#: locale=en
## Action
### URL
LinkBehaviour_5B78D1F9_4E64_BFB9_41C2_AF7FC6A23828.source = https://www.heritagesouthholland.co.uk/feedback-on-church-tour/
LinkBehaviour_544D7EC3_4E64_45C8_41B5_B1BA1336B5CD.source = https://www.heritagesouthholland.co.uk/feedback-on-church-tour/
## Hotspot
### Text
HotspotPanoramaOverlayTextImage_1BCE1D02_1476_6C7E_41A9_8371A0893BA2.text = VIEW MODEL
### Tooltip
HotspotMapOverlayArea_C7F189A2_EB3F_1094_41E9_70850CCC7231.toolTip = Altar
HotspotMapOverlayArea_DF56DF55_EB0D_11BC_41D7_E4DC01A0F6FF.toolTip = Central Nave
HotspotMapOverlayArea_DFB66C51_EB17_17B4_41D9_666C6099F252.toolTip = Centre of South Aisle
HotspotMapOverlayArea_C76FCEE6_EB3D_109F_41B1_F35139EECEE6.toolTip = Chancel
HotspotMapOverlayArea_C6AE031E_EB3B_F1AC_41A5_6411AA0EE683.toolTip = Entering Chancel
HotspotMapOverlayArea_C112469F_EB35_10AC_41E7_4BE96C06FD5C.toolTip = Entrance
HotspotMapOverlayArea_C673C02E_EB0D_2FEC_41E6_B98C754CB5D5.toolTip = Nave
HotspotMapOverlayArea_C7A975DE_EB35_30AC_41E2_FF50B155A8E0.toolTip = Porch
HotspotMapOverlayArea_DA977F79_EB1D_1074_41EA_7536CA25D255.toolTip = chapel
HotspotMapOverlayArea_C7185E6F_EB3B_706C_41E2_D2CC648408CD.toolTip = font
HotspotMapOverlayArea_D92C3ADD_EB17_10AC_41E8_C9C38F90C813.toolTip = lower north aisle
HotspotMapOverlayArea_DF43E3B4_EB15_F0FC_41D7_002B8DE55CD6.toolTip = lower south aisle
HotspotMapOverlayArea_DAE8F79D_EB1B_10AC_41C0_21331679962C.toolTip = north aisle
HotspotMapOverlayArea_DABE3F2C_EB1D_11EC_41EC_0086C409EAFB.toolTip = north aisle 2
HotspotMapOverlayArea_DB5F7626_EB0B_3399_41DA_1835C90EE915.toolTip = upper north aisle
HotspotMapOverlayArea_C4D68769_EB36_F194_41D1_A0BA101A5F29.toolTip = upper south aisle
## Media
### Audio
audiores_A9582E7C_EB3A_F06C_41D2_12FF87DB48A6.mp3Url = media/audio_D4A961AE_EB15_10EC_41E2_FB516259A820_en.mp3
### Audio Subtitles
### Floorplan
### Image
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### Popup Image
### Subtitle
panorama_CAF521D9_EB1D_70B4_41D9_05A91485FC82.subtitle = Main Path 1
panorama_D8871472_D562_7B98_41E0_E78F01DC60EF.subtitle = left of entrance
panorama_E1C168F8_EAF5_1074_41E9_13DC2B0D2501.subtitle = right side of entrance
### Title
album_AAED6314_8C69_C700_418C_5E607F6A6936.label = 16th century altar
panorama_E188F3E2_EAF5_1097_41E1_6EA93D8DB824.label = Altar
album_535AA648_4A33_E2B0_41C2_B1FD03432E30.label = Altar Chair
album_01E1C726_404E_5370_41A4_69577D18238B.label = Bell Tower Ceiling
album_8C1167D0_AA27_1BA1_41B9_9A7D8219E245.label = Candle Holders
panorama_E18B15EB_EAF5_F094_41E5_7751226445B1.label = Central Nave
panorama_E18B04E3_EAF5_3094_41D1_71FBCB569EAC.label = Centre of South Aisle
panorama_E188E1E6_EAF5_309C_41E8_95905F4DDA26.label = Chancel
panorama_E18B6445_EAF5_779C_41D2_C288BD388A40.label = Chapel
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HTMLText_2E7EEAFA_3FC2_D2D3_41CE_A891BB7A6E5A.html = 16th Century Altar Table
A 16th century altar table is housed in the former lady chapel, now used as a prayer corner. It was originally a domestic dining table which was used as a altar in the Nave during the civil war when the Chancels and Sanctuary was abandoned. The congregation sat around this simple table in the Nave.
36th of July Gravestone
The ledger stone of Prudence Corby. Closer inspection shows the corrected mistakes made by the stonemason in the lettering. Notably her departure date is inscribed as "Julye 36th 1793"!
