#: locale=en
## Action
### URL
LinkBehaviour_34137504_4EEC_444F_41C3_4C6D7752CBFA.source = https://www.heritagesouthholland.co.uk/feedback-on-church-tour/
LinkBehaviour_ED6CC8B8_4EE3_CC47_41CF_C0CDC83B249C.source = https://www.heritagesouthholland.co.uk/feedback-on-church-tour/
## Hotspot
### Text
HotspotPanoramaOverlayTextImage_28395CB1_3DFD_FA68_41CD_369C8E420191.text = ENTER
HotspotPanoramaOverlayTextImage_E76E36B6_0D6F_E6DD_4197_E48ABCEA96D6.text = EXIT
### Tooltip
HotspotPanoramaOverlayArea_2E993782_3DC5_F628_41B3_0C7C37F9A857.toolTip = BACK
HotspotPanoramaOverlayArea_284DD34C_3DFF_8E3F_41C7_133DA0E006B9.toolTip = BACK
HotspotPanoramaOverlayArea_E2F8712C_FACE_E59D_41E7_FAB20712A46C.toolTip = BACK
HotspotPanoramaOverlayArea_2EDC1A6C_3DC4_9EF8_41B4_7FC5F5D51E70.toolTip = BACK
HotspotPanoramaOverlayArea_E7E19439_FACB_A387_41A6_D179BAD20817.toolTip = BACK
HotspotPanoramaOverlayArea_EEEC7852_FAFF_6385_41D1_04D6B70BDFB9.toolTip = BACK
HotspotPanoramaOverlayArea_E690150F_FACE_AD9B_41B7_D98C7B4FAA15.toolTip = BACK
HotspotPanoramaOverlayArea_E6E76AD2_FACF_6485_41C5_CB8F4AA5CCE3.toolTip = BACK
HotspotPanoramaOverlayArea_E2039205_FAD9_E78F_41D7_BC8526B2DE4B.toolTip = BACK
HotspotPanoramaOverlayArea_E6C5F243_FAC9_E78B_41E4_3A0AFB15AE51.toolTip = BACK
HotspotPanoramaOverlayArea_2E2AA291_3DC4_8E28_41C9_74C4334E2CE0.toolTip = BACK
HotspotPanoramaOverlayArea_ED324162_FACA_E58A_41D9_C72E7D04894F.toolTip = BACK
HotspotPanoramaOverlayArea_EC054E00_FAC9_BF85_41DD_2232AC21EEE4.toolTip = BACK
HotspotPanoramaOverlayArea_E2EE7A3C_FAC9_A7FD_41E9_51B133EEB479.toolTip = BACK
HotspotPanoramaOverlayArea_EE892271_FAF9_E786_41D4_ACB721D29FDF.toolTip = BACK
HotspotPanoramaOverlayArea_ECF689CA_FAC9_A49A_41CD_53F93D706466.toolTip = BACK
HotspotPanoramaOverlayArea_ECDFED2E_FACA_BD9A_41D2_EAE74184D723.toolTip = BACK
HotspotPanoramaOverlayArea_1B46EF79_1406_FEBB_41A0_7B85373BAF54.toolTip = BACK TO NAVE
HotspotPanoramaOverlayArea_19DA7849_1402_C2DB_41B1_8013800A0EE9.toolTip = BACK TO NAVE
HotspotPanoramaOverlayArea_2CACE515_3DDB_8A28_41C8_22346D195E24.toolTip = BACK TO PORCH
HotspotPanoramaOverlayArea_EFC7D6AD_FAFB_6C9E_41ED_E87013C2A8EB.toolTip = BACK TO RIGHT AISLE
HotspotPanoramaOverlayArea_E390B7D0_FADB_AC86_41ED_AC99D587CFE5.toolTip = BEHIND FONT
HotspotMapOverlayArea_C3B94AE3_AA04_1518_41D2_9FA09327F715.toolTip = BEHIND FONT
HotspotMapOverlayArea_DB6A4EE0_AA04_0D18_41A9_14BCB56D8BC8.toolTip = CHANCEL
HotspotPanoramaOverlayArea_ED949F20_FACB_9D85_41C8_440D63F1F657.toolTip = CONTINUE
HotspotPanoramaOverlayArea_EE4D6C6C_FAF9_639E_41BB_A4833D2DB3EC.toolTip = ENTER CHANCEL
HotspotPanoramaOverlayArea_EF56D718_FAC6_AD86_41E1_5A981D1CFBA1.toolTip = ENTER CHANCEL
HotspotPanoramaOverlayArea_E8F0F738_FAC9_6D86_41E5_A2791AE42E3B.toolTip = ENTER CHURCH
HotspotMapOverlayArea_DFF3276D_AA04_3BE8_41E1_E10CD598C76C.toolTip = ENTERING CHANCEL
HotspotMapOverlayArea_F63FC91E_AA1C_3728_41E3_CA2C5C6EED0F.toolTip = ENTRANCE
HotspotPanoramaOverlayArea_E9759E99_FACB_FC87_41E6_7915D57C03E5.toolTip = EXIT CHURCH
HotspotPanoramaOverlayArea_ED8B4205_FAC9_678F_41D9_290ECBA5C140.toolTip = GO DOWN LEFT AISLE
HotspotPanoramaOverlayArea_E279E78E_FAC6_AC9D_41B9_396005EAA2F7.toolTip = GO DOWN NAVE
HotspotPanoramaOverlayArea_E3FDB398_FADB_6486_41D2_8ACBD791302A.toolTip = GO DOWN NAVE
HotspotPanoramaOverlayArea_EF882EB7_FAFA_9C8B_41E4_A6F9485111C4.toolTip = GO DOWN NAVE
HotspotPanoramaOverlayArea_ECEB8FDA_FAC6_9C85_41E9_6C83F6068536.toolTip = GO TO LEFT AISLE
HotspotPanoramaOverlayArea_EE21A9CC_FAFF_649E_41C0_6649C3922DB2.toolTip = GO TO TOP OF NAVE
HotspotMapOverlayArea_CD245AF4_AA04_0AF8_41C7_C5185636B63D.toolTip = IRBY TOMB
HotspotMapOverlayArea_CC5C2385_AA04_FB18_41E2_0556812CA686.toolTip = IRBY TOMB II
HotspotMapOverlayArea_F0CAE37C_AA1C_3BE8_41CF_B23EF0103656.toolTip = LOWER NAVE
HotspotMapOverlayArea_C4AC58E3_AA3C_3518_41DA_AE12254C7789.toolTip = LOWER NORTH AISLE
HotspotMapOverlayArea_F3CDFCFB_AA1C_0EE8_41DA_37FCC0F8C88A.toolTip = LOWER SOUTH AISLE
HotspotMapOverlayArea_C93D7073_AA0C_35F8_41D1_BBBDC8B108DC.toolTip = NAVE CENTRE
HotspotMapOverlayArea_D5092586_AA3C_1F1B_41E3_86283EEB0255.toolTip = NORTH AISLE
HotspotMapOverlayArea_C587692B_AA3B_F768_41E2_737289A6CC33.toolTip = NORTH AISLE
HotspotPanoramaOverlayArea_009FD100_13FB_1FBC_4180_16D03CFB8640.toolTip = NORTH AISLE
HotspotMapOverlayArea_CF74EF1A_AA0C_0B2B_41C6_ABEDE762AA63.toolTip = SOUTH AISLE
HotspotMapOverlayArea_F6530BF2_AA1C_0AF8_41E1_0DEF7153A3D3.toolTip = SOUTH PORCH
HotspotPanoramaOverlayArea_E28723D6_FAC6_A48A_41E8_3BDA82B83B73.toolTip = TO BOTTOM OF NAVE
HotspotPanoramaOverlayArea_E0A34E02_FADB_BF8A_41E6_00959EDC2FC2.toolTip = TO NAVE
HotspotPanoramaOverlayArea_0056913D_13F5_3FC4_41AD_F10EACF57AA2.toolTip = TO SOUTH AISLE
HotspotMapOverlayArea_C88B694E_AA0C_1728_41B0_AB96B32D5A7D.toolTip = UPPER NAVE
HotspotMapOverlayArea_DA66A259_AA05_F528_41D2_189A10985A63.toolTip = UPPER NORTH AISLE
HotspotMapOverlayArea_CE0D40F3_AA0C_16F9_41E4_A4094DAA8507.toolTip = UPPER SOUTH AISLE
## Media
### Audio
audiores_7EE796CC_6B34_56DB_41C6_F87AD6084BE7.mp3Url = media/audio_7F15B0C5_6B34_4AD5_41DA_A0993F2139ED_en.mp3
audiores_7D520C70_8953_F277_41DD_5D1A3D19B477.mp3Url = media/audio_A2560656_88ED_51B8_4198_2F74DE1F1F17_en.mp3
### Audio Subtitles
### Floorplan
### Image
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album_D23B38B1_9AF0_D262_41D4_D89A0B021A5A.label = Irby Family Tomb
album_C8A7BE77_9B11_2EEE_41B7_0FEE83C84C4A.label = Lectern
panorama_377E8F9C_3DC4_B658_41BF_C9227A6BFCE3.label = Lower South Aisle (West End)
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album_507C7CAE_79B3_B764_41B6_5F79F0CB80FF.label = Memorial Window
panorama_F0A90AEB_FAC9_E49B_41A5_59AFFE965A7C.label = Middle of Nave
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panorama_F0A8A8D3_FAC9_E48B_41DC_F9C239D51D5B.label = North Aisle (West End)
panorama_F0A8E246_FAC9_678A_41D2_50DB5BD5F73B.label = North Aisle leading into North Transept
panorama_F0A95566_FACA_ED8A_41E5_58D740ECBE71.label = North Porch Door (unused)
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panorama_3771CEC6_3DC4_F628_41B2_9C2E0847D245.label = South Aisle Main Entrance
panorama_37712A0A_3DC4_9E38_41BC_6332892A72B0.label = South East Corner
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album_32775145_26F7_5EAC_41BC_611EF9BE0561.label = Spandrels
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album_84156710_C60B_39A1_41CD_5B2FA4F3FA22.label = Stone Coffin nr tomb
panorama_37717537_3DC4_8A68_4193_1E65392728C4.label = The Irby Tomb (West End)
panorama_3770BB13_3DC5_9E28_41B6_E285422748D4.label = The Irby Tomb II (West End)
panorama_F0A92726_FACA_AD8A_41E8_C853678AA787.label = The North Transept Window (exterior)
panorama_F0A73DE5_FAC6_FC8F_41D9_796E4DAD2FC7.label = Top of Nave
panorama_F0A71CF1_FAC6_9C87_41EE_B5431C6DA603.label = Upper South Aisle
album_BE5A1041_271F_5EA5_41AB_F2B49ECE3ACE.label = Village Cross
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panorama_F0A923F2_FACA_E48A_41E9_FB8353E8E103.label = West End Exterior
album_91BA690C_91C8_7D53_41D0_9F9D178917FB.label = West End Spandrels Above Arches
album_D29223CD_61AA_9CD9_41AA_B4F6635CD2C6.label = Wooden Cross Beam
photo_1308F682_1389_C37C_4193_8D1FF11310D1.label = bell 4 recast 1933-2
photo_130905D4_1388_4084_41B1_FCDA587933BF.label = bell ringers chamber-2
album_1304FCCC_1379_C084_4181_E735D2ECF906_0.label = clock mechaniasm - _electric pendulim swing-2
photo_1309145B_1388_478D_4194_478DAE39D423.label = front four bell whel works-2
photo_1307B994_1378_4084_41A2_8CE53C9255CF.label = img_1266-2
album_1304FCCC_1379_C084_4181_E735D2ECF906_1.label = inside clock room - back of clock-2
photo_130922C2_1388_40FC_4193_0EF569D08CC8.label = second bell vermv-2
album_8976E87C_C60B_0860_41CF_325E2DBAECBD.label = stone rood screen
photo_1309308D_1388_4084_41B1_F8F056F7CD59.label = third bell celos-2
album_3FF5713E_2C50_5109_41BF_C0EF6AF6DE0A_2.label = top of tower - entrance ss west-2
photo_3864F6BA_2C50_7309_41A7_915AEF4B74C2.label = tower spiral s_case -2
photo_3864F6BA_2C50_7309_41A7_915AEF4B74C2.label = tower spiral s_case -2
photo_13093E79_1388_438D_41A5_2A9D9A75759B.label = treble bell - eva wright 1932-2
photo_387A9B02_2C50_72F9_41A1_41BE5FA7397F.label = turret spiral s_case 2-2
photo_387A9B02_2C50_72F9_41A1_41BE5FA7397F.label = turret spiral s_case 2-2
photo_13094C82_1388_C77C_41AE_F9C1FA2D039D.label = view of rear two major bells -2
## Skin
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### Multiline Text
HTMLText_4610276D_0CED_664C_4198_6B64EE810393.html = TURRET STAIRCASE
This staircase was built into the stone fabric of the south side circa 1320, and in 1376 provided access to the now demolished 1st floor dormitory, which connected the north side of the Bell Tower to the Nave and served to house the Clergy. After the dormitory was demolished circa 1420, the staircase was used to reach the Rood Loft, which was constructed during the Tudor era. Following the destruction of any ‘Rood’ paintings/ carvings during the Reformation the loft was subsequently re-utilised as a ‘Singing’ Loft, circa 1748, from where the Church Band used to play. The ‘Singing ‘Loft was, subsequently, demolished in 1844, however, the staircase remains intact.
