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Shadai Amulet
A Shadai (or Shaddai) amulet is a traditional Jewish protective charm featuring the Hebrew name of God, שדי (Shaddai), which symbolizes protection, strength, and warding off evil. Often crafted in silver as pendants or plaques, these amulets are used to protect wearers, homes, or children from the "evil eye," disasters, and for good fortune.
Inscriptions & Imagery: Beyond the name "Shaddai," these amulets frequently feature the Hebrew letters (Shin), representations of the Menorah, Tablets of the Law, or other Kabbalistic symbols.
Symbolism: "Shaddai" is one of the Biblical names for God, often interpreted in this context as an acronym for Shomer Daltot Yisrael (Guardian of the Doors of Israel).
Usage: Used for general protection, health, overcoming illness, or to aid in childbirth.
Varieties: Common forms include pendants, hamsa-shaped charms, or plaques designed for hanging in a home, with origins often found in Italian or Middle Eastern Jewish traditions.
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Torah Crowns
Venetian Torah crowns (keter or atarah) from the 17th–18th centuries are ornate silver, often parcel-gilt, ritual ornaments reflecting the wealth of Venice's Jewish community. These crowns frequently feature repoussé decorations of flowers, conches, and symbolic religious items like the Tablets of the Law.
Design: Often divided into a base and an upper part, these crowns are designed to sit on top of the Torah scroll's wooden staves.
Prominent Makers: Andrea Zambelli, known as "L'Honnesta" (active 1732–1772), produced significant Venetian silver Torah crowns
Symbolism: Representing the royalty and supreme importance of the Torah, they often feature motifs such as the Temple menorah, priestly head-gear, and other, related, ritual, items.
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A view to the Ark from the Bimah
Early 20th century
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Jewish soldiers of the Austro-Hungarian army in the Synagogue. 1918
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Shmidt Building
Beit Schmidt is a museum of Italian Jewry that was established in Jerusalem between the years 1880–1920.
The museum was opened in order to preserve the Jewish heritage of Italy. It was founded in a building that had previously served as a Catholic school and was designed by the Templar architect Theodor Sandel. The property includes additional buildings that once functioned as a hospital and a hostel for pilgrims. Today, these buildings house the Jerusalem municipal officer’s headquarters and the Italian synagogue “Conegliano Veneto” (the Italian Synagogue of Jerusalem).
The museum building is named Beit Schmidt after the Vincentian Catholic priest Friedrich Wilhelm Schmidt, a linguist specializing in Semitic languages who was very active in the school.
History of the Site
Ladislaus Schneider was an important activist among German Catholics and insisted that they, too, should operate in Jerusalem. In 1877, he purchased a plot of land in the city with the intention of establishing the first German Catholic center in Jerusalem. The center was founded at the initiative of the German Catholic Palestine Association. It served as a hostel for pilgrims and as a place for settlers, researchers, and scholars.
A few years later, in 1886, two large buildings were constructed on the property: the school and the hospital. Both buildings admitted educated individuals with strong recommendations.
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The 18th-century bimah (reading platform) of the Conegliano Veneto Synagogue is a central feature of the reconstructed Baroque-style synagogue located within the U. Nahon Museum of Italian Jewish Art in Jerusalem. Transported to Israel in 1951, it stands as an elevated, ornate wooden structure used for Torah readings in the active, relocated sanctuary.
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The Conegliano Synagogue and ark in situ
Early 20th century
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The Synagogue interior.
The view to the bimah
Early 20th century
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The Women's gallery
Early 20th century
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Ripples of Venice
a virtual 3d exhibition
Ripples of Venice invites you on a journey through memory, resilience, and creativity -where past and present meet across centuries of Jewish life.
The contemporary works featured in this exhibition were created through five special artist residencies organized by Beit Venezia - A Home for Jewish Culture, founded and directed by Shaul Bassi. Each residency offers a fresh artistic response to the legacy of Jewish Venice. These new works are presented in dialogue with historic Judaica objects made by the Venetian Jewish community from the Renaissance to the early 20th century.
Beit Venezia brings Jewish artists from around the world to live, learn, and create in Venice. Immersed in the city's rich Jewish legacy, these artists craft new works inspired by their experiences - weaving their own visions into the living tapestry of Jewish Venice. This legacy is rooted in the Venetian Ghetto, established in 1516 as the first officially designated Jewish ghetto in the world. Surrounded by walls and gates, it confined the Jewish community to a small, enclosed area of the city. Despite confinement, the Jews of Venice built a vibrant and resilient society, blending Italian and Jewish traditions and giving birth to a thriving center of Hebrew printing, scholarship, and art the influence of which spread across Europe and beyond-like ripples - carried by printing folios and Venetian merchant's ships.
The historic objects on view, drawn from the permanent collection of the
U. Nahon Museum of Italian Jewish Art, are paired with these contemporary reflections. Together, they trace the enduring flow of Jewish life that persists and flourish despite hardship, commanding us to carry on.
From the narrow alleys of Venice to the heart of Jerusalem, the spirit of resilience moves forward, undiminished. Ripples of Venice celebrates the creativity, learning, and hope that have sustained Jewish life across generations - a living testament to resilience, renewal, and the unbreakable bonds between Jewish collective memory and the future.
Artists
Kyra Munk Matustik
Hadassa Goldvicht
Lynne Avadenka
Jacqueline Nicholls
Ken Goldman
Meydad Eliyahu
Hillel Smith Yael
David-Cohen
Andi Arnovitz
Mirta Kupferminc
Sophie Herxheimer
Josh Baum Dixa vía
Tilla Crowne
Leora Wise
Nathan Gotlib
Lucia Veronesi
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A short explanation about the object seen here (This is not the true object and it has to be replaced by the right one).
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A short explanation about the object seen here (This is not the true object and it has to be replaced by the right one).
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A short explanation about the object seen here (This is not the true object and it has to be replaced by the right one).
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The Women's gallery
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The 17th-century Torah Ark from the Conegliano Veneto synagogue is a masterpiece of Baroque woodcarving, featuring gilded decorations, Corinthian columns, and intricate vine/leaf motifs. Housed in the Nahon Museum of Italian Jewish Art on Hillel Street in Jerusalem, this 1701 ark was relocated from Italy in 1952 to prevent its destruction.
Key Features of the Conegliano Synagogue Ark:
Design: Intricately carved, gilded wooden structure featuring large acanthus leaves, vine leaves, and grapes.
Structure: Two adorned, round-topped doors supported by columns with Corinthian capitals.
Significance: The ark, along with the entire synagogue interior, was meticulously transferred from Italy and reconstructed in Jerusalem, where it is used for, Services held according to the Bnei Roma (Children of Rome) tradition.
Origin: The synagogue was originally part of a 16th-century Jewish community in a town located between Padua and Venice, with the ark bearing a carved panel dedicated to a Rabbi who died in 1615.
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The Mantua Ark is a rare, 16th-century (c. 1543) Italian Torah Ark, notable as one of the oldest in the world. It was created for the Norsa Synagogue in Mantua, Italy, and is celebrated for its carved, gilded wood design and Renaissance-era artistry.
Key Details About the Mantua Ark:
Origin: Created in 1543, it is a key example of Italian Jewish heritage from the Renaissance period.
Patronage: The ark was commissioned by Lady Consilia Norsa, a wealthy businesswoman and patron in Mantua.
Design: It is made of carved, gilt wood featuring intricate decorations, including acanthus leaves, volutes, and inscriptions (such as "Torah crown").
Restoration & Preservation: It has been meticulously restored and is a primary exhibit at the Nahon Museum of Italian Jewish Art in Jerusalem
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Conegliano Synagogue
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Nahon Museum
of Italian Jewish Art
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___
The Jerusalem Institute for Research and Digital Documentation of Cultural Heritage
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___
Address