Bells
Stand just inside the western door and look upwards. There is a blue circle in the centre of the vaulting. This is where the bells were hauled up into the bell tower above.
There are six bells, the earliest dating from 1588, inscribed as follows:
1. "Non clamor sed amor cantat in aure Dei, Tobie Norris cast me 1620"
"Not a cry but love sings in God's ear."
2. "Ego sum vox clamantis, Joseph Eyre, St Neot's, fecit 1769"
"I am the voice of the cry."
3. "T. Osbourn fecit 1785"
4. "God speed us, we sayeth . Thomas Hill 1588"
5. "Venite cum voco, Revd Maurice Johnson D.D., Vicar, John Briant and John Cabourn, fecerunt, 1805 R. Thorpe and R King, C.W."
"Come when I call."
6. "Hung at the Coronation of King George V and Queen Mary, in memory of King Edward VII".
Candle Cupboard near Pulpit
The candle cupboard was made from parts of the salvaged 3 tier pulpit.
Candle Holders on Pillars
There are a number of candle holders on the pillars in the Nave.
Chancel Arch Detail
The Chancel was rebuilt in the 15th century when a simple flat roof was raised to the present level. For some reason, the Chancel Arch is a later addition, probably post-reformation. Not deemed to be of any outstanding architectural value according to Sir William Fosters' report of 1890. However, among one of the foliage decorations on the south side, there is a face. Is it a Green Man, a lion (the symbol of St Mark)... or a Lincoln Imp?
Details of Screen (Devotional Marks)
The plain panels in the chancel are largely obscured by the choir stalls. However, there are a number of significant devotional marks with direct reference to the restoration of the monarchy in May 1660. It is unusual to have these on the chancel side of the screen as this area was mainly used by the clergy. However, someone obviously thought it was worth giving thanks to God for the end of the civil war.
Different styles of columns
The earliest columns are at the east end of the nave and consist of four shafts
arranged around a central column. Others are arranged with 4 large and 4 smaller ones arranged around
the central column. Some are of solid round construction. The variation in the style reflects the estimated 80 years it took to construct the nave.
During that time english church design was evolving from the traditional solid
Norman style through to the lighter Lancet style. This period is known as
Transitional style. Although this does not give a uniform appearance to the
overall view of the line of columns in the nave it does help to tell the
story of the duration of work and architectural styles that evolved as the church was built.
Capitals at the top of the piers
There are 6 different styles of decoration on top of the piers. Again, reflecting the changing architectural trends over time. On the north side they are a fairly consistent design with the leaves carved in relief around the capital.
On the south side there is a variation in
foliage detail and these appear more
roughly executed. The addition of whimsical faces peer out from 3 of these capitals. They face variously south or south east but not towards the altar or the congregation. They are incorporated into the foliage and hard to spot. These
"grotesques" were thought to protect sacred spaces from evil spirits and be a
reminder of the ongoing struggle between good and evil.
East Windows Details
The stained glass window was installed by parishioners in the restored Chancel in memory of Reverend Jackson, the vicar of Moulton 1866-1899.
The top windows display the 9 Orders or Ranks of Angels: - Seraphim, Cherubim, Thrones, Dominions, Virtues, Powers, Principalities, Archangels and Angels.
The panels underneath show various Saints and Angels
St Joseph of Arithemea (spear)
St Peter (key)
St John (serpent)
Mary Mother of Jesus
St Luke (artists palette)
Archangel Raphael (carrying a fish)
The Archangel Michael (red cross on shield)
St John the baptist (lamb)
St Christopher (orb)
St Walstan (scythe, patron saint of farm workers)
It is decorated with depictions of saints and angels holding 'palms of glory.'
Entry to Bells
The door to the ringing chamber is on the north side of the tower.
Evidence of Original Tower Lintels
Stand by the font and look at the very tall columns either side. These originally supported the floor of the old bell tower.
Harrox Window
The Harrox window in the north aisle is dedicated to John Harrox who endowed land and money in his will in 1561, for the foundation of a Grammar School in Moulton and the provision of aid to 'persons in need, hardship or distress.'
The window also contains memorials to former headmasters of the school.
Next to the Harrox window are the war memorials to Moulton Grammar School boys who served and died in both world wars.
Holes of Old Pulpit
The pulpit is said to be remodelled from a very old cupboard. It replaced a much larger 3 tier pulpit which was removed during the Victorian renovation of the Nave and Chancel.
Lady Chapel
The Lady Chapel in the south aisle is now dedicated as a prayer corner. The evidence of fixing points show it was screened off from the rest of the Nave and used for private prayer. The piscina in the south wall is one of 3 that still exist in the church.
Lych Gate
Built to commemorate Queen Victoria's Golden Jubilee, 1887. The word "lych" is middle English meaning "body" or "corpse". It was formerly used to shelter the coffin until clergy arrived to read the introductory part of the burial service.