Fortunately, upon its demolition, a section of the original Tudor Loft was saved from destruction, and this can be seen pinned to the wall in the Lady Chapel.
BLOCKED-UP OPENING – above Chancel
When the Stone Rood screen was in place the congregation could not see the Clergy, so, near the top of the Chancel wall, below a round- topped Norman window, one can see a blocked-up opening, which would have served as the point through which the clergy’s singing, chanting and benedictions would have been heard by the congregation.
CLOSER VIEW OF ORIGINAL NORMAN CHANCEL ROOF-LINE
The original Norman Chancel had a high-pitched roof and was destroyed about 1320, following which a new one was built; however, little remains of this since it was demolished and replaced with the present chancel in 1818. The only remaining evidence of the original chancel roof is the out-line of the roof which can be clearly seen on the outside of the church at the east end, together with an original Norman window in the same wall above the roof line, and beneath this a now blocked up opening that would have provided the outpouring of sound from within the chancel as the monks performed their rites including plain chants.
NICHE on SECOND STOREY of BELL TOWER
The ground floor of the Bell Tower was previously used a chapel in the 14th century for the clergy who lived in the dormitory above the interconnecting building to the Nave. Although there remains no evidence of the chapel, there is, however, situate in the lower part of the second storey on the east face of the Bell Tower, a niche with a trefoil head included within a pediment, in which was doubtless placed the image of the saint to whom the chantry was dedicated.
SPANDRELS ABOVE ARCHES IN WEST END EXTENSION
The other distinguishing feature within the West End extension is the change from sunken circles to sunken quatrefoil shapes within the spandrels of the Norman arches in the South Aisle. However, in contrast to the South Aisle’s decorative quatrefoils, there is a complete absence of any decorative structure within the spandrels above the pillars on the North Aisle side of the extension , and to date no evidence has been uncovered, whether by reason of any monetary or material restriction, or indeed, simply a build oversight, and therefore, this architectural ‘oddity’ remains a mystery.
THE NORTH TRANSEPT WINDOW (EXTERIOR)
When the schoolroom was established, the original old masonry arched top of the north window was regrettably removed so that the window looked more ‘fitting’ for a schoolroom. Subsequently, fortunately, the north window did undergo restoration in an unusual way with the emphasis on preserving the fine tracery, albeit the stained glass could not be replaced. The construction of the window within the north transept is quite unique, since it is one partially made of oak and masonry. The upper half of the window is made completely of wood; whilst the lower part (from below the arched top) is masonry.
The restorative work was done by Ernest Grimson on the recommendation from the Society for the Preservation of Ancient Buildings (“SPAB”). He adhered to the strict principles of the SPAB, refusing to restore missing medieval features, but ‘create’ masterful copies, and the new wooden tracery in the window was probably made at his workshop at Daneway House, Sapperton, Gloucestershire.
Two Memorial Plaques – Benjamin Grant & family
Herewith are two ‘curious skull-bedecked ‘monuments of Benjamin Grant (died 24 February 1716 – Age 52) and his family. Commemorations to his wife Ann (died 6 April 1734- Age 62) and five children who all died in infancy.
BELLS
It is known that the bells were removed, melted down & recast at Thomas Osborn's Foundry in Downham Market in 1974, restored at Parishioner's' expense. The 5 bells were rehung when the clock faces were renovated in 2008. In 1911, the 5 bells were taken to John Taylor's Foundry. They had to absail down the tower to complete the work. In Loughborough, they were re-tuned. In 1913, Taylor's cast the last of the 6 bells now in the Belfry.
The Clock
The clock stands on an elevated platform at the second-floor level of the Bell Tower. Access to the clock room is gained via the narrow spiral staircase situate at the south west corner of the Bell Tower. There are 41 +2 stone steps to the clock room, and a further 12 narrow wooden steps on a ladder, with one hand rail, leading up to the wooden encased 300-year-old clock mechanism. The clock dates from 1718, and in 2012 it was converted from a manual re-wind to an automated, electronic re-wind and strike. A detailed synopsis of the original ‘going train’ and ‘striking train’ of the clock can be seen on the St. Mary’s Church, Whaplode, website.
THE MEDIEVAL CHANCEL (and its FORMER SIDE CHAPEL)
This early illustration - circa 1800 - shows the medieval chancel [before it was demolished and rebuilt in 1818 at a cost of £400] and its side chapel, still standing, and the nave roof as lowered in 1718 [which was restored to its proper pitch in 1909].
THE BEAUTIFUL NORMAN CHANCEL ARCH
The beautifully decorated Norman Chancel Arch of circa 1130 is finely ornamented with a double row of zig-zag mouldings is one of the glories of the church, although it has suffered mutilation over the centuries.
The accompanying ink drawing reflects the detail exhibited on the archway, which portrays the outer edges of a double colonnade, immediately followed by the lozenge or ‘diamond’ shapes. The next inner portion is known as the ‘zig-zag’ formation, which if it were laid on its side at 90 degrees then attracts the designation of ‘dog-tooth’. The final part of the structure is the elegantly carved roll forming the inner covering for the complete arch. Normally, the ‘zig-zag’ formation would be continued right through the whole of the supporting pillars, however, sadly, these original decorated Norman pillars are no longer with us in the Church, having been replaced during the Transitional Period.
The Ambry (Aumbry)
Beneath the window on the south side of the Chancel sits a small recessed cabinet in the wall - an Ambry (Aumbry) - in which was often stored holy oils for anointing, and, latterly, up until the mid-20th century, it was used to store the sacramental wine remaining following the Sunday Service, for use during the following week.
THE SPANDRELS ABOVE ARCHES IN WEST END EXTENSION
The other distinguishing feature within the West End extension is the change from sunken circles to sunken quatrefoil shapes within the spandrels of the Norman arches in the South Aisle. However, in contrast to the South Aisle’s decorative quatrefoils, there is a complete absence of any decorative structure within the spandrels above the pillars on the North Aisle side of the extension , and to date no evidence has been uncovered, whether by reason of any monetary or material restriction, or indeed, simply a build oversight, and therefore, this architectural ‘oddity’ remains a mystery.
TURRET STAIRCASE
This staircase was built into the stone fabric of the south side circa 1320, and in 1376 provided access to the now demolished 1st floor dormitory, which connected the north side of the Bell Tower to the Nave and served to house the Clergy. After the dormitory was demolished circa 1420, the staircase was used to reach the Rood Loft, which was constructed during the Tudor era. Following the destruction of any ‘Rood’ paintings/ carvings during the Reformation the loft was subsequently re-utilised as a ‘Singing’ Loft, circa 1748, from where the Church Band used to play. The ‘Singing ‘Loft was, subsequently, demolished in 1844, however, the staircase remains intact.
Fortunately, upon its demolition, a section of the original Tudor Loft was saved from destruction, and this can be seen pinned to the wall in the Lady Chapel.
Wooden Cross Beam & Village Cross stone top crossbeam & other stone artefacts
At the eastern base of the railings surrounding The Irby Tomb is a collection of wooden and stone artefacts preserved from the fabric of the Church, together with the stone Cross beam which used to sit atop the Village Cross in the Churchyard.
In the attached photograph, the ‘1655’ wooden crossbeam sits on top of the stone Village Cross ‘top crossbeam.’
A new display unit housing the Chantry Chapel Screen fragments ( previously on the nearby window ledge ) has now been introduced into this zone, at the base of the Irby Tomb, behind the Village Cross and Wooden Beam artefacts.
The Clock
The clock stands on an elevated platform at the second-floor level of the Bell Tower. Access to the clock room is gained via the narrow spiral staircase situate at the south west corner of the Bell Tower. There are 41 +2 stone steps to the clock room, and a further 12 narrow wooden steps on a ladder, with one hand rail, leading up to the wooden encased 300-year-old clock mechanism. The clock dates from 1718, and in 2012 it was converted from a manual re-wind to an automated, electronic re-wind and strike. A detailed synopsis of the original ‘going train’ and ‘striking train’ of the clock can be seen on the St. Mary’s Church, Whaplode, website.
BLOCKED-UP OPENING – above Chancel
When the Stone Rood screen was in place the congregation could not see the Clergy, so, near the top of the Chancel wall, below a round- topped Norman window, one can see a blocked-up opening, which would have served as the point through which the clergy’s singing, chanting and benedictions would have been heard by the congregation.
CLOSER VIEW OF ORIGINAL NORMAN CHANCEL ROOF-LINE
The original Norman Chancel had a high-pitched roof and was destroyed about 1320, following which a new one was built; however, little remains of this since it was demolished and replaced with the present chancel in 1818. The only remaining evidence of the original chancel roof is the out-line of the roof which can be clearly seen on the outside of the church at the east end, together with an original Norman window in the same wall above the roof line, and beneath this a now blocked up opening that would have provided the outpouring of sound from within the chancel as the monks performed their rites including plain chants.
NICHE on SECOND STOREY of BELL TOWER
The ground floor of the Bell Tower was previously used a chapel in the 14th century for the clergy who lived in the dormitory above the interconnecting building to the Nave. Although there remains no evidence of the chapel, there is, however, situate in the lower part of the second storey on the east face of the Bell Tower, a niche with a trefoil head included within a pediment, in which was doubtless placed the image of the saint to whom the chantry was dedicated.
Two Memorial Plaques – Benjamin Grant & family
Herewith are two ‘curious skull-bedecked ‘monuments of Benjamin Grant (died 24 February 1716 – Age 52) and his family. Commemorations to his wife Ann (died 6 April 1734- Age 62) and five children who all died in infancy.
VIEW FROM SOUTH WINDOW IN CHANCEL
The position of the domestic quarters (demolished circa 1420) is best seen when viewed from the south window within the Chancel. On the facing North side of the Bell Tower there is an inverted ‘V’ – the gable end of the clerics quarters.
BELLS
It is known that the bells were removed, melted down & recast at Thomas Osborn's Foundry in Downham Market in 1974, restored at Parishioner's' expense. The 5 bells were rehung when the clock faces were renovated in 2008. In 1911, the 5 bells were taken to John Taylor's Foundry. They had to absail down the tower to complete the work. In Loughborough, they were re-tuned. In 1913, Taylor's cast the last of the 6 bells now in the Belfry.
THE MEDIEVAL CHANCEL (and its FORMER SIDE CHAPEL)
This early illustration - circa 1800 - shows the medieval chancel [before it was demolished and rebuilt in 1818 at a cost of £400] and its side chapel, still standing, and the nave roof as lowered in 1718 [which was restored to its proper pitch in 1909].
THE BEAUTIFUL NORMAN CHANCEL ARCH
The beautifully decorated Norman Chancel Arch of circa 1130 is finely ornamented with a double row of zig-zag mouldings is one of the glories of the church, although it has suffered mutilation over the centuries.
The accompanying ink drawing reflects the detail exhibited on the archway, which portrays the outer edges of a double colonnade, immediately followed by the lozenge or ‘diamond’ shapes. The next inner portion is known as the ‘zig-zag’ formation, which if it were laid on its side at 90 degrees then attracts the designation of ‘dog-tooth’. The final part of the structure is the elegantly carved roll forming the inner covering for the complete arch. Normally, the ‘zig-zag’ formation would be continued right through the whole of the supporting pillars, however, sadly, these original decorated Norman pillars are no longer with us in the Church, having been replaced during the Transitional Period.
THE PAINTED CLERESTORY WINDOW
Apart from the remaining ‘Rood-Loft’ woodwork, the only other fragment of pre-Reformation artistic work surviving this period of destruction is the fleur-de-lys design in red surrounding the upper edges of the second window from the Chancel end of the clerestory, on the north side, which is, sadly, slowly disintegrating over time.
