992 Madison, WI


Artist in Residence: Self-Portrait, 1943


Oil on canvas
ANA diploma presentation, December 3, 1951
© 2020 Estate of Aaron Bohrod / Licensed by VAGA
at Artists Rights Society (ARS), NY


Bohrod studied with Kenneth Hayes Miller, one of the
most influential teachers of his generation. (Within
this exhibition alone, Miller’s other students include
Isabel Bishop, Reginald Marsh, and George Tooker.)
This self-portrait was completed while Bohrod was a
visiting artist at the Southern Illinois Normal University
(now Southern Illinois University) in Carbondale. “It
pleased me,” he reflected the following year, “when
it seemed that the strip mines, the town railroad
park, the streets, and the surrounding country which
they knew so well and which may have seemed so
commonplace in the eyes of most of the students,
took on a new interest after they had seen them
portrayed through the eyes of a painter.”



HTMLText_C17D65FE_7F3D_BAD8_41B0_5AF20387FF77.html =
Kay WalkingStick
Born Syracuse, NY 1935


Volute/Volupté, 2009
Oil on panel
NA diploma presentation, March 4, 2019



HTMLText_C17D65FE_7F3D_BAD8_41B0_5AF20387FF77_mobile.html =
Kay WalkingStick
Born Syracuse, NY 1935


Volute/Volupté, 2009
Oil on panel
NA diploma presentation, March 4, 2019



HTMLText_C1DCE879_D9B7_EFBE_41D3_087D9B1B2CB3.html =
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Asher B. Durand
Maplewood, NJ 1796-1886


Self-Portrait, ca. 1835


Oil on canvas
Gift of the artist, between 1843 and 1852


Durand was only in his late twenties when he aided in the founding of the Academy, and this simple and sincere self-portrait was executed in the following decade.



Presentation at the Figge supported by
Michelle Hargrave


HTMLText_C1DD4883_D9B7_EF51_41CD_31E043EC41F9_mobile.html =
Asher B. Durand
Maplewood, NJ 1796-1886


Self-Portrait, ca. 1835


Oil on canvas
Gift of the artist, between 1843 and 1852


Durand was only in his late twenties when he aided in the founding of the Academy, and this simple and sincere self-portrait was executed in the following decade.



Presentation at the Figge supported by
Michelle Hargrave


HTMLText_C1DDB87A_D9B7_EFB2_41E2_28A16F44C142.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_C1DDB87A_D9B7_EFB2_41E2_28A16F44C142_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_C7EEA7C7_7F45_6729_41D7_AB69E7FE8E3D.html =
William Merritt Chase
Williamsburg, IN 1849-1916 New York City


The Young Orphan [or] An Idle Moment [or] Portrait, 1884
Oil on canvas
NA diploma presentation, November 24, 1890


HTMLText_C7EEA7C7_7F45_6729_41D7_AB69E7FE8E3D_mobile.html =
William Merritt Chase
Williamsburg, IN 1849-1916 New York City


The Young Orphan [or] An Idle Moment [or] Portrait, 1884
Oil on canvas
NA diploma presentation, November 24, 1890


HTMLText_C8B50C2F_7F44_E978_41DD_67CB3679E879.html =
Ernest L. Blumenschein
Pittsburgh, PA 1874-1960 Albuquerque, NM


The Lake, ca 1923
Oil on canvas
NA diploma presentation, October 18, 1927


HTMLText_C8B50C2F_7F44_E978_41DD_67CB3679E879_mobile.html =
Ernest L. Blumenschein
Pittsburgh, PA 1874-1960 Albuquerque, NM


The Lake, ca 1923
Oil on canvas
NA diploma presentation, October 18, 1927


HTMLText_C9003001_B299_84F5_41CD_4FE5F944BE4E.html =
For America


Today, the National Academy of Design counts 460 leading visual artists and architects as members. This final section of the exhibition presents paintings by Academicians whose work addresses recent concerns while harking back to the storied history of both the institution and this nation. The included painters have consistently reinvigorated central questions to their discipline. What is the painted figure’s relationship to the world? How are the figures isolated from and connected to that world? And how does one represent the rich sensations of life and experience, such as movement or introspection, on a flat, still surface? What role does the painting of the past play in contemporary practice?