Mason's Mark WA
Looking up at the first arch to the west of of the northern aisle, the initials WA can be seen. There is also a faded devotional mark that resembles a flower-head adjacent, near the apex of the arch.
Matching Pair of Coffin Trestles
A matching pair of trestles which were originally used to place a coffin during a funeral. They are simply crafted but a good example of local rural carpentry. It is not known exactly how old they are but they are thought to be late 17th century or early 18th century.
Musket Marks
The clerestory is the line of windows letting in light above the Nave. The north side is older than the south side, where the windows are slightly different. It dates from around 1400.
Look carefully at the stone ledges running below the clerestory windows. During the civil war, a group of parliamentarian soldiers on their way to Crowland in 1643 broke into Moulton Church and shot out the stained glass in the clerestory windows. The ledge was badly damaged by musket balls on the south side, but not so much on the north side. There are also musket ball marks high on the wall in the lady chapel.
New Font
This was installed as part of the considerable Victorian remodelling project in 1867-8.
Medieval Font
The early medieval font was found by The Reverend Jackson in a nearby stables and brought back to the church. Originally, it would have been lead-lined and with a locking lid but these are sadly missing. It was necessary during medieval times to lock fonts as the holy water used for baptisms remained in the font all year and only changed at Easter. It was often stolen and sold to pilgrims by unscrupulous villagers...luckily, times have changed and the holy water used today is provided fresh for each baptism.
Organ
The pumped organ was replaced in 1978 with a pipe organ built by Nicholas Pitts. This was later sold to a small town in Germany and replaced by the present 3 manual electronic organ.
Piscina next to Nave
The piscina in the north aisle was part of a former chapel or chantry. This area would have been funded and used for private prayers solely for the benefactor and family by a dedicated priest.
Poor Box
Thought to be locally made sometime between the late 17th and early 18 century. Donations made were distributed between the poor and needy of the parish. During the 18th century it was used by the bellringers to balance candles whilst they rang the bells. Today it is used by those who wish to buy donated books. The money is used to help support the upkeep of the church.
Rood Screen Detail
The rood screen dates from around 1425 and is a particularly rare and fine example that has survived over 600 years. There are finely carved foliage, birds dragons, lions head and paws to the panels on the south side. On the north side there is a carved griffin,dragon and bearded man's head and further detailed foliage. The rood screen gates are also original. Above the screen are lifelike carved heads of medieval men and women looking towards the Nave and the chancel. Carved into the plain panels are a number of devotional marks. These are in the forms of house outlines, scratched crosses, and initials. These medieval marks are prayers made by worshippers who were largely illiterate. LM denotes prayers to Mary the Mother of Jesus as is the M intertwined with an inverted M creating a 'butterfly' or 'marion' mark. Confessions from the parishioners would be heard on the chancel steps by the clergy who would have remained on the other side of the screen. The small rose symbols around the entrance to the chancel represent the flower symbol for Mary and is a visual reminder of the sanctity of the confessional.
Royal Coat of Arms
These were required to be displayed in churches after the reformation... to remind parishioners that the Monarch was the head of the Church of England and not the Pope!
Sedilia Alcoves
Where the assistant clergy sat to help the priest.
St Anthony Chapel Piscina
The modern choir vestry hides part of this area, thought to be dedicated to St Anthony. There is evidence of a piscina alcove although the basin is cemented over.
The Reredos
The ornamental panel behind the altar is displayed in 5 sections representing the 5 wounds of Christ. The decoration of the panels show symbols associated with the crucifixion as depicted in the gospels.
Three Hatchments
The coats of arms in the 3 hatchments are attributed to the Bolton family, important landowners in the Moulton area during the 18th/19th century. These were hung outside the home of the deceased to announce a death in the family. The boards headed the funeral procession and afterwards hung outside the home of the deceased for up to 6 months of mourning. Finally they were hung in the church as a memorial. The black background on the dextral (right) side of the hatchment shows the deceased is male and on the sinistral (left) side the deceased is a female member of the family.
The coat of arms on the 3 Boulton
hatchments and the memorial plaque
display various heraldic forms but
common to all is the 3 golden arrows (or
bolts) of the Boulton family. . The family
motto 'Spes Mea in Deo' translates as 'My hope is in God'.
Vestment Chest
Used to store the altar cloths. The altar colours are changed in accordance with the seasons of the Christian Anglican church calender.
WW2 Memorial
The WW2 list of Old Moultonians by the Harrox Window.