The Ambry (Aumbry)
Beneath the window on the south side of the Chancel sits a small recessed cabinet in the wall - an Ambry (Aumbry) - in which was often stored holy oils for anointing, and, latterly, up until the mid-20th century, it was used to store the sacramental wine remaining following the Sunday Service, for use during the following week.
VIEW FROM SOUTH WINDOW IN CHANCEL
The position of the domestic quarters (demolished circa 1420) is best seen when viewed from the south window within the Chancel. On the facing North side of the Bell Tower there is an inverted ‘V’ – the gable end of the clerics quarters.
Wooden Cross Beam & Village Cross stone top crossbeam & other stone artefacts
At the eastern base of the railings surrounding The Irby Tomb is a collection of wooden and stone artefacts preserved from the fabric of the Church, together with the stone Cross beam which used to sit atop the Village Cross in the Churchyard.
In the attached photograph, the ‘1655’ wooden crossbeam sits on top of the stone Village Cross ‘top crossbeam.’
A new display unit housing the Chantry Chapel Screen fragments ( previously on the nearby window ledge ) has now been introduced into this zone, at the base of the Irby Tomb, behind the Village Cross and Wooden Beam artefacts.
THE PAINTED CLERESTORY WINDOW
Apart from the remaining ‘Rood-Loft’ woodwork, the only other fragment of pre-Reformation artistic work surviving this period of destruction is the fleur-de-lys design in red surrounding the upper edges of the second window from the Chancel end of the clerestory, on the north side, which is, sadly, slowly disintegrating over time.
The Family Crests of IRBY & PEYTON
Sir Anthony Irby, (b. 9 January 1577: d. 1610), who was an M.P. and High Sheriff of the county of Lincoln in the reign of Charles I. Sir Anthony married Elizabeth Peyton in February 1602/3, daughter of Sir John Peyton, M.P. 1st Baronet Peyton of Isleham, co. Cambridge.
SOUTH AISLE QUATREFOILS
The Spandrels display “sunken quatrefoils”
THE CHALICES
The remnants of two early English Pewter 12th – 13th chalices, the metal of which has deteriorated somewhat, but which stand comparison with almost identical items preserved in the Lincoln Cathedral Museum collection, as attested by members of Lincoln University Department of Conservation.
In the cabinet display outside the Heraldic Suite can be seen remnants of the chalices together with a copy of the University Report which provides sketches of both original chalices as they would otherwise have appeared in earlier life. The comprehensive report was written by Elizabeth Welfare, who was studying for her Master’s degree in Archaeological Conservation and Preservation 2004/5.
THE HERALDIC SUITE
Built in 2006 at a cost of almost £150,000, with grants from various providers- Local authority; Area Tourism; Local Church Charities, European Community, etc, it was hailed as a tremendous success. The new facilities incorporate a meeting room, toilets, and work area to provide teas and sandwiches, for both the congregation and visitors. The story setting out the requirement, the planning and the eventual construction of the Heraldic Suite is contained within two portfolio folders held in the Church providing invaluable guidance on issues raised in its construction, and these folders are available for public inspection. The name given to the rooms - “THE HERALDIC SUITE” - was in recognition of the many wealthy families that have supported the church over the centuries, and their family Coats of Arms are displayed therein.
THE JACOBEAN PULPIT
This is a fine example of a sensitively restored 17th century Jacobean Pulpit, which embodies all the finery of reclaimed original panels.
The main panels reflect the shape of the Norman Chancel Arch.
THE SOUNDING BOARD
This 17th century original and unusual feature which sits directly above the pulpit, is that of a 'sounding board' (known as the ‘Tester’) which was designed to project the celebrant’s voice to all parts of the church.
With the onset of modern technology, radio microphones, amplified speakers, etc., this apparatus has become redundant, but for historical context, it is retained in its rightful place.
THE WEST END DOOR & WINDOW
The framework of the architrave around the west entrance doorway is significant and has been recorded as dating from 1180 and reflects the indicative style in use with five mouldings and a double row of eight detached shafts on each side.
Sadly, the window above was reduced by approximately one third of its original size, and probably given its present tracery, when the nave roof was lowered in 1718.
THE ‘FLYING ANGELS’ CARVINGS
Traditionally, the roof terminals would normally have displayed these carved ‘flying angels’, however, there now only remains ly three religious ‘artisans’ or ‘Knights’ within the roof.
The Brass Eagle Ecclesiastical Lectern
In 1918 the gift of a brass eagle ecclesiastical lectern was bestowed on the church by Isabellina Wright, in memory of her husband, Carden Wright.
View of Clerestory Windows on either side of the Nave
The north aisle, showing the original Norman clerestory and plain aisle windows.
The south Aisle showing the reconstructed clerestory windows, beneath which sit the three comparatively ornate aisle windows [Memorial Window & two windows bearing the crests of Crowland & Lincoln, and Irby & Whaplode.
BELL TOWER
Originally, the Bell Tower was in fact a ‘Campanile’ in that it was separate to the rest of the church building. Its four stages were built over a number of years circa late 12th century to early 14Th century. It stands at a height of 78 feet, and at one stage housed a chapel on the ground floor.
BELL TOWER
Originally, the Bell Tower was in fact a ‘Campanile’ in that it was separate to the rest of the church building. Its four stages were built over a number of years circa late 12th century to early 14Th century. It stands at a height of 78 feet, and at one stage housed a chapel on the ground floor.
Henry Churchill McNeil-Smith memorial plaque
He died whilst on active duty - April 27 1916 - He was the son of Revd. H.B Mc.Neil-Smith and his wife Mary St. Barbe. His mother died at Whaplode Vicarage on November 19th 1916.
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
Robert Collins monument
Robert Collins, who had been a curate at St Mary’s between 1802 - 1811, died 25th January 1812, aged 51, had this 12 feet high stone pyramid monument, adorned with emblems of freemasonry, erected in his lifetime, dedicated to himself and his family. In this stone pyramid he deposited a stone box within which he placed some copper and silver coins of George III, also some garden seeds in labelled glass vials; so that when the monument falls to decay the curios may try to see if they will vegetate.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
THE DAN HAGEN TABLE
The fine ten-foot-long oak table situated in the North Transept, used on occasions for Holy Communion, was made by Dan Hagen of Ingham, Norfolk in 1972. Employing a pre-1700’s early English construction technique of using pegs and wedges, the craftsman has made a table worthy of the church.
THE STONE COFFINS - No 3
During the excavations for the Heraldic Suite, as well as removing some fourteen tons of earth, the builders came across yet another 'decorated English cross' stone coffin. This latest example is much smaller than the first two, and was found broken in two, lying at a curious angle in the ground, giving the impression that, perhaps, it had been deliberately damaged.
The Principal piece of Anglo-Saxon Burial Stonework
The central piece of the “Saxon Burial stonework” pictured herewith (fig.1) is housed in a display cabinet at the West End of the Church.
The three pieces of burial stonework found in and around St. Mary’s, were subsequently confirmed as being of SAXON origin, following examination, by the “Corpus of Anglo-Saxon Stone Sculpture Project” carried out by Durham University, which began in 1977, and which has since documented the earliest Christian field monuments from free-standing carved crosses and innovative decorative elements, to grave markers, across all counties in England. This added credence to view that there was a Saxon church here in Whaplode, whether in wood/stone, mid-11th century. The remaining two pieces are shown in figs.2 & 3.
VIEW OF INVERTED V ROOF-LINE OF FORMER DORMITORY (on north face of Bell-Tower)
From this window one can see the inverted V roof-line of the former dormitory, which housed the clergy in the 14th century ( 1376 – 10 clergy) and would have been accessed by the spiral ‘turret ‘staircase that was cut into the Norman piers of the southern nave arcade and the Chancel arch. It is likely that the staircase was constructed sometime following the destruction of the original Norman Chancel, which was circa 1320.
TRANSITONAL CORBELS
The former finely decorated Norman Pillars which stood on either side of the Chancel Arch were cut away at an earlier unknown date and replaced with Transitional Corbels to make the Chancel opening wider, and unfortunately, when the Chancel was re-built, yet again in 1818, the patrons decided to remove the two elaborately carved support columns beneath the Chancel Arch.
ALTAR CHAIR
A modestly carved Altar chair of the Elizabethan/ Jacobean era (date unknown)
The Altar Chair is now to be found situated on the left-hand side of the High Altar ‘Mensa’ Tablet (as you view it).
BELL TOWER
Originally, the Bell Tower was in fact a ‘Campanile’ in that it was separate to the rest of the church building. Its four stages were built over a number of years circa late 12th century to early 14Th century. It stands at a height of 78 feet, and at one stage housed a chapel on the ground floor.
BELL TOWER
Originally, the Bell Tower was in fact a ‘Campanile’ in that it was separate to the rest of the church building. Its four stages were built over a number of years circa late 12th century to early 14Th century. It stands at a height of 78 feet, and at one stage housed a chapel on the ground floor.
BELL TOWER
Originally, the Bell Tower was in fact a ‘Campanile’ in that it was separate to the rest of the church building. Its four stages were built over a number of years circa late 12th century to early 14Th century. It stands at a height of 78 feet, and at one stage housed a chapel on the ground floor.
BELL TOWER
Originally, the Bell Tower was in fact a ‘Campanile’ in that it was separate to the rest of the church building. Its four stages were built over a number of years circa late 12th century to early 14Th century. It stands at a height of 78 feet, and at one stage housed a chapel on the ground floor.
BELL TOWER
Originally, the Bell Tower was in fact a ‘Campanile’ in that it was separate to the rest of the church building. Its four stages were built over a number of years circa late 12th century to early 14Th century. It stands at a height of 78 feet, and at one stage housed a chapel on the ground floor.
BELL TOWER
Originally, the Bell Tower was in fact a ‘Campanile’ in that it was separate to the rest of the church building. Its four stages were built over a number of years circa late 12th century to early 14Th century. It stands at a height of 78 feet, and at one stage housed a chapel on the ground floor.
BELL TOWER
Originally, the Bell Tower was in fact a ‘Campanile’ in that it was separate to the rest of the church building. Its four stages were built over a number of years circa late 12th century to early 14Th century. It stands at a height of 78 feet, and at one stage housed a chapel on the ground floor.
CHANTRY CHAPEL SCREEN REMNANTS
Amongst the collection of various stone artefacts are the fragments of decorated terra cotta screens that were identified by a group of historians from the Morley College Group in London, who advised that the remnants were in fact from Chantry Chapel Screens, circa 15th and 16th centuries in a style attributed to that of the school of Pietro Torrigiano (1472-1522).
The principal Chantry Chapel Screen remnants have been moved from the window ledge, above the Piscina, and can now be seen situated on their own display units at the base of the Irby Tomb.
CHANTRY CHAPEL TILE FRAGMENTS
Evidence of another ‘lost’ Chantry Chapel (one of four) in St. Mary’s was found when these tile fragments were discovered during the building preparations being made for the construction of the Heraldic Suite between 2004 and 2006.
One tile had a fleur-de-lis in a corner, together with the design of a key above it, with a further piece of another design. When these were shown to a specialist expert in Lincoln, he produced from his records a black and white copy of a much larger piece of tile, described as the ‘Nottingham Tile’ since it had been discovered in the village of Talbert in Nottinghamshire in 1917 at the site of a ruined monastery; the other piece whilst exhibiting similar characteristics remains unidentified, to date. The expert did refer us to the British Museum, which held within their references a book compiled by Professor Elizabeth S. Eames in 1980. Examples of the ‘Nottingham Tile’ found therein would appear to date the St. Mary’s tiles from the period 1325-1365, and, in support of a second chantry chapel in this position, there is a map of the St. Mary’s in the Lincolnshire Archives which provides an indication of the chapel being sited at the north-west corner of the church. (Notably, distinct notches made in original plaster dado).
It is understood that these highly decorated tiles were normally reserved for use in cathedrals, monasteries, chantry chapels or country manor houses. The tiles can now be seen in the upper part of the display cabinet nearest the west door, together with a brief explanation to their origin, and their estimated date, which also indicates that the Chantry Chapels, if that is where they belonged in the church, date from a much earlier period than that occupied with the changes in the formation of both the north and south aisles.
EARLY NORMAN ARCHES
The design of the early Norman arches was such that their construction incorporated ‘spandrels’ (the space between the tops of two adjacent arches) to strengthen the open arches. These ‘spandrels’ were often decorated with paintings, sculptures, or other types of ornament, and in St Mary’s case, the decoration can be seen as ‘plain sunk circlets.