And, perhaps the most important question of all, why paint?



HTMLText_C9003001_B299_84F5_41CD_4FE5F944BE4E_mobile.html =
For America


Today, the National Academy of Design counts 460 leading visual artists and architects as members. This final section of the exhibition presents paintings by Academicians whose work addresses recent concerns while harking back to the storied history of both the institution and this nation. The included painters have consistently reinvigorated central questions to their discipline. What is the painted figure’s relationship to the world? How are the figures isolated from and connected to that world? And how does one represent the rich sensations of life and experience, such as movement or introspection, on a flat, still surface? What role does the painting of the past play in contemporary practice?


And, perhaps the most important question of all, why paint?



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Audio Test 1
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Audio Test 1
HTMLText_C904AFF7_B299_7B1D_41D7_BA43C48A4F19.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_C904AFF7_B299_7B1D_41D7_BA43C48A4F19_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_C916A5C8_B29A_8F73_41DA_67C4995DE410.html =
Founding an American School


On November 8, 1825, a group of thirty professional and student artists met in New York City to discuss the formation of a new society for the advancement of their profession. At that time, the American Academy of the Fine Arts (1802-1841) provided inconsistent access to and, on occasion, barred artists entirely from the only collection of antique casts in the city. The group recognized drawing from casts, as well as from live models, as integral to the training of professional artists, and they considered access to this material to be a right rather than a privilege. On January 14, 1826, these enterprising artists officially set themselves apart from the older institution to create the National Academy of Design.


The Academy’s annual exhibitions—once the “central point of attraction for the fair and fashionable of the city,” according to the 1843 New York Daily Tribune—were the country’s most significant showplace for art. These public gatherings played a critical role in revealing and supporting the emergence of America’s first native school of landscape painting, known as the Hudson River School. These artists turned to landscape as a means of celebrating what was distinctly “American.” Genre painting, with its greater emphasis on the human figure, also flourished. Grounded in narrative and inspired by the transitory moments of life, these scenes portray a variety of contemporary issues from the first decades of the Academy’s existence, such as the impact of the Civil War.


Viewed together, these two threads in American painting illuminate the early years of the Academy as well as the role art played in the self-definition of a young nation and the maturation of a new professional category—the American painter



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Founding an American School


On November 8, 1825, a group of thirty professional and student artists met in New York City to discuss the formation of a new society for the advancement of their profession. At that time, the American Academy of the Fine Arts (1802-1841) provided inconsistent access to and, on occasion, barred artists entirely from the only collection of antique casts in the city. The group recognized drawing from casts, as well as from live models, as integral to the training of professional artists, and they considered access to this material to be a right rather than a privilege. On January 14, 1826, these enterprising artists officially set themselves apart from the older institution to create the National Academy of Design.


The Academy’s annual exhibitions—once the “central point of attraction for the fair and fashionable of the city,” according to the 1843 New York Daily Tribune—were the country’s most significant showplace for art. These public gatherings played a critical role in revealing and supporting the emergence of America’s first native school of landscape painting, known as the Hudson River School. These artists turned to landscape as a means of celebrating what was distinctly “American.” Genre painting, with its greater emphasis on the human figure, also flourished. Grounded in narrative and inspired by the transitory moments of life, these scenes portray a variety of contemporary issues from the first decades of the Academy’s existence, such as the impact of the Civil War.