FL Leonard Porter was the son of the village butcher and former head boy of Moulton Grammar school. He was a brilliant scholar and went on to Trinity College to study for a BA. In 1941, he volunteered for the RAF 264 sq based in Cornwall. He flew mosquitos, primarily to harass German planes headed for the coast of England. Aged 22, he was with his flying officer, over the English channel when the plane was hit. He brought the plane down which floated on top of the sea. He rescued FO Huntley from the sea and secured him to the wing of the plane but was himself washed away. FO Huntley was captured and remained a POW for the rest of the war... Leonard Porters's name is recorded in the churchyard on the grave of his grandparents as his body was never found.
Walled-up Door
The blocked door occurred during the Victorian renovation work in the chancel.
Formerly the priests door leading out of the chancel to the priests' house or presbytery. This allowed the clergy direct access into the consecrated part of the church. The remains of the foundations of the presbytery can be seen in the churchyard.
The Easter Sepulchre
The badly damaged arched recess on the north side of the chancel next to the priests' door was decorated between Good Friday and Easter Sunday. It traditionally displayed images to commemorate the Crucifixion, entombment, and resurrection of Jesus.
Notable Families
The Bolton Family
There is a large memorial stone in the
south west corner of the nave. The text on the memorial is extensive detailing Henry Bolton Esquire's various official offices, land holdings and titles. Of particular note are the details of his numerous marriages and of his son.
Three of his wives have ledger stones in
the church and two hatchments by the west door.
Not a lot is known about Henry Bolton
who resided in the parish in the early to
mid 1700s. He was a thrice married
landowner, (also described as a merchant,) with holdings in Lincolnshire,
Rutland and Northamptonshire. A magistrate for Lincolnshire and Rutland.
After the latter part of the 18th century, there are no further obvious records of the Boulton family in Moulton.
The Corby Family
The Corbys were a wealthy landowning family in the area during the 1700s to the mid 1800s. A number of ledger stones in the church record their presence.
16th Century Altar Table
A 16th century altar table is housed in the former lady chapel, now used as a prayer corner .It was originally a domestic dining table which was used as a altar in the Nave during the civil war when the Chancels and Sanctuary was abandoned. The congregation sat around this simple table in the Nave.
36th of July Gravestone
The ledger stone of Prudence Corby. Closer inspection shows the corrected mistakes made by the stonemason in the lettering. Notably her departure date is inscribed as "Julye 36th 1793"!
Bells
Stand just inside the western door and look upwards. There is a blue circle in the centre of the vaulting. This is where the bells were hauled up into the bell tower above.
There are six bells, the earliest dating from 1588, inscribed as follows:
1. "Non clamor sed amor cantat in aure Dei, Tobie Norris cast me 1620"
"Not a cry but love sings in God's ear."
2. "Ego sum vox clamantis, Joseph Eyre, St Neot's, fecit 1769"
"I am the voice of the cry."
3. "T. Osbourn fecit 1785"
4. "God speed us, we sayeth . Thomas Hill 1588"
5. "Venite cum voco, Revd Maurice Johnson D.D., Vicar, John Briant and John Cabourn, fecerunt, 1805 R. Thorpe and R King, C.W."
"Come when I call."
6. "Hung at the Coronation of King George V and Queen Mary, in memory of King Edward VII".
Candle Cupboard near Pulpit
The candle cupboard was made from parts of the salvaged 3 tier pulpit.
Candle Holders on Pillars
There are a number of candle holders on the pillars in the Nave.
Chancel Arch Detail
The Chancel was rebuilt in the 15th century when a simple flat roof was raised to the present level. For some reason, the Chancel Arch is a later addition, probably post-reformation. Not deemed to beof any outstanding architectural value according to Sir William Fosters' report of 1890. However, among one of the foliage decorations on the south side, there is a face. Is it a Green Man, a lion (the symbol of St Mark)... or a Lincoln Imp?
Details of Screen (Devotional Marks)
The plain panels in the chancel are largely obscured by the choir stalls. However, there are a number of significant devotional marks with direct reference to the restoration of the monarchy in May 1660. It is unusual to have these on the chancel side of the screen as this area was mainly used by the clergy. However, someone obviously thought it was worth giving thanks to God for the end of the civil war.
Different styles of columns
The earliest columns are at the east end of the nave and consist of four shafts
arranged around a central column. Others are arranged with 4 large and 4 smaller ones
arranged around
the central column. Some are of solid round construction. The variation in the style reflects the estimated 80 years it took to construct the nave.
During that time english church design was evolving from the traditional solid
Norman style through to the lighter Lancet style. This period is known as
Transitional style. Although this does not give a uniform appearance to the
overall view of the line of columns in the nave it does help to tell the
story of the
duration of work
and architectural styles that
evolved as the church was built.
Capitals at the top of the piers
There are 6 different styles of decoration on top of the piers. Again, reflecting the
changing architectural trends over time. On the north side they are a fairly consistent design with the leaves carved in relief around the capital.