FORMER PRIESTS’ DOOR in CHANCEL south wall (behind REREDOS - right hand side)
One intriguing fact has been unearthed and that is the presence of a priests’ bricked up doorway on the south side of the Chancel wall behind the present Reredos panelling, which leads to the supposition that the original Norman chancel was a much larger building, but it was subsequently rebuilt on a much smaller scale. The fact that when the stone ‘Rood Screen’ was in situ (prior to its destruction in the 16th century) it sealed off the congregation from the Chancel, consequently, the Clergy would have needed their own access to the Chancel, which reinforces this point.
MADONNA & CHILD (WOODEN SCULPTURE)
This modern sculpture, carved from a solid piece of mahogany, was commissioned from the Guild of Lincolnshire Artists and Sculptors by the wife of Wilham K. Wright and donated to the church in 1967.
It is the work of a local man, John Grimble, who taught Art at Boston Grammar School. He was Chairman of the Lincolnshire Artist’s Association from 1962/1963.
NORMAN CAPITAL DECORATION
The pre 1100 Early Norman architectural use of scalloped square capitals is evident at the eastern end of the Nave.
Early Norman construction of the square capitals incorporated the use of flute designs, together with designs known as scallops (virtually semi-circular in form) and completed the inner part of the arch with a round.
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
REMNANT of THE STONE ROOD SCREEN
This piece of stone projecting from behind the choir stalls on the north side of the transept (crossing), remains the only remnant of the original ‘Rood Screen’. The Stone Rood screen prevented the congregation from accessing the Chancel, however, the clergy had their own door in the south wall, where they could exit the building when needed. The ‘Rood Screen’ was also designed to show an image of Christ crucified on the top, flanked by images of the Virgin Mary on his right and John the Evangelist on his left.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice.
THE LORD CHANCELLOR’S PATRONAGE of ST MARY’S
St Mary’s is now under the direct patronage of the Lord Chancellor, on behalf of the King. Historically, this unique situation arises from the 14th and 16th centuries whereby the Ecclesiastical patronage of the Lord Chancellor was part of the patronage of the Crown. The exercise of the Crown’s parochial patronage being divided between the Monarch and the Lord Chancellor. In the 1530s the poorest livings (Church benefices), those less than £20 were passed to the Lord Chancellor, with the Crown retaining those livings that were worth more than this amount, and this basis of assessment has been in place since the monasteries were dissolved under Henry VIII, with the Crown becoming the major recipient of their parochial patronage.
Therefore, whilst Queen Elizabeth’s appointee of Robert Johnson, in 1594 (The Queen had bestowed a Royal Charter on Uppingham School, which he had founded, arising out the generous funding that Robert Johnson had provided not only to this School but also to Oakham School, and hospitals in the area) was responsible for the fabric of St Mary’s ‘Chancel’, the Monarch retained the direct responsibility for the nomination and appointment of the St. Mary’s clergy, hence St Mary’s unique standing within the hierarchy of Church governance, in so far as it is aligned with those churches that are classified as being of a ‘Royal Peculiar’ status, whereby any change in a stipendiary appointment is required to be sanctioned by the Monarch of the day.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
Stove Chimney-Holes
During the 18th and 19th centuries the church was heated by a series of pot-bellied stoves (these were at one time used to reduce the number of bats, and on one occasion, three large stoves were used to burn sulphur to eradicate them, which resulted in the demise of over 500 bats). The only evidence we have today of this heating system is a circular hole for the stove’s chimney in the panelling of the North Aisle roof near to the present-day heating system, together with one in the Lady Chapel – these to funnel the fumes out of the church. The stoves were finally removed from the church in 1976.
THE BELL TOWER
To reach the top of this magnificent Bell Tower requires a climb of 108 steps via the narrow spiral staircase. The last stage of the ascent, beyond the third storey Bell room, necessitates the climb of the final 41 + 2 steps, exiting (on hands and knees) through a very narrow doorway (23 inches x 32 inches) on to the top viewing area, from which there are tremendous views of the surrounding countryside. Originally, the Bell Tower was in fact a ‘Campanile’ in that it was separate to the rest of the church building. Design plans held at Lincoln Records Office suggest that there was the intention to incorporate a second ‘Campanile’ thereby forming the two transepts. However, this was not implemented, and the foundation for the south transept ‘Bell Tower’ was laid in the Transitional Period, circa 1190, with its five stages being built over a number of years concluding in the Early English period, circa early 14th century. It is beautifully arcaded in three stages and is an exceptionally choice example of the work of this period. It rises to a height of 78 feet (23.77 metres), and in the 14th and 15th centuries housed a chapel within the ground floor for the resident clergy. On the top stage of the tower can be seen the stone construction of the exit from the spiral staircase ( see attached photographs), the roof of which, it is believed, is comprised of ancient burial slabs(s).
THE CHANTRY CHAPEL PISCINA
This is a Chapel piscina, distinguishable from a holy water stoop as it contains a drain for the Priest to ensure the remains of the sacrament are untouched by human hands. This is the remnant of a 12th century Chantry Chapel which was built in the vicinity of where the 17th century Irby Tomb is now situated.
This Chantry Chapel, one of the four that were known to have existed in St. Mary’s, would have been dedicated to a specific family who would have been not only responsible for its upkeep, but would also have paid for the privilege of a Priest to administer the sacraments to them in private.
THE CHURCHWARDENS’ CHEST
An original late 16th century Churchwardens’ chest. A prized possession of St. Mary’s.
THE FACE
This stone carving of a man's face remains an enigma. Whether this is representative of the chief mason of the day (often a tradition for the image of certain masons to be recorded within religious buildings), or whether it is an effigy of the principal monk, or even the Abbot of Croyland at that time, one can only guess. However, it is most unusual, since these types of carvings (in wood or stone) are readily found outside churches, Abbeys and Minsters, not normally inside.
THE FONT
This is described as a creditable imitation of the original Norman font. Notably, it has a central cylinder of black stone surrounded by an octagonal panelled and fluted stonework, together with barley-twist legs, which may also suggest that it reflects a degree of Jacobean / Charles I period influences. It stands 7ft from base to top.
THE FOUR PAIRS of EARLY NORMAN ARCHES
The four pairs of symmetrical and finely proportioned Norman Arches extending from the beginning of West End extension down the Nave are most unusual in their arrangement. The unique design feature being the alternate pairing of the supporting circular and octagonal-shafted pillars abreast of the Nave aisle.
THE GRAVE BENEATH THE PULPIT
Described as “a fine 13th century gravestone with leafy cross” the origin and identity of the person buried hereunder has defied time and research to date.
THE IRBY FAMILY TOMB
This canopied ten poster tomb of Sir Anthony Irby, (1577-1610), built circa 1625, would not look out of place in a Cathedral. Within this magnificent tomb are the remains of Sir Anthony and Lady Elizabeth Irby. Surrounding their effigies, on either side are the five children of their marriage, three boys beside their father on his left, and two girls alongside their mother, on her right.
Sir Anthony and his wife have their heads resting on pillows and their feet braced against their respective family mementoes, a collared hound for him and a griffin for her, which are incorporated in their family crests. Their eldest son, also Sir Anthony (b. 17.01.1605: d. 2.01.1682), is depicted as the largest of the children on the north side of the tomb.
A fact of historical coincidence is that in the Church of St. Peter at Ashby-cum-Fenby, in the division of Lindsey (about 6 miles south of Grimsby), Lincolnshire, can be found a tomb dedicated to Sir William Wray MP, 1st Baronet of Glentworth, (1560-1617) and his wife, Lady Frances Wray (1576-1642) which, it would appear, is a copy of the Irby Tomb in Whaplode. Sir William Wray’s daughter - Francis - married Sir Antony Irby ( eldest son of Sir Anthony Irby) highlighted by the inscription around the canopy of the Tomb.
THE IRBY HELMET
Only a picture of this exquisite helmet can be seen, since the helmet is kept for safe-keeping, together with what remains of the Tabard, at The Gentlemen’s Society in Spalding. The helmet is a sallet, a popular 15th century form of head armour, and an example of fine North Italian (probably Milanese) work, with the skull of the sallet being beaten out of a single piece of steel, and the whole decorated with strips of gilt copper, with the original main surfaces being coloured blue.
THE MENSA TABLET [ High Altar Stone ]
Without doubt one feature that excels all other of this magnificent church, is that of the consecrated Altar stone table (‘Mensa Tablet’). The ‘Mensa Tablet’ is a large single piece of limestone rock [ Dimensions: Length 7 feet 6 inches: Width 2 feet 10 inches: Depth 6 inches ] inscribed with five consecration crosses, one at the centre and one at each corner, symbolising the five wounds of Christ, which would have been anointed with holy oil upon its formal consecration within the church.
The ‘Mensa Tablet’ sits on a substantial oak Altar framework encased by a separate oaken cover frame ( see photograph) with a glass ‘window’ inset therein to allow viewing of the tablet. The cover frame together with the smaller glass ‘window’ (dimensions: length 7 feet 4 inches: width 2 feet 2 inches) afford protection to the ‘Mensa Tablet’ from light and damage. In the circumstances, a photograph of the full ‘Mensa tablet’ is not practical, and therefore an artist’s impression thereof is shown (not to scale). The height of the Altar framework from top to bottom is 3 feet 4½ inches.
At the time of the initial construction of St. Mary’s, circa early 12th century, the Abbey at Croyland, which was seen as the ‘mother’ church, was served directly by monks from Peterborough Abbey, and it is therefore possible that the Mensa Tablet was brought to the original church by the settling monks from Peterborough Abbey, which leads us to believe that the Mensa Tablet predates any of St Mary’s original Norman buildings.
Latterly, the ‘Mensa Tablet’ was fortunate to have survived the countrywide desecration of churches during the 16th and 17th centuries, arising from the Reformation and subsequent Puritanical actions, by reason of it having been removed earlier from the Church, either by the Vicar, or the townspeople. It was found, by accident, circa 1780, by the incumbent Vicar, who was out walking.
THE NORTH TRANSEPT WINDOW
This restored window is quite unique, since it is one partially made of oak and masonry. The upper half of the window is made completely of wood; whilst the lower part (from below the arched top) comprises masonry. The restorative work was done by Ernest Grimson on the recommendation from the Society for the Preservation of Ancient Buildings (“SPAB”). He adhered to the strict principles of the SPAB, refusing to restore missing medieval features, but ‘create’ masterful copies.
THE PIERS at the division of WEST END / NAVE
The pre 1100 Early Norman architectural use of scalloped square capitals is clearly evident at the eastern end of the Nave, however, at the time of the build of the West End extension -1130 onwards – the resultant transitional mix of ‘capital’ design of the Norman ‘square’ to the Early English ‘floriated’ approach leaves a rather ungainly result, neither looking good aesthetically nor altogether correct from a time-line perspective However, given that both Norman pillars at this junction would have not only been sitting at the end of the original Norman build, but would also have exhibited an outside ‘terminal’ design, it is perhaps not surprising that the integration of the resulting external / internal ‘pillar’ designs lacked precision.
THE REREDOS
The Reredos (Altar Screen) was erected in the early 18th century and is believed to be from the ‘Flemish Region’ of the Low Countries. It has a typical centre piece directly in line with the High Altar, bearing an image of a flagon in the centre (representative of the concentrated wine) on the left are sheaves of wheat and a loaf of bread, whilst on the right is depicted the chalice and grape vines with fruit.
THE SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
More recently, the inside of the south porch has been altered to accommodate disabled people and parents with small children and babies. This has been achieved by the removal of two successive steps descending into the nave of the church, being replaced by a sloping floor.
THE STAINED GLASS WINDOWS IN THE CHURCH
Following either the forceful removal and wanton destruction of all traces of stained-glass windows in St. Mary’s, or centuries of their unattended dilapidation, only three windows remain that exhibit any evidence of pre-20th century stained-glass ornamentation. Namely, the plain gold-coloured stained-glass window behind the Altar, and the two consecutive windows situate in the south wall prior to the South Porch Door. Within these two windows can be seen, respectively, the crests of CROWLAND and LINCOLN, followed by IRBY and WHAPLODE.
COLONEL GERVASE HOLLES (1607-1675)
Colonel Gervase Holles visited the Lincolnshire churches before and after the Parliamentary Wars (1642-1649). He was a renowned antiquarian of the period, as well as being a lawyer, statesman and a soldier. His family had property throughout the county of Lincolnshire, including in Whaplode and Moulton, hence his interest in St. Mary’s Church.