Viewed together, these two threads in American painting illuminate the early years of the Academy as well as the role art played in the self-definition of a young nation and the maturation of a new professional category—the American painter



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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_C917E5BE_B29A_8F0F_41C8_5A7200E6FF91_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_C91B900E_B299_850F_41E3_8B6CE21A6A56.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_C91B900E_B299_850F_41E3_8B6CE21A6A56_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_C91EF014_B299_8513_41D4_84456247B558_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Postwar Realisms


In the postwar period, many European avant-garde artists relocated to the United States. They brought with them an influx of creativity, and their work was quickly recognized by powerful art institutions and critics centered in New York City. As Abstract Expressionism and Pop art achieved national visibility, the Academy continued to promote realism and artists working in a representational mode. This included painted depictions truthful to life as well as idealized and imagined varieties of the “real” and “reality.”


Various forms of realisms sprang up around the country as a viable alternative to abstraction: surreal or metaphysical realism aimed to peel back the surface of appearances; painterly realism depicted the world in a way that also drew viewers’ attention to the materiality of paint and canvas; photorealism employed a hyper-precise style to both laud and critique contemporary culture; and a new type of socially conscious realism that not only documented injustice and inequality, as the social realism of the 1930s had done, but also investigated how representations of reality interacted more broadly with issues of power, class, and gender.


“Realism,” these Academicians agreed, “but to and for whom?”



HTMLText_C92B05F1_B289_8F15_41CB_7224C8DDEC7B_mobile.html =
Postwar Realisms


In the postwar period, many European avant-garde artists relocated to the United States. They brought with them an influx of creativity, and their work was quickly recognized by powerful art institutions and critics centered in New York City. As Abstract Expressionism and Pop art achieved national visibility, the Academy continued to promote realism and artists working in a representational mode. This included painted depictions truthful to life as well as idealized and imagined varieties of the “real” and “reality.”


Various forms of realisms sprang up around the country as a viable alternative to abstraction: surreal or metaphysical realism aimed to peel back the surface of appearances; painterly realism depicted the world in a way that also drew viewers’ attention to the materiality of paint and canvas; photorealism employed a hyper-precise style to both laud and critique contemporary culture; and a new type of socially conscious realism that not only documented injustice and inequality, as the social realism of the 1930s had done, but also investigated how representations of reality interacted more broadly with issues of power, class, and gender.


“Realism,” these Academicians agreed, “but to and for whom?”



HTMLText_C92C15E6_B289_8F3F_41C1_19A7F5681434.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_C92C15E6_B289_8F3F_41C1_19A7F5681434_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_C932A606_B289_8CFF_41D8_8C8CC21991C7.html =
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_C93EA5FF_B289_8F0D_41E2_BAA38FA1BA3E_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_C93F9607_B289_8CFD_41E0_14A9E24C16CB.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_C93F9607_B289_8CFD_41E0_14A9E24C16CB_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_C961B5D6_B29A_8F1F_41D7_6CC29948C8A7.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_C961B5D6_B29A_8F1F_41D7_6CC29948C8A7_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_C96235DD_B29A_8F0D_41B3_12F762786786.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_C96235DD_B29A_8F0D_41B3_12F762786786_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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A New Internationalism


In the second half of the nineteenth century, scores of painters returned stateside after having studied in one or more of the art centers of Europe: Düsseldorf, London, Munich, and Paris. The arrival of European-trained educators such as Cecilia Beaux, Kenyon Cox, Thomas Eakins, and William Merritt Chase transformed the scope and direction of American art schools.


By the 1890s, the National Academy School’s curriculum had expanded to include a broad choice of courses. Among the teaching artists was Eakins, who lectured on anatomy. Growing ever more ambitious at the century’s end, the Academy instituted entrance exams and made lectures in perspective and anatomy obligatory, in addition to the study of classical art and sketching from life. In 1907, the school adopted the European atelier system of instruction, in which students worked with the same master teacher throughout their tenure (and which continues today). Not only did these changes have profound effects on the quality and ambition of work created within the Academy, but they resulted in stylistic changes at the Academy’s annual exhibitions, reflecting the influence of European Impressionism and Symbolism in newly submitted works.