On the south side there is a variation in foliage detail and these appear more
roughly executed. The addition of whimsical faces peer out from 3 of these capitals. They face variously south or south east but not towards the altar or the
congregation. They are incorporated into the foliage and hard to spot. These
"grotesques" were thought to protect sacred spaces from evil spirits and be a
reminder of the ongoing struggle between good and evil.
East Windows Details
The stained glass window was installed by parishioners in the restored Chancel in memory of Reverend Jackson, the vicar of Moulton 1866-1899.
The top windows display the 9 Orders or Ranks of Angels: - Seraphim, Cherubim, Thrones, Dominions, Virtues, Powers, Principalities, Archangels and Angels.
The panels underneath show various Saints and Angels
St Joseph of Arithemea (spear)
St Peter (key)
St John (serpent)
Mary Mother of Jesus
St Luke (artists palette)
Archangel Raphael (carrying a fish)
The Archangel Michael (red cross on shield)
St John the baptist (lamb)
St Christopher (orb)
St Walstan (scythe, patron saint of farm workers)
It is decorated with depictions of saints and angels holding 'palms of glory.'
Entry to Bells
The door to the ringing chamber is on the north side of the tower.
Evidence of Original Tower Lintels
Stand by the font and look at the very tall columns either side. These originally supported the floor of the old bell tower.
Harrox Window
The Harrox window in the north aisle is dedicated to John Harrox who endowed land and money in his will in 1561, for the foundation of a Grammar School in Moulton and the provision of aid to 'persons in need, hardship or distress.'
The window also contains memorials to former headmasters of the school.
Next to the Harrox window are the war memorials to Moulton Grammar School boys who served and died in both world wars.
Holes of Old Pulpit
The pulpit is said to be remodelled from a very old cupboard. It replaced a much larger 3 tier pulpit which was removed during the Victorian renovation of the Nave and Chancel.
Lady Chapel
The Lady Chapel in the south aisle is now dedicated as a prayer corner. The evidence of fixing points show it was screened off from the rest of the Nave and used for private prayer. The piscina in the south wall is one of 3 that still exist in the church.
Lych Gate
Built to commemorate Queen Victoria's Golden Jubilee, 1887. The word "lych" is middle English meaning "body" or "corpse". It was formerly used to shelter the coffin until clergy arrived to read the introductory part of the burial service.
Mason's Mark WA
Looking up at the first arch to the west of of the northern aisle, the initials WA can be seen. There is also a faded devotional mark that resembles a flower-head adjacent, near the apex of the arch.
Matching Pair of Coffin Trestles
A matching pair of trestles which were originally used to place a coffin during a funeral. They are simply crafted but a good example of local rural carpentry . It is not known exactly how old they are but they are thought to be late 17th century early 18th century.
Musket Marks
The clerestory is the line of windows letting in light above the Nave. The north side is older than the south side, where the windows are slightly different. It dates from around 1400.
Look carefully at the stone ledges running below the clerestory windows. During the civil war, a group of parliamentarian soldiers on their way to Crowland in 1643 broke into Moulton Church and shot out the stained glass in the clerestory windows. The ledge was badly damaged by musket balls on the south side, but not so much on the north side. There are also musket ball marks high on the wall in the lady chapel.
New Font
This was installed as part of the considerable Victorian remodelling project in 1867-8.
Medieval Font
The early medieval font was found by The Reverend Jackson in a nearby stables and brought back to the church. Originally, it would have been lead-lined and with a locking lid but these are sadly missing. It was necessary during medieval times to lock fonts as the holy water used for baptisms remained in the font all year and only changed at Easter. It was often stolen and sold to pilgrims by unscrupulous villagers...luckily, times have changed and the holy water used today is provided fresh for each baptism.
Organ
The pumped organ was replaced in 1978 with a pipe organ built by Nicholas Pitts. This was later sold to a small town in Germany and replaced by the present 3 manual electronic organ.
Piscina next to Nave
The piscina in the north aisle was part of a former chapel or chantry. This area would have been funded and used for private prayers solely for the benefactor and family by a dedicated priest.
Poor Box
Thought to be locally made sometime between the late 17th and early 18 century. Donations made were distributed between the poor and needy of the parish. During the 18th century it was used by the bellringers to balance candles whilst they rang the bells. Today, it is used by those who wish to buy donated books. The money is used to help support the upkeep of the church.
Rood Screen Detail
The rood screen dates from around 1425 and is a particularly rare and fine example that has survived over 600 years. There are finely carved foliage, birds dragons, lions head and paws to the panels on the south side. On the north side there is a carved griffin,dragon and bearded man's head and further detailed foliage. The rood screen gates are also original. Above the screen are lifelike carved heads of medieval men and women looking towards the Nave and the chancel. Carved into the plain panels are a number of devotional marks. These are in the forms of house outlines, scratched crosses, and initials. These medieval marks are prayers made by worshippers who were largely illiterate. LM denotes prayers to Mary the Mother of Jesus as is the M intertwined with an inverted M creating a 'butterfly' or 'marion' mark . Confessions from the parishioners would be heard on the chancel steps by the clergy who would have remained on the other side of the screen. The small rose symbols around the entrance to the chancel represent the flower symbol for Mary and is a visual reminder of the sanctity of the confessional.