He visited St. Mary’s in 1655, and his report registered all the family insignia that were represented in either stained glass in windows and/or stone crests, throughout the Church – all of which, sadly, no longer survive. These were to be found in the following windows:
The ‘main’ South Aisle window: Littlebury: Porter: Venables.
The west window of the North Transept: Littlebury: Ettys: Kyrketon: Dalyson: Pulvertoft:
Haultoft (Haltoft)
The east window of the North Transept: Fitzwalter: Littlebury: Porter
The north window of the North Transept: Conan fitz-Ellis: Rye: Beke: Quaplod
The window on the south face of the Bell Tower: Two families unidentified.
A window on the North side ( location not specified) Ogle.
The individual Coats of Arms can be seen on the wall within the Heraldic Suite.
THE STAINED-GLASS MEMORIAL WINDOW
The early 20th century memorial window, which was financed by funds raised by public subscription, is dedicated to the men and women of Whaplode who gave their lives during the First World War, and it also provides the focal point for the remembrance of those lives lost in the Second World War, with a plaque beneath the window dedicated thereto.
THE STONE COFFINS - No 1
The fine detail on this coffin cover is shown in the attached photograph.
In dealing with the most elaborate of the two complete stone coffins to be found inside the church, the beautifully carved ‘English Cross’, also known as the ‘Tree of Life’, upon examination by a lecturer of the Department of Church Archaeology at York University, Dr. Aleksander McClain, was identified as being 13th century work. In 2006 he described the markings as follows:
“This coffin lid is exceptionally fine work, with detailed and elaborate high-relief carving. It almost certainly originates from the major medieval quarry and sculpture workshop located at Barnack, a centre of production and innovation that exported work across the whole of the east midlands and southeast. Stylistically, the cross slab probably dates to the later part of the 13th century. The cross head is of the 'bracelet derivative' style, which first appears circa.1200. The elaborate nature of the head, the use of Fleur-de-Lis (as can be seen on the terminals of the cross, the branches coming off the shaft of the cross, and the shape of the base), and the flowing, naturalistic nature of the foliation suggests a date of circa 1250-1300. The foliated motif of the cross may allude to the medieval concept of the cross as the “Tree of Life”, referring to Jesus’ death and resurrection. Foliated crosses are also found in other forms of medieval art.”
THE STONE COFFINS - No 2
When the coffins and their lids were unearthed from the south side of the nave in 1855, a skeleton, together with a soft Early English pewter chalice and paten on the breast were found within, suggesting that it was of a priest. The burial of a chalice and a paten with a skeleton is particularly interesting since they are seen as common ‘secondary emblems’ on cross slabs. Such emblems are found most often on slabs in northern England, and are thought to stand for the rank, trade, or occupation of the commemorated person, and in this case a priest.
THE STONE FAMILY CREST
This stone crest ( which can also be seen on Irby House on Millgate, Whaplode) is believed to be a representation of the families of Welby, Walpole, Apreece, Haultoft and Irby all of whom are connected by marriage.
THE TUDOR 'ROOD LOFT' REMNANT & WHAPLODE'S 'GREEN MAN'
Built circa 1500, St. Mary's early Tudor 'Rood Loft' and balcony traditionally displayed a painting of the crucifixion of Christ, with the figures of the Virgin Mary and St. John, the Evangelist, flanked on either side. Following the Reformation – and the destruction of the ‘Roods’ in England - this remnant is all that remains of St. Mary’s Rood Loft. On the right-hand side of the remnant can be seen three carvings - left to right; a Tudor Rose, a Royal Oak Leaf and ‘The Whaplode Green Man.’
The East window beneath the remnant of the Rood Loft was an original entry point for the 3rd chantry Chapel which used to be situated on this side of the church.
Whaplode’s ‘Green Man’ is clearly recognisable as one of the many 'Lincoln Green Men' and bears all the hallmarks associated with these images, and such pagan images are quite well known in numerous churches throughout the country. A further ‘Green Man’ carving can also be seen on the west tracery around the upper parts of the Bell Tower.
The authenticity of the remnant of the ‘Rood Loft' woodwork was confirmed as being ‘early Tudor’, following inspection on a visit in 2009, by Mr Nigel Leaney, an expert on Medieval Paint from Lincoln Diocese.
THE VILLAGE CROSS
The remains of a 14th century Village Cross. The cross beam from this monument is on display within the west end of the church. This monument is recorded in Historic England Listings, as being “ scheduled under the Ancient Monuments and Archaeological Areas Act 1979, as amended, as it appears to the Secretary of State to be of national importance.”
Listing details : The Churchyard cross at St. Mary’s Church, Whaplode, is a good example of a medieval cross with quadrangular base and octagonal shaft and is constructed of limestone. Limited disturbance of the area immediately surrounding the cross indicates that archaeological deposits relating to the monument’s construction and use in this location are likely to survive intact. The cross has little altered in modern times and in use as a public monument and amenity from medieval times until the present day.
The base takes the form of a socket of square section with chamfered corners and a grove running below the upper edge. It stands to a maximum height of 0.23m above the ground service. The shaft fragment is set into the centre of the socket stone and is rectangular in section at the base rising through chamfered corners in tapering octagonal section to a height of about 0.99m. The top of the shaft fragment is flat and includes a number of holes containing the remains of iron and lead by which an upper stone was formerly fixed.
The Church Bells
The original five Bells made by Henry Penn of Peterborough were purchased in 1718, and the Treble Bell made by J. Taylor of Loughborough was commissioned & gifted to St. Mary’s in 1933. All inscribed, the Bells together with the Bell-frame are officially listed under Historic England CHR references 30150 & 30152. The earliest record of a ‘peal’ is dated 24.02.1775 with a ring of 10,080 changes, or 84 peals, over 7 hrs and 2 mins.
Translation of Bell inscriptions:
Treble: “Eva Wright 1932 - J. Taylor, Peterborough, 1933”
Second: “I praise the true God. 1718. Henry Penn, Founder”
Third: “And sound to heaven. 1718”
Fourth: “As the world, so we, now joy, now grief. 1718”
Fifth: “James Bolton & William Owen, Churchwardens”
“I call the people: I collect the clergy. 1718”
Tenor: “John Rustat, Vicar. I mourn the dead; I warn the living. 1718”
To reach the Bell room requires a climb of a further 26 +1 steps, beyond the second storey entry to the Clock room, up the spiral staircase (which narrows a little as it progresses upwards) at the south western corner of the Bell Tower. Therein, above the six bells, there can be seen the original capstan formally used to hoist the bells up into their ringing position.
The Church Organ
The current Organ is a ‘Compton Miniatura’ Model No.3; rank extension organ: Diapason, Flute, Gemshorn, built by John Compton Ltd. Gifted to the Church in 1949 by the widow of William Kilham Wright, and his two sons, as a token of affection and remembrance. Details can be found on the National Pipe Organ Register.
NPOR front description – ‘Plain case encloses organ; gold display pipes at front in shallow towers either side and two flats between. [Ref: K01296].
The Six-Keyed Double-Reed Bassoon
The only remaining evidence of Whaplode St. Mary’s ‘church band’ is the large Double Reed Bassoon, which used to hang in the South Aisle for many, many, years, but is now stored safely within the Vestry. Such instruments were confirmed as being commonly in use at the end of the eighteenth century by Dr. H. La Rue, Lecturer/Curator of the Bate Collection, and of the Musical Collections in the Pitt Rivers Museum, and Fellow of St. Cross College, Oxford. in a letter to the St. Mary’s Churchwardens.
A framed picture of a replica of this ‘6-keyed instrument’ can be seen at the base of the pillar outside the Heraldic Suite in the West End of the Church. The bassoon is believed to be from around 1790-1810, as manufactured by William Mullhouse of 337 Oxford Street London (taken from an article in ‘The Double Reed’ – Vol.24. No.3. 2002).
The Three Charity Boards
Three remaining ‘Charity Boards’ which display charitable bequests by families. Restored by students from Lincoln University, the tablets are now housed in illuminated glass frames, and are a worthy testament to the memory of benefactors to the parish of Whaplode and embrace dates from the 17th to the 19th centuries.
Examples of bequests
Board 1
2nd - A dole of forty shillings pr. an. (per annum) and given in the last Will and Testament of the Lady Horden and John Walpool Esqr (Esquire) to the poor of Whaplode forever and payable forever and payable out of certain lands called Haltoft now belonging to ye Right Honourable the Earl of Stamford.
Board 2
5th - Erasmus Avery of Moulton Gent (Gentleman) in his last Will bearing the date February 18th1653 gave unto the poor of Moulton and Whaplode Fifty-Two shillings pr. an. (per annum) to be distributed in Wheaten Bread to each Town successively Two shillings every Sunday beginning the first Sunday in November and ending the first Sunday in May.
Board 3
Jacob Davey of Holbeach Gent (Gentleman) who died February 2nd 1833 by his last Will dated January 26th 1833 did leave to the Churchwardens and overseers of the Parish of Whaplode in the County of Lincoln and their successors in office forever a rent charge of Five Pounds per year payable out of the house and lands in the possession of Mr Ashley Palmer to be by them on the Feast of St Thomas yearly distributed amongst ten of the poorest widows residing in and belonging to the said Parish of Whaplode.
“CHRIST IN GLORY” - OIL PAINTING ON CANVAS AND TINPLATE
This is a unique painting and is unusual in two aspects, one of which is that it is an early form of a montage, being a combination of sheet metal and canvas. The second is that it depicts members of the community of Whaplode at the time of the painting - providing a historic local portrait. This remarkable painting is by a Miss Mary Henrietta Dering Curtois (1854 – 1928) and was presented to St. Mary’s in 1907.
Mary Henrietta Dering Curtois was the eldest daughter of the Rev. Atwill Curtois, of Longhills, Branston. Lincolnshire, and as an active member of the Forum Club London she gained considerable reputation as a speaker and lecturer but was principally known for her work as an artist. One of her most notable works - that of the painting of a ward in Lincoln County Hospital (exhibited 1882 in the Royal Academy and Paris Salon) - was given to the Usher Gallery, Lincoln, and she also gave other pictures to Crowland Abbey and Long Sutton Church.
The members of the community were ‘children of Whaplode’ who formed the supporting figures surrounding the figure of Christ, and of personal interest to the artist was the fact that one of the angel’s faces represents an early portrait of her mother (the central angel with distinct black hair in the foreground).
COMMEMORATIVE PLAQUES for TWO former VICARS.
The two commemorative plaques are associated with two former Vicars of St. Mary’s, namely Revd. John Fairfax Francklin, M.A. (1859-1883) and Revd. Lancelot H.N. Carter (1977-1985). The plaques sit on the Chancel north wall which occupies the space of a 13th century archway. This former archway led to a medieval side chapel which was demolished in 1818/19.
BELL TOWER
Originally, the Bell Tower was in fact a ‘Campanile’ in that it was separate to the rest of the church building. Its four stages were built over a number of years circa late 12th century to early 14Th century. It stands at a height of 78 feet, and at one stage housed a chapel on the ground floor.
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
THE HAMMERBEAM ROOF
The original 15th century hammerbeam ‘oak’ roof was once a magnificent architectural feature of the church, with splendid intricate carvings, and possibly some applications of gold-leaf or similar decoration, to be found within the brace supports, and on the terminals of the hammerbeams. Sadly, few of these carvings and decorations have survived the alterations that the roof has undergone in the intervening 500 years.
THE FLYING ANGELS’ CARVINGS – TWO ON NORTH SIDE ; ONE ON SOUTH SIDE
Traditionally, the roof terminals would normally have displayed these carved ‘flying angels’, unfortunately, there are only three of these religious ‘artisans’ or ‘Knights’ that remain within the roof frame-work.
The roof also would have exhibited considerable artistic fretwork inserted between each of the braces. Only a few examples of this remain within the existing roof, however, a section of this is preserved in a box within the robing area/office space adjacent to the Heraldic Suite meeting room.
See closer view of fretwork within roof construction.
BELL TOWER
Originally, the Bell Tower was in fact a ‘Campanile’ in that it was separate to the rest of the church building. Its four stages were built over a number of years circa late 12th century to early 14Th century. It stands at a height of 78 feet, and at one stage housed a chapel on the ground floor.
BELL TOWER
Originally, the Bell Tower was in fact a ‘Campanile’ in that it was separate to the rest of the church building. Its four stages were built over a number of years circa late 12th century to early 14Th century. It stands at a height of 78 feet, and at one stage housed a chapel on the ground floor.