A contradiction slowly came to the fore: on the one hand, American artists and critics recognized and revered the importance of training abroad, but on the other hand, they were increasingly preoccupied with how American art should differ from European precedent.



HTMLText_CC6F7FB1_B287_9B15_41E1_5407DC283AA6_mobile.html =
A New Internationalism


In the second half of the nineteenth century, scores of painters returned stateside after having studied in one or more of the art centers of Europe: Düsseldorf, London, Munich, and Paris. The arrival of European-trained educators such as Cecilia Beaux, Kenyon Cox, Thomas Eakins, and William Merritt Chase transformed the scope and direction of American art schools.


By the 1890s, the National Academy School’s curriculum had expanded to include a broad choice of courses. Among the teaching artists was Eakins, who lectured on anatomy. Growing ever more ambitious at the century’s end, the Academy instituted entrance exams and made lectures in perspective and anatomy obligatory, in addition to the study of classical art and sketching from life. In 1907, the school adopted the European atelier system of instruction, in which students worked with the same master teacher throughout their tenure (and which continues today). Not only did these changes have profound effects on the quality and ambition of work created within the Academy, but they resulted in stylistic changes at the Academy’s annual exhibitions, reflecting the influence of European Impressionism and Symbolism in newly submitted works.


A contradiction slowly came to the fore: on the one hand, American artists and critics recognized and revered the importance of training abroad, but on the other hand, they were increasingly preoccupied with how American art should differ from European precedent.



HTMLText_CC708FA3_B287_9B35_41D7_1A061DAA07ED.html =
Audio Test 1
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_CC737FA4_B287_9B33_41C7_347107FD9DA0_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_CC78AFBE_B287_9B0F_41BC_D35A564CC90B.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_CC78AFBE_B287_9B0F_41BC_D35A564CC90B_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_CC799FC5_B287_9B7D_41B6_94944CFFF3DD.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_CC799FC5_B287_9B7D_41B6_94944CFFF3DD_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_CE8251BD_B289_870C_41C1_2AD974534DEB_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Audio Test 1
HTMLText_CE8671A5_B289_873D_41E5_A6C388713304.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_CE8671A5_B289_873D_41E5_A6C388713304_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_CE8CA1C5_B289_877D_41D3_F09F014C1DB8_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_CE8F81C3_B289_8775_41CD_184C53910682.html =
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Painting America


In 1900, the Academy’s constitution was amended to eliminate a rule that had existed since its founding, specifically that new members could be elected only from the previous year’s annual exhibition. With a higher number of eligible candidates, the Academy’s membership took on a more national scope.


This part of the exhibition presents a geographically and stylistically diverse collection of landscapes, from examples of Pennsylvania Impressionism and the Boston School to the Taos Society of Artists’ interpretations of the American Southwest. Many of the Academicians elected during this time were founders or members of the various art colonies that sprang up around the country in the first decades of the twentieth century. Not long after, the 1930s marked a new period in the country’s history when more people lived in cities than on farms or in small towns, and some of the paintings chart this shift to modern America.


While avant-garde movements flourished both in this country and abroad, rejecting both institutionally supported art and the Western tradition of figure painting, the Academy was a bastion for artists who upheld a representational aesthetic.



HTMLText_CEBA31B1_B289_8715_41D4_347793B80036_mobile.html =
Painting America


In 1900, the Academy’s constitution was amended to eliminate a rule that had existed since its founding, specifically that new members could be elected only from the previous year’s annual exhibition. With a higher number of eligible candidates, the Academy’s membership took on a more national scope.


This part of the exhibition presents a geographically and stylistically diverse collection of landscapes, from examples of Pennsylvania Impressionism and the Boston School to the Taos Society of Artists’ interpretations of the American Southwest. Many of the Academicians elected during this time were founders or members of the various art colonies that sprang up around the country in the first decades of the twentieth century. Not long after, the 1930s marked a new period in the country’s history when more people lived in cities than on farms or in small towns, and some of the paintings chart this shift to modern America.