Hillel Street 25
Jerusalem
025801144


Sunday
10:30 am–4:30 pm


Monday
10:30 am–4:30 pm


Tuesday
Closed


Wednesday
Closed


Thursday
10:30 am–4:30 pm


Friday
Closed


Saturday
Closed


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The Jerusalem Institute for Research and Digital Documentation of Cultural Heritage, a research initiative of the Jerusalem Multidisciplinary College, is devoted to the study, preservation, and dissemination of Jerusalem’s rich cultural legacy through innovative digital methods. Situated at the crossroads of academia, technology, and heritage, the Institute brings together scholars, artists, and technologists to explore how the city’s material and immaterial heritage can be preserved, interpreted, and shared in the digital age.



‎ TEL: +972-2-629-1911
37 Hanevi'im St. Jerusalem, 9101001


https://www.jmc.ac.il/en/
https://heritage.jmc.ac.il/
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Music: Salomone de Rossi
Vocals: profeti della quinta
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Panorama list:
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restoration of the wooden and textile pieces in the collection and a research institute that includes a library and a photograph collection. The building’s main attraction is the reconstructed Conegliano Veneto synagogue built in 1701, which was transferred to Jerusalem in 1952 and serves as an active house of worship where services are held according to the Minhag Bnei Roma (Children of Rome custom), one of the most ancient traditions in Judaism, closely related to the tradition that prevailed during the Second Temple Period. The Jersualem Foundation has supported several actvities at the museum over the years, including restoration work and educational programs, including joint Jewish-Arab youth programs.
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Key Details About the Conegliano Synagogue:


Origin and Relocation:
Originally located in a small town in the Veneto region of northern Italy, the synagogue was moved to Israel in 1951-1952 following the decline of the local Jewish community.


Architecture: It is known for its beautiful Baroque-style interior, featuring a gold-leaf decorated Torah Ark, elaborate wood carvings, and stucco bas-reliefs.
Significance: It serves as a, if not the, primary example of Italian Jewish heritage and design, featuring 18th-century elements..
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The Conegliano Synagogue is an 18th-century Italian synagogue originally built in 1701 in Conegliano, Italy, which was dismantled and reassembled in Jerusalem in the early 1950s. Located in the U. Nahon Museum of Italian Jewish Art on Hillel Street, this historic, ornate synagogue serves the local Italian-Israeli community, holding services on Shabbat and holidays.



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The U. Nahon Museum of Italian Jewish Art is a museum, conservation center, research institute and synagogue that serves as a center for Italian Jewry.
The museum was established by the Jerusalem Italian Jews Association in the former Schmidt Compound in 1982. The museum collects, preserves and displays objects pertaining to Jewish life in Italy from the Middle Ages through the present, focusing on objects of the Renaissance and Baroque Periods.
In addition to the permanent collection, the museum displays temporary exhibits and offers conferences, concerts and guided tours. It also houses workshops for the conservation and
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