Royal Coat of Arms
These were required to be displayed in churches after the reformation... to remind parishioners that the Monarch was the head of the Church of England and not the Pope!
Sedilia Alcoves
Where the assistant clergy sat to help the priest.
St Anthony Chapel Piscina
The modern choir vestry hides part of this area, thought to be dedicated to St Anthony. There is evidence of a piscina alcove although the basin is cemented over.
The Reredos
The ornamental panel behind the altar is displayed in 5 sections representing the 5 wounds of Christ. The decoration of the panels show symbols associated with the crucifixion as depicted in the gospels.
Three Hatchments
The coats of arms in the 3 hatchments are attributed to the Bolton family, important landowners in the Moulton area during the 18th/19th century. These were hung outside the home of the deceased to announce a death in the family. The boards headed the funeral procession and afterwards hung outside the home of the deceased for up to 6 months of mourning. Finally they were hung in the church as a memorial. The black background on the dextral (right) side of the hatchment shows the deceased is male and on the sinistral (left) side the deceased is a female member of the family.
The coat of arms on the 3 Boulton
hatchments and the memorial plaque
display various heraldic forms but
common to all is the 3 golden arrows (or
bolts) of the Boulton family. The family
motto 'Spes Mea in Deo' translates as 'My hope is in God'
Vestment Chest
Used to store the altar cloths. The altar colours are changed in accordance with the seasons of the Christian Anglican church calendar.
WW2 Memorial
The WW2 list of Old Moultonians by the Harrox Window..
FL Leonard Porter was the son of the village butcher and former head boy of Moulton Grammar school. He was a brilliant scholar and went on to Trinity College to study for a BA. In 1941, he volunteered for the RAF 264 sq based in Cornwall. He flew mosquitos, primarily to harass German planes headed for the coast of England. Aged 22, he was with his flying officer, over the English channel, when the plane was hit. He brought the plane down which floated on top of the sea. He rescued FO Huntley from the sea and secured him to the wing of the plane, but was himself washed away. FO Huntley was captured and remained a POW for the rest of the war... Leonard Porters's name is recorded in the churchyard on the grave of his grandparents, as his body was never found.
Walled-up Door
The blocked door occurred during the Victorian renovation work in the chancel.
Formerly the priests door leading out of the chancel to the priests' house or presbytery. This allowed the clergy direct access into the consecrated part of the church.The remains of the foundations of the presbytery can be seen in the churchyard.
The Easter Sepulchre
The badly damaged arched recess on the north side of the chancel next to the priests' door was decorated between Good Friday and Easter Sunday. It traditionally displayed images to commemorate the Crucifixion, entombment, and resurrection of Jesus.
Notable Families
The Bolton Family
There is a large memorial stone in the south west corner of the nave. The text on the memorial is extensive detailing Henry Bolton Esquire's various official offices, land holdings and titles. Of particular note are the details of his numerous marriages and of his son.
Three of his wives have ledger stones in the church and two hatchments by the west door.
Not a lot is known about Henry Bolton
who resided in the parish in the early to
mid 1700s. He was a thrice married
landowner, (also described as a
merchant,) with holdings in Lincolnshire,
Rutland and Northamptonshire. A
magistrate for
Lincolnshire and Rutland. After the latter part of the 18th century, there
are no further obvious records of the Boulton family in Moulton.
The Corby Family
The Corbys were a wealthy landowning family in the area during the 1700s to the mid 1800s. A number of ledger stones in the church record their presence.
Communion Rail
The altar or communion rail is part of the Victorian renovation work and separates the chancel from the sanctuary. During the civil war the use of the sanctuary and chancel was largely abandoned in favour of a communal table in the Nave. At the end of the civil war and the restoration of the rites of the Church of England, it became customary to fix the altar rail into place to prevent the altar being removed into the Nave.
Devotional Marks
Prior to building the new tower and west entrance, the original west door was in line with the floor ramp up to the font. Look closely at the pillars and you can see devotional marks scratched into the stone-work up to head height. The west door was traditionally used only for funerals, weddings and holy processions. These simple marks were prayers to ward off evil and bless the souls of those who entered by this door.
Door to Rood Loft
Above the rood screen there was originally a loft accessed from a small door on the south side. The only trace that remains is a section of stone lintel on the south wall of the chancel.
Memorial to S. Bateman
WW1 commemoration tablet to Seth Bateman.