While avant-garde movements flourished both in this country and abroad, rejecting both institutionally supported art and the Western tradition of figure painting, the Academy was a bastion for artists who upheld a representational aesthetic.



HTMLText_CFC8892A_D9B7_E152_41C2_0B1F1B718680.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_CFC8892A_D9B7_E152_41C2_0B1F1B718680_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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To learn more about the artwork, select different parts of the painting.
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To learn more about the artwork, select different parts of the painting.
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Donors to the Major Exhibitions Endowment Fund


Vickie Palmer
The Henry Parkhurst Family
Peggy and Charlie* Pierce
William T. Prichard*
Quad Cities Community Foundation
Quad City Bank & Trust Co.
Sue Quail
Julie and Alan Renken
Ruhl & Ruhl Realtors
Kay K. Runge
Debra and Randy Sergesketter
John and Diane Slover
Glenn and Ruth Gaines Thomas*
Deann Thoms
Scott and Beth Tinsman
In Memory of R. Hovey Tinsman, Jr.
Susan and Richard Vermeer
George and Jane Vieth
C.R. and Nancy von Maur
Susan and Richard* von Maur
Kim and Bob Waterman
Catherine Weideman and John Gardner
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Donors to the Major Exhibitions Endowment Fund


Samuel and Marsha Allen
John H. Anderson
Bill Barnes
Andy and Debi Butler
The Family of John H. Danico
Don and Connie Decker
The Eirinberg Family
Lynda* and Jeff Eirinberg
Frances Emerson and
Robert McClurg
Bill and Christine Gallin
Jacki and Max Guinn
Perry and Elise Hansen
John Deere Classic -
Birdies for Charity
Martin and Susan Katz*
Mary Lou Kotecki
Kenneth Koupal and Thomas Kersting
J. Randolph and Linda Lewis
Brian and Diana Lovett
Lujack's
Mary Lujack
Patricia and John Lujack
Frank and Ann McCarthy
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Donors to the Major Exhibitions Endowment Fund



Samuel and Marsha Allen
John H. Anderson
Bill Barnes
Andy and Debi Butler
The Family of John H. Danico
Don and Connie Decker
The Eirinberg Family
Lynda* and Jeff Eirinberg
Frances Emerson and
Robert McClurg
Bill and Christine Gallin
Jacki and Max Guinn
Perry and Elise Hansen
John Deere Classic -
Birdies for Charity
Martin and Susan Katz*
Mary Lou Kotecki
Kenneth Koupal and Thomas Kersting
J. Randolph and Linda Lewis
Brian and Diana Lovett
Lujack's
Mary Lujack
Patricia and John Lujack
Frank and Ann McCarthy
Vickie Palmer
The Henry Parkhurst Family
Peggy and Charlie* Pierce
William T. Prichard*
Quad Cities Community Foundation
Quad City Bank & Trust Co.
Sue Quail
Julie and Alan Renken
Ruhl & Ruhl Realtors
Kay K. Runge
Debra and Randy Sergesketter
John and Diane Slover
Glenn and Ruth Gaines Thomas*
Deann Thoms
Scott and Beth Tinsman
In Memory of R. Hovey Tinsman, Jr.
Susan and Richard Vermeer
George and Jane Vieth
C.R. and Nancy von Maur
Susan and Richard* von Maur
Kim and Bob Waterman
Catherine Weideman and John Gardner
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Space gives art a sense of depth. Homer uses space to create the illusion of an open croquet field that expands in the distance.
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Space gives art a sense of depth. Homer uses space to create the illusion of an open croquet field that expands in the distance.
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For America: 200 Years of Painting from the National Academy of Design
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For America: 200 Years of Painting from the National Academy of Design
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Winslow Homer
Boston 1836-1910 Prouts Neck, ME


Croquet Player, ca. 1865
Oil on canvas
NA diploma presentation, May 7, 1866



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Winslow Homer
Boston 1836-1910 Prouts Neck, ME