BELL TOWER
Originally, the Bell Tower was in fact a ‘Campanile’ in that it was separate to the rest of the church building. Its four stages were built over a number of years circa late 12th century to early 14Th century. It stands at a height of 78 feet, and at one stage housed a chapel on the ground floor.
BELL TOWER
Originally, the Bell Tower was in fact a ‘Campanile’ in that it was separate to the rest of the church building. Its four stages were built over a number of years circa late 12th century to early 14Th century. It stands at a height of 78 feet, and at one stage housed a chapel on the ground floor.
Henry Churchill McNeil-Smith memorial plaque
He died whilst on active duty - April 27 1916 - He was the son of Revd. H.B Mc.Neil-Smith and his wife Mary St. Barbe. His mother died at Whaplode Vicarage on November 19th 1916.
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
Robert Collins monument
Robert Collins, who had been a curate at St Mary’s between 1802 - 1811, died 25th January 1812, aged 51, had this 12 feet high stone pyramid monument, adorned with emblems of freemasonry, erected in his lifetime, dedicated to himself and his family. In this stone pyramid he deposited a stone box within which he placed some copper and silver coins of George III, also some garden seeds in labelled glass vials; so that when the monument falls to decay the curios may try to see if they will vegetate.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
Stove Chimney-Holes
During the 18th and 19th centuries the church was heated by a series of pot-bellied stoves (these were at one time used to reduce the number of bats, and on one occasion, three large stoves were used to burn sulphur to eradicate them, which resulted in the demise of over 500 bats). The only evidence we have today of this heating system is a circular hole for the stove’s chimney in the panelling of the North Aisle roof near to the present-day heating system, together with one in the Lady Chapel – these to funnel the fumes out of the church. The stoves were finally removed from the church in 1976.
THE DAN HAGEN TABLE
The fine ten-foot-long oak table situated in the North Transept, used on occasions for Holy Communion, was made by Dan Hagen of Ingham, Norfolk in 1972. Employing a pre-1700’s early English construction technique of using pegs and wedges, the craftsman has made a table worthy of the church.
THE STONE COFFINS - No 3
During the excavations for the Heraldic Suite, as well as removing some fourteen tons of earth, the builders came across yet another 'decorated English cross' stone coffin. This latest example is much smaller than the first two, and was found broken in two, lying at a curious angle in the ground, giving the impression that, perhaps, it had been deliberately damaged.
VIEW OF INVERTED V ROOF-LINE OF FORMER DORMITORY (on north face of Bell-Tower)
From this window one can see the inverted V roof-line of the former dormitory, which housed the clergy in the 14th century ( 1376 – 10 clergy) and would have been accessed by the spiral ‘turret ‘staircase that was cut into the Norman piers of the southern nave arcade and the Chancel arch. It is likely that the staircase was constructed sometime following the destruction of the original Norman Chancel, which was circa 1320.
TRANSITONAL CORBELS
The former finely decorated Norman Pillars which stood on either side of the Chancel Arch were cut away at an earlier unknown date and replaced with Transitional Corbels to make the Chancel opening wider, and unfortunately, when the Chancel was re-built, yet again in 1818, the patrons decided to remove the two elaborately carved support columns beneath the Chancel Arch.
ALTAR CHAIR
A modestly carved Altar chair of the Elizabethan/ Jacobean era (date unknown)
The Altar Chair is now to be found situated on the left-hand side of the High Altar ‘Mensa’ Tablet (as you view it)
BELL TOWER
Originally, the Bell Tower was in fact a ‘Campanile’ in that it was separate to the rest of the church building. Its four stages were built over a number of years circa late 12th century to early 14Th century. It stands at a height of 78 feet, and at one stage housed a chapel on the ground floor.
BELL TOWER
Originally, the Bell Tower was in fact a ‘Campanile’ in that it was separate to the rest of the church building. Its four stages were built over a number of years circa late 12th century to early 14Th century. It stands at a height of 78 feet, and at one stage housed a chapel on the ground floor.
BELL TOWER
Originally, the Bell Tower was in fact a ‘Campanile’ in that it was separate to the rest of the church building. Its four stages were built over a number of years circa late 12th century to early 14Th century. It stands at a height of 78 feet, and at one stage housed a chapel on the ground floor.
BELL TOWER
Originally, the Bell Tower was in fact a ‘Campanile’ in that it was separate to the rest of the church building. Its four stages were built over a number of years circa late 12th century to early 14Th century. It stands at a height of 78 feet, and at one stage housed a chapel on the ground floor.
BELL TOWER
Originally, the Bell Tower was in fact a ‘Campanile’ in that it was separate to the rest of the church building. Its four stages were built over a number of years circa late 12th century to early 14Th century. It stands at a height of 78 feet, and at one stage housed a chapel on the ground floor.
BELL TOWER
Originally, the Bell Tower was in fact a ‘Campanile’ in that it was separate to the rest of the church building. Its four stages were built over a number of years circa late 12th century to early 14Th century. It stands at a height of 78 feet, and at one stage housed a chapel on the ground floor.
BELL TOWER
Originally, the Bell Tower was in fact a ‘Campanile’ in that it was separate to the rest of the church building. Its four stages were built over a number of years circa late 12th century to early 14Th century. It stands at a height of 78 feet, and at one stage housed a chapel on the ground floor.
BELL TOWER
Originally, the Bell Tower was in fact a ‘Campanile’ in that it was separate to the rest of the church building. Its four stages were built over a number of years circa late 12th century to early 14Th century. It stands at a height of 78 feet, and at one stage housed a chapel on the ground floor.
CHANTRY CHAPEL SCREEN REMNANTS
Amongst the collection of various stone artefacts are the fragments of decorated terra cotta screens that were identified by a group of historians from the Morley College Group in London, who advised that the remnants were in fact from Chantry Chapel Screens, circa 15th and 16th centuries in a style attributed to that of the school of Pietro Torrigiano (1472-1522).
The principal Chantry Chapel Screen remnants have been moved from the window ledge, above the Piscina, and can now be seen situated on their own display units at the base of the Irby Tomb.
CHANTRY CHAPEL TILE FRAGMENTS
Evidence of another ‘lost’ Chantry Chapel (one of four) in St. Mary’s was found when these tile fragments were discovered during the building preparations being made for the construction of the Heraldic Suite between 2004 and 2006.
One tile had a fleur-de-lis in a corner, together with the design of a key above it, with a further piece of another design. When these were shown to a specialist expert in Lincoln, he produced from his records a black and white copy of a much larger piece of tile, described as the ‘Nottingham Tile’ since it had been discovered in the village of Talbert in Nottinghamshire in 1917 at the site of a ruined monastery; the other piece whilst exhibiting similar characteristics remains unidentified, to date. The expert did refer us to the British Museum, which held within their references a book compiled by Professor Elizabeth S. Eames in 1980. Examples of the ‘Nottingham Tile’ found therein would appear to date the St. Mary’s tiles from the period 1325-1365, and, in support of a second chantry chapel in this position, there is a map of the St. Mary’s in the Lincolnshire Archives which provides an indication of the chapel being sited at the north-west corner of the church. (Notably, distinct notches made in original plaster dado).
It is understood that these highly decorated tiles were normally reserved for the use in cathedrals, monasteries, chantry chapels or country manor houses. The tiles can now be seen in the upper part of the display cabinet nearest the west door, together with a brief explanation to their origin, and their estimated date, which also indicates that the Chantry Chapels, if that is where they belonged in the church, date from a much earlier period than that occupied with the changes in the formation of both the north and south aisles.
EARLY ENGLISH ‘CAPITAL’ DECORATION
All the capitals on the three pairs of pillars in the West End extension display early English ‘directional foliage’ or ‘stiff leaf ‘foliage design – post 1130.
EARLY NORMAN ARCHES
The design of the early Norman arches was such that their construction incorporated ‘spandrels’ (the space between the tops of two adjacent arches) to strengthen the open arches. These ‘spandrels’ were often decorated with paintings, sculptures, or other types of ornament, and in St Mary’s case, the decoration can be seen as ‘plain sunk circlets.
FORMER PRIESTS’ DOOR in CHANCEL south wall (behind REREDOS - right hand side)
One intriguing fact has been unearthed and that is the presence of a priests’ bricked up doorway on the south side of the Chancel wall behind the present Reredos panelling, which leads to the supposition that the original Norman chancel was a much larger building, but it was subsequently rebuilt on a much smaller scale. The fact that when the stone ‘Rood Screen’ was in situ (prior to its destruction in the 16th century) it sealed off the congregation from the Chancel, consequently, the Clergy would have needed their own access to the Chancel, which reinforces this point.
MADONNA & CHILD (WOODEN SCULPTURE)
This modern sculpture, carved from a solid piece of mahogany, was commissioned from the Guild of Lincolnshire Artists and Sculptors by the wife of Wilham K. Wright and donated to the church in 1967.
It is the work of a local man, John Grimble, who taught Art at Boston Grammar School. He was Chairman of the Lincolnshire Artist’s Association from 1962/1963.
NORMAN CAPITAL DECORATION
The pre 1100 Early Norman architectural use of scalloped square capitals is evident at the eastern end of the Nave.
Early Norman construction of the square capitals incorporated the use of flute designs, together with designs known as scallops (virtually semi-circular in form) and completed the inner part of the arch with a round.
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
NORTH AISLE
The Spandrels exhibit an absence of decoration- oddly not in concert with those opposite ( see South Aisle extension) .
REMNANT of THE STONE ROOD SCREEN
This piece of stone projecting from behind the choir stalls on the north side of the transept (crossing), remains the only remnant of the original ‘Rood Screen’. The Stone Rood screen prevented the congregation from accessing the Chancel, however, the clergy had their own door in the south wall, where they could exit the building when needed. The ‘Rood Screen’ was also designed to show an image of Christ crucified on the top, flanked by images of the Virgin Mary on his right and John the Evangelist on his left.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice. St. Mary’s is now under the direct patronage of The Lord Chancellor, on behalf of the King.
Royal Coat of Arms - George III
The Royal Coat of Arms of George III (reigned 1760-1820) was painted by Bullard in 1773, and it has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the Patrons of St. Mary’s in 1625, following the death of Robert Johnson, Archdeacon of Leicester, who was the prior benefice.
THE LORD CHANCELLOR’S PATRONAGE of ST MARY’S
St Mary’s is now under the direct patronage of the Lord Chancellor, on behalf of the King. Historically, this unique situation arises from the 14th and 16th centuries whereby the Ecclesiastical patronage of the Lord Chancellor was part of the patronage of the Crown. The exercise of the Crown’s parochial patronage being divided between the Monarch and the Lord Chancellor. In the 1530s the poorest livings (Church benefices), those less than £20 were passed to the Lord Chancellor, with the Crown retaining those livings that were worth more than this amount, and this basis of assessment has been in place since the monasteries were dissolved under Henry VIII, with the Crown becoming the major recipient of their parochial patronage.”
Therefore, whilst Queen Elizabeth’s appointee of Robert Johnson, in 1594 (The Queen had bestowed a Royal Charter on Uppingham School, which he had founded, arising out the generous funding that Robert Johnson had provided not only to this School but also to Oakham School, and hospitals in the area) was responsible for the fabric of St Mary’s ‘Chancel’, the Monarch retained the direct responsibility for the nomination and appointment of the St. Mary’s clergy, hence St Mary’s unique standing within the hierarchy of Church governance, in so far as it is aligned with those churches that are classified as being of a ‘Royal Peculiar’ status, whereby any change in a stipendiary appointment is required to be sanctioned by the Monarch of the day.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
THE BELL TOWER
To reach the top of this magnificent Bell Tower requires a climb of 108 steps via the narrow spiral staircase. The last stage of the ascent, beyond the third storey Bell room, necessitates the climb of the final 41 + 2 steps, exiting (on hands and knees) through a very narrow doorway (23 inches x 32 inches) on to the top viewing area, from which there are tremendous views of the surrounding countryside. Originally, the Bell Tower was in fact a ‘Campanile’ in that it was separate to the rest of the church building. Design plans held at Lincoln Records Office suggest that there was the intention to incorporate a second ‘Campanile’ thereby forming the two transepts. However, this was not implemented, and the foundation for the south transept ‘Bell Tower’ was laid in the Transitional Period, circa 1190, with its five stages being built over a number of years concluding in the Early English period, circa early 14th century. It is beautifully arcaded in three stages and is an exceptionally choice example of the work of this period. It rises to a height of 78 feet (23.77 metres), and in the 14th and 15th centuries housed a chapel within the ground floor for the resident clergy. On the top stage of the tower can be seen the stone construction of the exit from the spiral staircase ( see attached photographs), the roof of which, it is believed, is comprised of ancient burial slabs(s).