Seth's parents were told he had died defending Ladysmith in 1899 during the siege and they commissioned the commemoration tablet. In March 1900, the war correspondent of The Times reported that Seth was captured by the Boers in December 1899 and taken to prison in Pretoria where he died a few months later. The war correspondent was a Mr W S Churchill.
Nave Story
As you enter under the bell tower you enter the large space which is
known as the Nave. It stretches from the bell tower to the screen across the chancel arch. This word comes from the Latin word "Navis" meaning ship. Look
upwards and you will see the the roof
structure resembles the ribs of an upturned boat.
Moulton has an unusually long nave measuring 172 feet in length.
In the 80 years it took from 1180 to build the church, this was the area of the church which was unconsecrated.
Only the area beyond the rood screen was consecrated and reserved for use by priests and other clergy.
The eastern end of the nave was
constructed first and is the earliest part existing in the church today.
In medieval times, the nave was used for the common people to hear the services. The floor was at least 18
feet -- 2 feet lower than it is today. The large pier bases were exposed, so used for seating (there were no pews).
The nave was also used as a community area and indoor meeting space. A King's
Charter was granted by Henry III in 1265 for a weekly market on a Wednesday and a yearly fair on the eve of All Saints Day. (The markets and fair were held in the nave and churchyard. The annual Charter gave the church its dedicated name of All Saints. There are no records of the original dedicated name before this time. This permission was temporarily suspended in 1292 by the order of the bishop of Lincoln until such
time as the men of Moulton repaired or replaced the failing bell tower.)
The markets and fairs were a regular source of profit to the Lord of the Manor,
who at that time was the prior of Spalding, with some benefits to the de Moulton family. The Nave was used for storage by the Lords for arms, lodgings for their men at arms, and goods for
sale. Grievances were heard and disputes settled. Beer was
allowed to be sold here only if brewed by Spalding Priory or Convent.
Naves were noisy places and often disruptive to the services. In 1448,
Henry VI suppressed and forbade annual fairs because of the unruly behaviour, drunkenness, and fighting associated with these events.
Any charters that survived this ruling were eventually banned under the strict rule of the Commonwealth.
During the civil war the chancel was closed off and the altar table placed in the eastern end of the nave where worshippers would stand or sit around it.
After the restoration in 1660 and the resumption of normal services, the altar and chancel were reopened. The addition of box pews were known to be in place by 1777 and a large 3 tier pulpit constructed between the 2nd and 3rd pillars on the north side. These features, along with the choir gallery, were swept away during the Victorian refurbishment of the church in 1868. The floor of the nave was raised to its present level and the open pews installed, which remain in place today.
Present day use of he nave, when not in use for services, is for meetings, coffee mornings, concerts, seasonal fairs, and our annual flower festival. It is a popular community hub shared by many in the
village.
Norman Foundations
Traces of Norman foundations at the bases of the pillars are evident. The floor in the Nave was originally 18" -20" lower in the Nave but was raised up during the Victorian restoration.
Platform for Choir Loft and Organ
This was removed during the Victorian restoration 1866 - 1899. It was an ornate
wooden construction accessed by the bell tower stairs. Thought to be
constructed during the mid to late 16th century, it housed the choir and
musicians prior to incorporating the installation of a pumped organ and pipes.
Church records show that the 1st "Master of Musick" was appointed to the choir in 1700 and was paid a 3/4d retainer (about 16p) a year for his services. The organ was moved to the chancel as part of the Victorian restoration.
Tower Crumbling
As you enter the church, stop before the font and look up into the bell tower, which supports the 160 feet spire. This area dates from c1380 and replaced the tower originally built with the 12th century church. The new tower and western entrance was erected more to the west and on new foundations.
Above the font is evidence of rough stonework which shows the position of the original tower. This had started to collapse. The Bishop of Lincoln suspended the charter that granted the holding of a market in Moulton until such time that the parish paid for the failing tower to be pulled down and a new one built.
Victorian Font
Placed in All Saints in 1719 it is allegedly based on a font in St James Piccadilly carved by Grinding Gibbons. Adam and Eve are represented either side of the column with the coiled serpent. The tree of life decorated with fruit continues around the basin along with depictions of Noah's Ark, the escape of the Israelites out of Egypt and two figures thought to be David and Goliath.
Originally the font was painted in bright colours. However the congregation objected to the colours and they were removed. Traces of the paint still remain.
Communion Rail
The altar or communion rail is part of the Victorian renovation work and separates the chancel from the sanctuary. During the civil war the use of the sanctuary and chancel was largely abandoned in favour of a communal table in the Nave. At the end of the civil war and the restoration of the rites of the Church of England, it became customary to fix the altar rail into place to prevent the altar being removed into the Nave .
