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HTMLText_0B1CF751_121B_B3B2_41AA_8DF6E24BB6F1_mobile.html = Noda Tetsuya’s Diary of Contemporary Japanese Prints is an exhibition of autobiographic work by the celebrated Japanese artist. Interested in photography from an early age and educated at the Tokyo University of the Arts, Noda first specialized in painting before turning to printmaking. Influenced by his upbringing in post-war Japan, and the ideological, social, economic and artistic transformations of the era, Noda started to build a diary of prints in the 1960s recording his daily life, mastering the challenge of documenting the reality around him in both true and artistic fashion.
Noda Tetsuya’s Diary of Contemporary Japanese Prints is an exhibition of autobiographic work by the celebrated Japanese artist. Interested in photography from an early age and educated at the Tokyo University of the Arts, Noda first specialized in painting before turning to printmaking. Influenced by his upbringing in post-war Japan, and the ideological, social, economic and artistic transformations of the era, Noda started to build a diary of prints in the 1960s recording his daily life, mastering the challenge of documenting the reality around him in both true and artistic fashion.
Noda Tetsuya's Diary of Contemporary Japanese Prints
Interested in photography from an early age and educated at the Tokyo University of the Arts, Noda first specialized in painting before turning to printmaking.
Interested in photography from an early age and educated at the Tokyo University of the Arts, Noda first specialized in painting before turning to printmaking.
Interested in photography from an early age and educated at the Tokyo University of the Arts, Noda first specialized in painting before turning to printmaking.
Interested in photography from an early age and educated at the Tokyo University of the Arts, Noda first specialized in painting before turning to printmaking.
Interested in photography from an early age and educated at the Tokyo University of the Arts, Noda first specialized in painting before turning to printmaking.
Interested in photography from an early age and educated at the Tokyo University of the Arts, Noda first specialized in painting before turning to printmaking.
Interested in photography from an early age and educated at the Tokyo University of the Arts, Noda first specialized in painting before turning to printmaking.
Interested in photography from an early age and educated at the Tokyo University of the Arts, Noda first specialized in painting before turning to printmaking.
Interested in photography from an early age and educated at the Tokyo University of the Arts, Noda first specialized in painting before turning to printmaking.
Interested in photography from an early age and educated at the Tokyo University of the Arts, Noda first specialized in painting before turning to printmaking.
Interested in photography from an early age and educated at the Tokyo University of the Arts, Noda first specialized in painting before turning to printmaking.
Interested in photography from an early age and educated at the Tokyo University of the Arts, Noda first specialized in painting before turning to printmaking.
Noda converted to Judaism in order to marry Dorit, studying with rabbis at the Jewish Community Centre Synagogue in Tokyo.
Noda converted to Judaism in order to marry Dorit, studying with rabbis at the Jewish Community Centre Synagogue in Tokyo.
Noda converted to Judaism in order to marry Dorit, studying with rabbis at the Jewish Community Centre Synagogue in Tokyo.
Noda converted to Judaism in order to marry Dorit, studying with rabbis at the Jewish Community Centre Synagogue in Tokyo.
Noda converted to Judaism in order to marry Dorit, studying with rabbis at the Jewish Community Centre Synagogue in Tokyo.
Noda converted to Judaism in order to marry Dorit, studying with rabbis at the Jewish Community Centre Synagogue in Tokyo.
Noda converted to Judaism in order to marry Dorit, studying with rabbis at the Jewish Community Centre Synagogue in Tokyo.
Noda converted to Judaism in order to marry Dorit, studying with rabbis at the Jewish Community Centre Synagogue in Tokyo.
Noda converted to Judaism in order to marry Dorit, studying with rabbis at the Jewish Community Centre Synagogue in Tokyo.