Croquet Player, ca. 1865
Oil on canvas
NA diploma presentation, May 7, 1866



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Jaune Quick-to-See Smith
Snake Dance, 2011, oil, collage, and mixed media on canvas
National Academy of Design, New York, Courtesy American Federation of Arts
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Jaune Quick-to-See Smith
Snake Dance, 2011, oil, collage, and mixed media on canvas
National Academy of Design, New York, Courtesy American Federation of Arts
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Zaiga Thorson on Jaune Quick-to-See Smith’s Snake Dance
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Zaiga Thorson on Jaune Quick-to-See Smith’s Snake Dance
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Elements and Principles


The Elements of Art and Principles of Design are the building blocks that artists use to make their artwork.


Elements of Art: Line, Shape & Form, Color, Value, Space, Texture


Principles of Design: Balance, Unity & Variety, Proportion, Emphasis, Pattern, Movement


Select an artwork and move your cursor over it to discover some of the Elements of Art and Principles of Design that are at play in each painting!




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Elements and Principles


The Elements of Art and Principles of Design are the building blocks that artists use to make their artwork.


Elements of Art: Line, Shape & Form, Color, Value, Space, Texture


Principles of Design: Balance, Unity & Variety, Proportion, Emphasis, Pattern, Movement


Select an artwork and move your cursor over it to discover some of the Elements of Art and Principles of Design that are at play in each painting!




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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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For America
200 Years of Painting from the National Academy of Design


February 20 - May 16, 2021


For America: 200 Years of Painting from the National Academy of Design is organized by the American Federation of Arts and the National Academy of Design.


Support for the national tour of the exhibition is provided by the JFM Foundation, Monique Schoen Warshaw, and Steph and Jody La Nasa.


PRESENTATION AT THE FIGGE


SUPPORTING SPONSORS
Estes Construction | Harris Family Charitable Gift Fund | US Bank


CONTRIBUTING SPONSORS Mark and Rita Bawden | BITCO Insurance Companies | Julie and Alan Renken
Made possible by the Figge Art Museum Major Exhibition Endowment Fund



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For America
200 Years of Painting from the National Academy of Design


February 20 - May 16, 2021


For America: 200 Years of Painting from the National Academy of Design is organized by the American Federation of Arts and the National Academy of Design.


Support for the national tour of the exhibition is provided by the JFM Foundation, Monique Schoen Warshaw, and Steph and Jody La Nasa.


PRESENTATION AT THE FIGGE


SUPPORTING SPONSORS
Estes Construction | Harris Family Charitable Gift Fund | US Bank


CONTRIBUTING SPONSORS Mark and Rita Bawden | BITCO Insurance Companies | Julie and Alan Renken
Made possible by the Figge Art Museum Major Exhibition Endowment Fund



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Gertrude Fiske Jade, ca. 1918, oil on canvas National Academy of Design, New York, Courtesy American Federation of Arts
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Gertrude Fiske Jade, ca. 1918, oil on canvas National Academy of Design, New York, Courtesy American Federation of Arts
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Dawn Wohlford on on Gertrude Fiske’s Jade
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Dawn Wohlford on on Gertrude Fiske’s Jade
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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FOR AMERICA
200 Years of Painting from the
National Academy of Design


Founded in 1825 by Samuel F. B. Morse and a group of forward-thinking fellow artists, the National Academy of Design has a simple yet powerful mission: to provide means for the training of artists and to promote and exhibit their art. Since its founding, the Academy has upheld a rule from its first constitution: every elected National Academician (NA) must donate a work to the Academy’s collection, in keeping with the conventions of the royal academies of art in France and England. In 1839, the Academy’s governing council decided that all individuals nominated to the preceding rank of Associate National Academician (ANA) must also present a portrait of themselves for the collection, whether painted by their own hand or that of a fellow artist. Such gifts of “diploma works” and “diploma portraits” are the defining feature of the Academy’s collection and the focus of this exhibition.