Devotional Marks
Prior to building the new tower and west entrance, the original west door was in line with the floor ramp up to the font. Look closely at the pillars and you can see devotional marks scratched into the stonework up to head height. The west door was traditionally used only for funerals, weddings, and holy processions. These simple marks were prayers to ward off evil and bless the souls of those who entered by this door.
Door to Rood Loft
Above the rood screen there was originally a loft accessed from a small door on the south side. The only trace that remains is a section of stone lintel on the south wall of the chancel.
Memorial to S. Bateman
WW1 commemoration tablet to Seth Bateman.
Seth's parents were told he had died defending Ladysmith in 1899 during the siege and they commissioned the commemoration tablet. In March 1900, the war correspondent of The Times reported that Seth was captured by the Boers in December 1899 and taken to prison in Pretoria where he died a few months later. The war correspondent was a Mr W S Churchill.
Nave Story
As you enter under the bell tower you enter the large space which is known as the Nave. It stretches from the bell tower to the screen across the chancel arch. This word comes from the Latin word "Navis" meaning ship. Look
upwards and you will see the the roof structure resembles the ribs of an upturned boat.
Moulton has an unusually long nave measuring 172 feet in length.
In the 80 years it took from 1180 to build the church, this
was the area of the church which was unconsecrated. Only the area beyond the rood screen was consecrated and reserved for use by
priests and other clergy.
The eastern end of the nave was constructed first and is the earliest part existing in the church today.
In medieval times,
the nave was used for the common people to hear the services. The floor was at least 18 feet -- 2 feet lower than it
is today. The large pier bases were exposed, so used for seating (there were no pews).
The nave was also used as a community area
and indoor meeting space. A King’s Charter was granted by Henry III in 1265 for a weekly market on a Wednesday and a yearly fair on
the eve of All Saints Day. (The markets and fair were held in the nave and churchyard. The annual Charter gave the church its dedicated name of All Saints. There are no records of the original dedicated name before this time. This permission was temporarily
suspended in 1292 by the order of the bishop of Lincoln until such time as the men of Moulton
repaired or replaced the failing bell
tower.)
The markets and fairs were a regular source of profit to the Lord of the Manor, who at that time was the prior of Spalding, with some
benefits to the de Moulton family. The Nave was used for storage by the Lords for arms, lodgings for their men at arms, and goods for
sale. Grievances were heard and disputes settled.
Beer was allowed
to be sold here only if brewed by Spalding Priory or Convent.
Naves were noisy places and often disruptive to the services. In 1448, Henry VI suppressed and forbade annual fairs because of the unruly behaviour, drunkenness, and fighting associated with these events.
Any charters that survived this ruling were eventually banned under the strict rule of the Commonwealth.
During the civil war the chancel was closed off and the altar table placed in the eastern end of the nave where worshippers would
stand or sit around it.
After the restoration in 1660 and the resumption of normal services,
the altar and chancel were reopened. The addition of box pews were known to be in place by 1777
and a large 3 tier pulpit constructed
between the 2nd and 3rd pillars on the north side.
These features, along with the choir gallery, were swept away during the Victorian refurbishment of the church in 1868. The floor of the nave was raised to its present level and the open pews
installed, which remain in place today.
Present day use of the nave, when not in use for services, is for meetings, coffee mornings, concerts, seasonal fairs, and our annual flower festival. It is a popular community hub shared by many in the village.
Norman Foundations
Traces of Norman foundations at the base of the pillars are evident. The floor in the Nave was originally 18" -20" lower in the Nave but was raised up during the Victorian restoration.
Platform for Choir Loft and Organ
This was removed during the Victorian restoration 1866
- 1899. It was an ornate wooden construction accessed by the bell tower stairs. Thought to be constructed during the mid to late16th century, it housed the choir and musicians prior to incorporating the installation of a pumped organ and pipes.
Church records show that the 1st "Master of Musick" was appointed to the choir in 1700 and was paid a 3/4d retainer (about 16p) a year for his services. The
organ was moved to the chancel as part of the Victorian restoration.
Tower Crumbling
As you enter the church, stop before the font and look up into the bell tower which supports the 160 feet spire. This area dates from c1380 and replaced the tower originally built with the 12th century church. The new tower and western entrance was erected more to the west and on new foundations.
Above the font is evidence of rough stonework which shows the position of the original tower. This had started to collapse. The Bishop of Lincoln suspended the charter that granted the holding of a market in Moulton until such time that the parish paid for the failing tower to be pulled down and a new one built.
Victorian Font
Placed in All Saints in 1719 it is allegedly based on a font in St James Piccadilly carved by Grinding Gibbons . Adam and Eve are represented either side of the column with the coiled serpent. The tree of life decorated with fruit continues around the basin along with depictions of Noah's Ark, the escape if the Israelites out of Egypt and two figures thought to be David and Goliath.
Originally the font was painted in bright colours. However the congregation objected to the colours and they were removed. Traces of the paint still remain.