THE CHANTRY CHAPEL PISCINA
This is a Chapel piscina, distinguishable from a holy water stoop as it contains a drain for the Priest to ensure the remains of the sacrament are untouched by human hands. This is the remnant of a 12th century Chantry Chapel which was built in the vicinity of where the 17th century Irby Tomb is now situated.
This Chantry Chapel, one of the four that were known to have existed in St. Mary’s, would have been dedicated to a specific family who would have been not only responsible for its upkeep, but would also have paid for the privilege of a Priest to administer the sacraments to them in private.
THE CHURCHWARDENS’ CHEST
An original late 16th century Churchwardens’ chest. A prized possession of St. Mary’s.
THE FACE
This stone carving of a man's face remains an enigma. Whether this is representative of the chief mason of the day (often a tradition for the image of certain masons to be recorded within religious buildings), or whether it is an effigy of the principal monk, or even the Abbot of Croyland at that time, one can only guess. However, it is most unusual, since these types of carvings (in wood or stone) are readily found outside churches, Abbeys and Minsters, not normally inside.
THE FONT
This is described as a creditable imitation of the original Norman font. Notably, it has a central cylinder of black stone surrounded by an octagonal panelled and fluted stonework, together with barley-twist legs, which may also suggest that it reflects a degree of Jacobean / Charles I period influences. It stands 7ft from base to top.
THE FOUR PAIRS of EARLY NORMAN ARCHES
The four pairs of symmetrical and finely proportioned Norman Arches extending from the beginning of West End extension down the Nave are most unusual in their arrangement. The unique design feature being the alternate pairing of the supporting circular and octangular-shafted pillars abreast of the Nave aisle.
THE GRAVE BENEATH THE PULPIT
Described as “a fine 13th century gravestone with leafy cross” the origin and identity of the person buried hereunder has defied time and research to date.
THE HAMMERBEAM ROOF
The original 15th century hammerbeam ‘oak’ roof was once a magnificent architectural feature of the church, with splendid intricate carvings, and possibly some applications of gold-leaf or similar decoration, to be found within the brace supports, and on the terminals of the hammerbeams. Sadly, few of these carvings and decorations have survived the alterations that the roof has undergone in the intervening 500 years.
THE FLYING ANGELS’ CARVINGS – TWO ON NORTH SIDE ; ONE ON SOUTH SIDE
Traditionally, the roof terminals would normally have displayed these carved ‘flying angels’, unfortunately, there are only three of these religious ‘artisans’ or ‘Knights’ that remain within the roof frame-work.
The roof also woud have exhibited considerable artistic fretwork inserted between each of the braces. Only a few examples of this remain within the existing roof, however, a section of this is preserved in a box within the robing area/office space adjacent to the Heraldic Suite meeting room.
See closer view of fretwork within roof construction.
THE IRBY FAMILY TOMB
This canopied ten poster tomb of Sir Anthony Irby, (1577-1610), built circa 1625, would not look out of place in a Cathedral. Within this magnificent tomb are the remains of Sir Anthony and Lady Elizabeth Irby. Surrounding their effigies, on either side are the five children of their marriage, three boys beside their father on his left, and two girls alongside their mother, on her right.
Sir Anthony and his wife have their heads resting on pillows and their feet braced against their respective family mementoes, a collared hound for him and a griffin for her, which are incorporated in their family crests. Their eldest son, also Sir Anthony (b. 17.01.1605: d. 2.01.1682), is depicted as the largest of the children on the north side of the tomb.
A fact of historical coincidence is that in the Church of St. Peter at Ashby-cum-Fenby, in the division of Lindsey (about 6 miles south of Grimsby), Lincolnshire, can be found a tomb dedicated to Sir William Wray MP, 1st Baronet of Glentworth, (1560-1617) and his wife, Lady Frances Wray (1576-1642) which, it would appear, is a copy of the Irby Tomb in Whaplode. Sir William Wray’s daughter - Francis - married Sir Antony Irby ( eldest son of Sir Anthony Irby) highlighted by the inscription around the canopy of the Tomb.
THE IRBY HELMET
Only a picture of this exquisite helmet can be seen, since the helmet is kept for safe-keeping, together with what remains of the Tabard, at The Gentlemen’s Society in Spalding. The helmet is a sallet, a popular 15th century form of head armour, and an example of fine North Italian (probably Milanese) work, with the skull of the sallet being beaten out of a single piece of steel, and the whole decorated with strips of gilt copper, with the original main surfaces being coloured blue.
THE MENSA TABLET [ High Altar Stone ]
Without doubt one feature that excels all other of this magnificent church, is that of the consecrated Altar stone table (‘Mensa Tablet’). The ‘Mensa Tablet’ is a large single piece of limestone rock [ Dimensions: Length 7 feet 6 inches: Width 2 feet 10 inches: Depth 6 inches ] inscribed with five consecration crosses, one at the centre and one at each corner, symbolising the five wounds of Christ, which would have been anointed with holy oil upon its formal consecration within the church.
The ‘Mensa Tablet’ sits on a substantial oak Altar framework encased by a separate oaken cover frame ( see photograph) with a glass ‘window’ inset therein to allow viewing of the tablet. The cover frame together with the smaller glass ‘window’ (dimensions: length 7 feet 4 inches: width 2 feet 2 inches) afford protection to the ‘Mensa Tablet’ from light and damage. In the circumstances, a photograph of the full ‘Mensa tablet’ is not practical, and therefore an artist’s impression thereof is shown (not to scale). The height of the Altar framework from top to bottom is 3 feet 4½ inches.
At the time of the initial construction of St. Mary’s, circa early 12th century, the Abbey at Croyland, which was seen as the ‘mother’ church, was served directly by monks from Peterborough Abbey, and it is therefore possible that the Mensa Tablet was brought to the original church by the settling monks from Peterborough Abbey, which leads us to believe that the Mensa Tablet predates any of St Mary’s original Norman buildings.
Latterly, the ‘Mensa Tablet’ was fortunate to have survived the countrywide desecration of churches during the 16th and 17th centuries, arising from the Reformation and subsequent Puritanical actions, by reason of it having been removed earlier from the Church, either by the Vicar, or the townspeople. It was found, by accident, circa 1780, by the incumbent Vicar, who was out walking.
THE NORTH TRANSEPT WINDOW
This restored window is quite unique, since it is one partially made of oak and masonry. The upper half of the window is made completely of wood; whilst the lower part (from below the arched top) comprises masonry. The restorative work was done by Ernest Grimson on the recommendation from the Society for the Preservation of Ancient Buildings (“SPAB”). He adhered to the strict principles of the SPAB, refusing to restore missing medieval features, but ‘create’ masterful copies.
THE PIERS at the division of WEST END / NAVE
The pre 1100 Early Norman architectural use of scalloped square capitals is clearly evident at the eastern end of the Nave, however, at the time of the build of the West End extension -1130 onwards – the resultant transitional mix of ‘capital’ design of the Norman ‘square’ to the Early English ‘floriated’ approach leaves a rather ungainly result, neither looking good aesthetically nor altogether correct from a time-line perspective However, given that both Norman pillars at this junction would have not only been sitting at the end of the original Norman build, but would also have exhibited an outside ‘terminal’ design, it is perhaps not surprising that the integration of the resulting external / internal ‘pillar’ designs lacked precision.
THE REREDOS
The Reredos (Altar Screen) was erected in the early 18th century and is believed to be from the ‘Flemish Region’ of the Low Countries. It has a typical centre piece directly in line with the High Altar, bearing an image of a flagon in the centre (representative of the concentrated wine) on the left are sheaves of wheat and a loaf of bread, whilst on the right is depicted the chalice and grape vines with fruit.
THE SOUTH DOOR ENTRANCE
An outer ‘bird cage’ door gains access to the main inner South Door. Much of the surrounding framework of the doors was added to the church in Tudor times when the church was widened to incorporate both south and north nave aisles between 1470 and 1530, however, the inside wooden parts of the doors, together with some of the metalwork, are original 12th-13th century, and were retained within the newly re-constructed doors.
More recently, the inside of the south porch has been altered to accommodate disabled people and parents with small children and babies. This has been achieved by the removal of two successive steps descending into the nave of the church, being replaced by a sloping floor.
THE STAINED GLASS WINDOWS IN THE CHURCH
Following either the forceful removal and wanton destruction of all traces of stained-glass windows in St. Mary’s, or centuries of their unattended dilapidation, only three windows remain that exhibit any evidence of pre-20th century stained-glass ornamentation. Namely, the plain gold-coloured stained-glass window behind the Altar, and the two consecutive windows situate in the south wall prior to the South Porch Door. Within these two windows can be seen, respectively, the crests of CROWLAND and LINCOLN, followed by IRBY and WHAPLODE.
COLONEL GERVASE HOLLES (1607 - 1675)
Colonel Gervase Holles visited the Lincolnshire churches before and after the Parliamentary Wars (1642-1649). He was a renowned antiquarian of the period, as well as being a lawyer, statesman and a soldier. His family had property throughout the county of Lincolnshire, including in Whaplode and Moulton, hence his interest in St. Mary’s Church.
He visited St. Mary’s in 1655, and his report registered all the family insignia that were represented in either stained glass in windows and/or stone crests, throughout the Church – all of which, sadly, no longer survive. These were to be found in the following windows:
The ‘main’ South Aisle window: Littlebury: Porter: Venables.
The west window of the North Transept: Littlebury: Ettys: Kyrketon: Dalyson: Pulvertoft:
Haultoft (Haltoft)
The east window of the North Transept: Fitzwalter: Littlebury: Porter
The north window of the North Transept: Conan fitz-Ellis: Rye: Beke: Quaplod
The window on the south face of the Bell Tower: Two families unidentified.
A window on the North side ( location not specified) Ogle.
The individual Coats of Arms can be seen on the wall within the Heraldic Suite.
THE STAINED-GLASS MEMORIAL WINDOW
The early 20th century memorial window, which was financed by funds raised by public subscription, is dedicated to the men and women of Whaplode who gave their lives during the First World War, and it also provides the focal point for the remembrance of those lives lost in the Second World War, with a plaque beneath the window dedicated thereto.
THE STONE COFFINS - No 1
The fine detail on this coffin cover is shown in the attached photograph.
In dealing with the most elaborate of the two complete stone coffins to be found inside the church, the beautifully carved ‘English Cross’, also known as the ‘Tree of Life’, upon examination by a lecturer of the Department of Church Archaeology at York University, Dr. Aleksander McClain, was identified as being 13th century work. In 2006 he described the markings as follows:
“This coffin lid is exceptionally fine work, with detailed and elaborate high-relief carving. It almost certainly originates from the major medieval quarry and sculpture workshop located at Barnack, a centre of production and innovation that exported work across the whole of the east midlands and southeast. Stylistically, the cross slab probably dates to the later part of the 13th century. The cross head is of the 'bracelet derivative' style, which first appears circa.1200. The elaborate nature of the head, the use of Fleur-de-Lis (as can be seen on the terminals of the cross, the branches coming off the shaft of the cross, and the shape of the base), and the flowing, naturalistic nature of the foliation suggests a date of circa 1250-1300. The foliated motif of the cross may allude to the medieval concept of the cross as the “Tree of Life”, referring to Jesus’ death and resurrection. Foliated crosses are also found in other forms of medieval art.”
THE STONE COFFINS - No 2
When the coffins and their lids were unearthed from the south side of the nave in 1855, a skeleton, together with a soft Early English pewter chalice and paten on the breast were found within, suggesting that it was of a priest. The burial of a chalice and a paten with a skeleton is particularly interesting since they are seen as common ‘secondary emblems’ on cross slabs. Such emblems are found most often on slabs in northern England, and are thought to stand for the rank, trade, or occupation of the commemorated person, and in this case a priest.
THE STONE FAMILY CREST
This stone crest ( which can also be seen on Irby House on Millgate, Whaplode) is believed to be a representation of the families of Welby, Walpole, Apreece, Haultoft and Irby all of whom are connected by marriage.
THE TUDOR 'ROOD LOFT' REMNANT & WHAPLODE'S 'GREEN MAN'
Built circa 1500, St. Mary's early Tudor 'Rood Loft' and balcony traditionally displayed a painting of the crucifixion of Christ, with the figures of the Virgin Mary and St. John, the Evangelist, flanked on either side. Following the Reformation – and the destruction of the ‘Roods’ in England - this remnant is all that remains of St. Mary’s Rood Loft. On the right-hand side of the remnant can be seen three carvings - left to right; a Tudor Rose, a Royal Oak Leaf and ‘The Whaplode Green Man.’