By hanging Academicians’ two diploma submissions side by side, the galleries outline a unique story of American art from the 1800s to the present day written by its makers—an artists’ art history, so to speak. Additionally, the installation demonstrates Academicians’ painterly concerns and visual experimentation across time by pairing paintings that would otherwise be separated according to artistic movements or eras. Finally, current Academicians have responded in words to some individual selections, and their responses, presented alongside the paintings that inspired them, form another pairing of sorts.


For America: 200 Years of Painting from the National Academy of Design features the work of significant American artists, and offers an unprecedented glimpse into the ways they defined themselves and their painted worlds over the past two centuries.


For America is organized into five sections tracing changes in American art and experience. Presented on the Figge’s third floor, Founding an American School, A New Internationalism, and Painting America explore the beginnings of the Academy, the influence of European art, and images of everyday life during the first half of the 20th century. On the Figge’s fourth floor, Postwar Realisms and For America highlight the expansive potential of realism during the postwar period and how artists today reckon with historical and contemporary concerns
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FOR AMERICA
200 Years of Painting from the
National Academy of Design


Founded in 1825 by Samuel F. B. Morse and a group of forward-thinking fellow artists, the National Academy of Design has a simple yet powerful mission: to provide means for the training of artists and to promote and exhibit their art. Since its founding, the Academy has upheld a rule from its first constitution: every elected National Academician (NA) must donate a work to the Academy’s collection, in keeping with the conventions of the royal academies of art in France and England. In 1839, the Academy’s governing council decided that all individuals nominated to the preceding rank of Associate National Academician (ANA) must also present a portrait of themselves for the collection, whether painted by their own hand or that of a fellow artist. Such gifts of “diploma works” and “diploma portraits” are the defining feature of the Academy’s collection and the focus of this exhibition.


By hanging Academicians’ two diploma submissions side by side, the galleries outline a unique story of American art from the 1800s to the present day written by its makers—an artists’ art history, so to speak. Additionally, the installation demonstrates Academicians’ painterly concerns and visual experimentation across time by pairing paintings that would otherwise be separated according to artistic movements or eras. Finally, current Academicians have responded in words to some individual selections, and their responses, presented alongside the paintings that inspired them, form another pairing of sorts.


For America: 200 Years of Painting from the National Academy of Design features the work of significant American artists, and offers an unprecedented glimpse into the ways they defined themselves and their painted worlds over the past two centuries.


For America is organized into five sections tracing changes in American art and experience. Presented on the Figge’s third floor, Founding an American School, A New Internationalism, and Painting America explore the beginnings of the Academy, the influence of European art, and images of everyday life during the first half of the 20th century. On the Figge’s fourth floor, Postwar Realisms and For America highlight the expansive potential of realism during the postwar period and how artists today reckon with historical and contemporary concerns
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_EF9B1D0A_B187_7CF7_41D7_B10B9CF1E1B4.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Judy Bales on Childe Hassam's The Jewel Box, Old Lyme
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Judy Bales on Childe Hassam's The Jewel Box, Old Lyme
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Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_FC18EAD7_D9EE_20F1_41D4_9BFF48788FE2_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_FC1B8ADE_D9EE_20F3_41C9_2818F487C565.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


HTMLText_FC1B8ADE_D9EE_20F3_41C9_2818F487C565_mobile.html =
Stela Depicting the Goddess Hathor and Ramesses II
Provenance unknown
New Kingdom, 19th–20th dynasty (about 1292–1075 BCE)
Limestone
Museo Egizio, Turin (Cat. 1462)


The small engraved stone slab in the case to the right was probably used as a votive monument in a household shrine. It shows the goddess Hathor holding an ankh (the symbol of life) to Ramesses II’s mouth, indicating that she is granting him a reign of one hundred thousand years.


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Bill Wohlford, Despair
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Pat Bereskin, Look Down
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