Noda’s work combines photography, traditional Japanese woodblock printing, mimeograph duplication and silkscreen printing in a self-invented and precisely controlled process of layering. The resulting style is evocative of a rare blending of techniques that are illustrative of conventional woodblock and more contemporary mimeograph-silkscreen printing
Noda’s work combines photography, traditional Japanese woodblock printing, mimeograph duplication and silkscreen printing in a self-invented and precisely controlled process of layering. The resulting style is evocative of a rare blending of techniques that are illustrative of conventional woodblock and more contemporary mimeograph-silkscreen printing
Noda’s work combines photography, traditional Japanese woodblock printing, mimeograph duplication and silkscreen printing in a self-invented and precisely controlled process of layering. The resulting style is evocative of a rare blending of techniques that are illustrative of conventional woodblock and more contemporary mimeograph-silkscreen printing
Noda’s work combines photography, traditional Japanese woodblock printing, mimeograph duplication and silkscreen printing in a self-invented and precisely controlled process of layering. The resulting style is evocative of a rare blending of techniques that are illustrative of conventional woodblock and more contemporary mimeograph-silkscreen printing
Noda’s work combines photography, traditional Japanese woodblock printing, mimeograph duplication and silkscreen printing in a self-invented and precisely controlled process of layering. The resulting style is evocative of a rare blending of techniques that are illustrative of conventional woodblock and more contemporary mimeograph-silkscreen printing
Noda’s work combines photography, traditional Japanese woodblock printing, mimeograph duplication and silkscreen printing in a self-invented and precisely controlled process of layering. The resulting style is evocative of a rare blending of techniques that are illustrative of conventional woodblock and more contemporary mimeograph-silkscreen printing
Noda’s work combines photography, traditional Japanese woodblock printing, mimeograph duplication and silkscreen printing in a self-invented and precisely controlled process of layering. The resulting style is evocative of a rare blending of techniques that are illustrative of conventional woodblock and more contemporary mimeograph-silkscreen printing
Noda’s work combines photography, traditional Japanese woodblock printing, mimeograph duplication and silkscreen printing in a self-invented and precisely controlled process of layering. The resulting style is evocative of a rare blending of techniques that are illustrative of conventional woodblock and more contemporary mimeograph-silkscreen printing
Noda’s work combines photography, traditional Japanese woodblock printing, mimeograph duplication and silkscreen printing in a self-invented and precisely controlled process of layering. The resulting style is evocative of a rare blending of techniques that are illustrative of conventional woodblock and more contemporary mimeograph-silkscreen printing
The 1970s saw the birth of their elder son Izaya and daughter Rika, and so Noda’s oeuvre is dominated by a series of candid and intimate portraits of their children. The portraits are executed with tenderness, humour and respect, distilling the complex journey of parenting and the children’s emerging individual personalities.
The 1970s saw the birth of their elder son Izaya and daughter Rika, and so Noda’s oeuvre is dominated by a series of candid and intimate portraits of their children. The portraits are executed with tenderness, humour and respect, distilling the complex journey of parenting and the children’s emerging individual personalities.
The 1970s saw the birth of their elder son Izaya and daughter Rika, and so Noda’s oeuvre is dominated by a series of candid and intimate portraits of their children. The portraits are executed with tenderness, humour and respect, distilling the complex journey of parenting and the children’s emerging individual personalities.
The 1970s saw the birth of their elder son Izaya and daughter Rika, and so Noda’s oeuvre is dominated by a series of candid and intimate portraits of their children. The portraits are executed with tenderness, humour and respect, distilling the complex journey of parenting and the children’s emerging individual personalities.
The 1970s saw the birth of their elder son Izaya and daughter Rika, and so Noda’s oeuvre is dominated by a series of candid and intimate portraits of their children. The portraits are executed with tenderness, humour and respect, distilling the complex journey of parenting and the children’s emerging individual personalities.
The 1970s saw the birth of their elder son Izaya and daughter Rika, and so Noda’s oeuvre is dominated by a series of candid and intimate portraits of their children. The portraits are executed with tenderness, humour and respect, distilling the complex journey of parenting and the children’s emerging individual personalities.
The 1970s saw the birth of their elder son Izaya and daughter Rika, and so Noda’s oeuvre is dominated by a series of candid and intimate portraits of their children. The portraits are executed with tenderness, humour and respect, distilling the complex journey of parenting and the children’s emerging individual personalities.