The East window beneath the remnant of the Rood Loft was an original entry point for the 3rd chantry Chapel which used to be situated on this side of the church.
Whaplode’s ‘Green Man’ is clearly recognisable as one of the many 'Lincoln Green Men' and bears all the hallmarks associated with these images, and such pagan images are quite well known in numerous churches throughout the country. A further ‘Green Man’ carving can also be seen on the west tracery around the upper parts of the Bell Tower.
The authenticity of the remnant of the ‘Rood Loft' woodwork was confirmed as being ‘early Tudor’, following inspection on a visit in 2009, by Mr Nigel Leaney, an expert on Medieval Paint from Lincoln Diocese.
THE VILLAGE CROSS
The remains of a 14th century Village Cross. The cross beam from this monument is on display within the west end of the church. This monument is recorded in Historic England Listings, as being “ scheduled under the Ancient Monuments and Archaeological Areas Act 1979, as amended, as it appears to the Secretary of State to be of national importance.”
i Listing details : The Churchyard cross at St. Mary’s Church, Whaplode, is a good example of a medieval cross with quadrangular base and octagonal shaft and is constructed of limestone. Limited disturbance of the area immediately surrounding the cross indicates that archaeological deposits relating to the monument’s construction and use in this location are likely to survive intact. The cross has little altered in modern times and in use as a public monument and amenity from medieval times until the present day.
The base takes the form of a socket of square section with chamfered corners and a grove running below the upper edge. It stands to a maximum height of 0.23m above the ground service. The shaft fragment is set into the centre of the socket stone and is rectangular in section at the base rising through chamfered corners in tapering octagonal section to a height of about 0.99m. The top of the shaft fragment is flat and includes a number of holes containing the remains of iron and lead by which an upper stone was formerly fixed.
The Church Bells
The original five Bells made by Henry Penn of Peterborough were purchased in 1718, and the Treble Bell made by J. Taylor of Loughborough was commissioned & gifted to St. Mary’s in 1933. All inscribed, the Bells together with the Bell-frame are officially listed under Historic England CHR references 30150 & 30152. The earliest record of a ‘peal’ is dated 24.02.1775 with a ring of 10,080 changes, or 84 peals, over 7 hrs and 2 mins.
Translation of Bell inscriptions:
Treble: “Eva Wright 1932 - J. Taylor, Peterborough, 1933”
Second: “I praise the true God. 1718. Henry Penn, Founder”
Third: “And sound to heaven. 1718”
Fourth: “As the world, so we, now joy, now grief. 1718”
Fifth: “James Bolton & William Owen, Churchwardens”
“I call the people: I collect the clergy. 1718”
Tenor: “John Rustat, Vicar. I mourn the dead; I warn the living. 1718”
To reach the Bell room requires a climb of a further 26 +1 steps, beyond the second storey entry to the Clock room, up the spiral staircase (which narrows a little as it progresses upwards) at the south western corner of the Bell Tower. Therein, above the six bells, there can be seen the original capstan formally used to hoist the bells up into their ringing position.
The Church Organ
The current Organ is a ‘Compton Miniatura’ Model No.3; rank extension organ: Diapason, Flute, Gemshorn, built by John Compton Ltd. Gifted to the Church in 1949 by the widow of William Kilham Wright, and his two sons, as a token of affection and remembrance. Details can be found on the National Pipe Organ Register.
NPOR front description – ‘Plain case encloses organ; gold display pipes at front in shallow towers either side and two flats between. [Ref: K01296].
The Principal piece of Anglo-Saxon Burial Stonework
The central piece of the “Saxon Burial stonework” pictured herewith (fig.1) is housed in a display cabinet at the West End of the Church.
The three pieces of burial stonework found in and around St. Mary’s, were subsequently confirmed as being of SAXON origin, following examination, by the “Corpus of Anglo-Saxon Stone Sculpture Project” carried out by Durham University, which began in 1977, and which has since documented the earliest Christian field monuments from free-standing carved crosses and innovative decorative elements, to grave markers, across all counties in England. This added credence to view that there was a Saxon church here in Whaplode, whether in wood/stone, mid-11th century. The remaining two pieces are shown in figs.2 & 3.
The Six-Keyed Double-Reed Bassoon
The only remaining evidence of Whaplode St. Mary’s ‘church band’ is the large Double Reed Bassoon, which used to hang in the South Aisle for many, many, years, but is now stored safely within the Vestry. Such instruments were confirmed as being commonly in use at the end of the eighteenth century by Dr. H. La Rue, Lecturer/Curator of the Bate Collection, and of the Musical Collections in the Pitt Rivers Museum, and Fellow of St. Cross College, Oxford. in a letter to the St. Mary’s Churchwardens.
A framed picture of a replica of this ‘6-keyed instrument’ can be seen at the base of the pillar outside the Heraldic Suitein the West End of the Church. The bassoon is believed to be from around 1790-1810, as manufactured by William Mullhouse of 337 Oxford Street London (taken from an article in ‘The Double Reed’ – Vol.24. No.3. 2002).
The Three Charity Boards
Three remaining ‘Charity Boards’ which display charitable bequests by families. Restored by students from Lincoln University, the tablets are now housed in illuminated glass frames, and are a worthy testament to the memory of benefactors to the parish of Whaplode and embrace dates from the 17th to the 19th centuries.
Examples of bequests
Board 1
2nd - A dole of forty shillings pr. an. (per annum) and given in the last Will and Testament of the Lady Horden and John Walpool Esqr (Esquire) to the poor of Whaplode forever and payable forever and payable out of certain lands called Haltoft now belonging to ye Right Honourable the Earl of Stamford.
Board 2
5th - Erasmus Avery of Moulton Gent (Gentleman) in his last Will bearing the date February 18th1653 gave unto the poor of Moulton and Whaplode Fifty-Two shillings pr. an. (per annum) to be distributed in Wheaten Bread to each Town successively Two shillings every Sunday beginning the first Sunday in November and ending the first Sunday in May.
Board 3
Jacob Davey of Holbeach Gent (Gentleman) who died February 2nd 1833 by his last Will dated January 26th 1833 did leave to the Churchwardens and overseers of the Parish of Whaplode in the County of Lincoln and their successors in office forever a rent charge of Five Pounds per year payable out of the house and lands in the possession of Mr Ashley Palmer to be by them on the Feast of St Thomas yearly distributed amongst ten of the poorest widows residing in and belonging to the said Parish of Whaplode.
“CHRIST IN GLORY” - OIL PAINTING ON CANVAS AND TINPLATE
This is a unique painting and is unusual in two aspects, one of which is that it is an early form of a montage, being a combination of sheet metal and canvas. The second is that it depicts members of the community of Whaplode at the time of the painting - providing a historic local portrait. This remarkable painting is by a Miss Mary Henrietta Dering Curtois (1854 – 1928) and was presented to St. Mary’s in 1907.
Mary Henrietta Dering Curtois was the eldest daughter of the Rev. Atwill Curtois, of Longhills, Branston. Lincolnshire, and as an active member of the Forum Club London she gained considerable reputation as a speaker and lecturer but was principally known for her work as an artist. One of her most notable works - that of the painting of a ward in Lincoln County Hospital (exhibited 1882 in the Royal Academy and Paris Salon) - was given to the Usher Gallery, Lincoln, and she also gave other pictures to Crowland Abbey and Long Sutton Church.
The members of the community were ‘children of Whaplode’ who formed the supporting figures surrounding the figure of Christ, and of personal interest to the artist was the fact that one of the angel’s faces represents an early portrait of her mother (the central angel with distinct black hair in the foreground.
COMMEMORATIVE PLAQUES for TWO former VICARS.
The two commemorative plaques are associated with two former Vicars of St. Mary’s, namely Revd. John Fairfax Francklin, M.A. (1859-1883) and Revd. Lancelot H.N. Carter (1977-1985). The plaques sit on the Chancel north wall which occupies the space of a 13th century archway. This former archway led to a medieval side chapel which was demolished in 1818/19.
EARLY ENGLISH ‘CAPITAL’ DECORATION
All the capitals on the three pairs of pillars in the West End extension display early English ‘directional foliage’ or ‘stiff leaf ‘foliage design – post 1130.
THE NORTH TRANSEPT WINDOW (EXTERIOR)
When the schoolroom was established, the original old masonry arched top of the north window was regrettably removed so that the window looked more ‘fitting’ for a schoolroom. Subsequently, fortunately, the north window did undergo restoration in an unusual way with the emphasis on preserving the fine tracery, albeit the stained glass could not be replaced. The construction of the window within the north transept is quite unique, since it is one partially made of oak and masonry. The upper half of the window is made completely of wood; whilst the lower part (from below the arched top) is masonry.
The restorative work was done by Ernest Grimson on the recommendation from the Society for the Preservation of Ancient Buildings (“SPAB”). He adhered to the strict principles of the SPAB, refusing to restore missing medieval features, but ‘create’ masterful copies, and the new wooden tracery in the window was probably made at his workshop at Daneway House, Sapperton, Gloucestershire.
The Family Crests of IRBY & PEYTON
Sir Anthony Irby, (b. 9 January 1577: d. 1610), who was an M.P. and High Sheriff of the county of Lincoln in the reign of Charles I. Sir Anthony married Elizabeth Peyton in February 1602/3, daughter of Sir John Peyton, M.P. 1st Baronet Peyton of Isleham, co. Cambridge.
THE WEST END DOOR & WINDOW
The framework of the architrave around the west entrance doorway is significant and has been recorded as dating from 1180 and reflects the indicative style in use with five mouldings and a double row of eight detached shafts on each side.
Sadly, the window above was reduced by approximately one third of its original size, and probably given its present tracery, when the nave roof was lowered in 1718.
THE CHALICES
The remnants of two early English Pewter 12th – 13th chalices, the metal of which has deteriorated somewhat, but which stand comparison with almost identical items preserved in the Lincoln Cathedral Museum collection, as attested by members of Lincoln University Department of Conservation.
In the cabinet display outside the Heraldic Suite can be seen remnants of the chalices together with a copy of the University Report which provides sketches of both original chalices as they would otherwise have appeared in earlier life. The comprehensive report was written by Elizabeth Welfare, who was studying for her Master’s degree in Archaeological Conservation and Preservation 2004/5.
THE HERALDIC SUITE
Built in 2006 at a cost of almost £150,000, with grants from various providers- Local authority; Area Tourism; Local Church Charities, European Community, etc, it was hailed as a tremendous success. The new facilities incorporate a meeting room, toilets, and work area to provide teas and sandwiches, for both the congregation and visitors. The story setting out the requirement, the planning and the eventual construction of the Heraldic Suite is contained within two portfolio folders held in the Church providing invaluable guidance on issues raised in its construction, and these folders are available for public inspection. The name given to the rooms - “THE HERALDIC SUITE” - was in recognition of the many wealthy families that have supported the church over the centuries, and their family Coats of Arms are displayed therein.
THE JACOBEAN PULPIT
This is a fine example of a sensitively restored 17th century Jacobean Pulpit, which embodies all the finery of reclaimed original panels.
The main panels reflect the shape of the Norman Chancel Arch.
THE SOUNDING BOARD
This 17th century original and unusual feature which sits directly above the pulpit, is that of a 'sounding board' (known as the ‘Tester’) which was designed to project the celebrant’s voice to all parts of the church.
With the onset of modern technology, radio microphones, amplified speakers, etc., this apparatus has become redundant, but for historical context, it is retained in its rightful place.
THE ‘FLYING ANGELS’ CARVINGS
Traditionally, the roof terminals would normally have displayed these carved ‘flying angels’, however, there now only remains ly three religious ‘artisans’ or ‘Knights’ within the roof.
The Brass Eagle Ecclesiastical Lectern
In 1918 the gift of a brass eagle ecclesiastical lectern was bestowed on the church by Isabellina Wright, in memory of her husband, Carden Wright.
SOUTH AISLE QUATREFOILS
The Spandrels display “sunken quatrefoils”
View of Clerestory Windows on either side of the Nave
The north aisle, showing the original Norman clerestory and plain aisle windows.
The south Aisle showing the reconstructed clerestory windows, beneath which sit the three comparatively ornate aisle windows [Memorial Window & two windows bearing the crests of Crowland & Lincoln, and Irby & Whaplode.