The 1970s saw the birth of their elder son Izaya and daughter Rika, and so Noda’s oeuvre is dominated by a series of candid and intimate portraits of their children. The portraits are executed with tenderness, humour and respect, distilling the complex journey of parenting and the children’s emerging individual personalities.
The 1970s saw the birth of their elder son Izaya and daughter Rika, and so Noda’s oeuvre is dominated by a series of candid and intimate portraits of their children. The portraits are executed with tenderness, humour and respect, distilling the complex journey of parenting and the children’s emerging individual personalities.
The 1970s saw the birth of their elder son Izaya and daughter Rika, and so Noda’s oeuvre is dominated by a series of candid and intimate portraits of their children. The portraits are executed with tenderness, humour and respect, distilling the complex journey of parenting and the children’s emerging individual personalities.
The 1970s saw the birth of their elder son Izaya and daughter Rika, and so Noda’s oeuvre is dominated by a series of candid and intimate portraits of their children. The portraits are executed with tenderness, humour and respect, distilling the complex journey of parenting and the children’s emerging individual personalities.
Thematically, Noda represents landscapes, domestic scenes and still-lifes, as well as—and more importantly—portraits of himself, family and friends, which are also markers of specific moments in time, such as the more recent diary illustrations for March 13th and May 10th, 2020, created during the pandemic.
Thematically, Noda represents landscapes, domestic scenes and still-lifes, as well as—and more importantly—portraits of himself, family and friends, which are also markers of specific moments in time, such as the more recent diary illustrations for March 13th and May 10th, 2020, created during the pandemic.
Thematically, Noda represents landscapes, domestic scenes and still-lifes, as well as—and more importantly—portraits of himself, family and friends, which are also markers of specific moments in time, such as the more recent diary illustrations for March 13th and May 10th, 2020, created during the pandemic.
Thematically, Noda represents landscapes, domestic scenes and still-lifes, as well as—and more importantly—portraits of himself, family and friends, which are also markers of specific moments in time, such as the more recent diary illustrations for March 13th and May 10th, 2020, created during the pandemic.
Thematically, Noda represents landscapes, domestic scenes and still-lifes, as well as—and more importantly—portraits of himself, family and friends, which are also markers of specific moments in time, such as the more recent diary illustrations for March 13th and May 10th, 2020, created during the pandemic.
Thematically, Noda represents landscapes, domestic scenes and still-lifes, as well as—and more importantly—portraits of himself, family and friends, which are also markers of specific moments in time, such as the more recent diary illustrations for March 13th and May 10th, 2020, created during the pandemic.
Thematically, Noda represents landscapes, domestic scenes and still-lifes, as well as—and more importantly—portraits of himself, family and friends, which are also markers of specific moments in time, such as the more recent diary illustrations for March 13th and May 10th, 2020, created during the pandemic.
Thematically, Noda represents landscapes, domestic scenes and still-lifes, as well as—and more importantly—portraits of himself, family and friends, which are also markers of specific moments in time, such as the more recent diary illustrations for March 13th and May 10th, 2020, created during the pandemic.
Thematically, Noda represents landscapes, domestic scenes and still-lifes, as well as—and more importantly—portraits of himself, family and friends, which are also markers of specific moments in time, such as the more recent diary illustrations for March 13th and May 10th, 2020, created during the pandemic.
Thematically, Noda represents landscapes, domestic scenes and still-lifes, as well as—and more importantly—portraits of himself, family and friends, which are also markers of specific moments in time, such as the more recent diary illustrations for March 13th and May 10th, 2020, created during the pandemic.
Thematically, Noda represents landscapes, domestic scenes and still-lifes, as well as—and more importantly—portraits of himself, family and friends, which are also markers of specific moments in time, such as the more recent diary illustrations for March 13th and May 10th, 2020, created during the pandemic.
Thematically, Noda represents landscapes, domestic scenes and still-lifes, as well as—and more importantly—portraits of himself, family and friends, which are also markers of specific moments in time, such as the more recent diary illustrations for March 13th and May 10th, 2020, created during the pandemic.